Marcel Arland

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Marcel Arland (1929)

Marcel Arland (born July 5, 1899 in Varennes-sur-Amance ( Haute-Marne ); † January 12, 1986 in Saint-Sauveur-sur-École ( Seine-et-Marne )) was a French writer and literary critic, who especially as co-editor of the respected Nouvelle Revue Française had considerable influence on contemporary French literature. Even influenced by role models such as Pascal , Dostoyevsky and André Gide , he joins the guard of French moralists with his novels and short stories. He presents complex emotional situations astutely but always cautiously. In 1929 he received the Prix ​​Goncourt for his novel L'ordre (German: Holy Order) and the Grand Prix de Litterature in 1952 for his complete works .

Life

Arland came from a petty bourgeois rural background. After the early death of his father and a joyless youth, he studied literature and philology in Paris . As a penniless student, he took over the editing of the Bulletin de l'Association générale des étudiants in 1919 . Later he tried his luck with René Crevel and Roger Vitrac as the editor of a Dadaist literary magazine called Aventure . From 1924 to 1929 he taught at the Collège du Montcel in Jouy-en Josas, but also worked as a writer. Later, like his friend Jean Paulhan, he supported the literary branch of the Resistance . In 1953 he was involved in the re-establishment of the Nouvelle Revue Française - which collaborated with the fascist forces during the Second World War - in the old spirit; From 1968 to 1977 he was editor-in-chief. Since 1968 he has been a member of the Académie française .

Works

French

  • Terres étrangères (Gallimard, 1923)
  • La route obscure (Gallimard-NRF, 1924)
  • Étienne (Gallimard, 1924)
  • Monique (Gallimard, 1926)
  • Les Âmes en peine (Gallimard, 1927)
  • Où le Coeur se partage (Gallimard 1929)
  • L'Ordre (Gallimard, 1929)
  • Edith (Gallimard-NRF, 1929)
  • Une époque (Roberto A. Corrêa, 1930)
  • Essais critiques (Gallimard-NRF, 1931)
  • Antarès (Gallimard, 1932)
  • Les Vivants (Gallimard, 1934)
  • La Vigie (Gallimard, 1935)
  • Les Plus Beaux de nos jours (Gallimard, 1937)
  • Terre natale (Gallimard, 1938)
  • La Grâce (Gallimard, 1941)
  • Sur une terre menacée (Stock, Delamain & Boutelleau, 1941)
  • Anthologie de la poésie française - Choix et commentaires par Marcel Arland (Stock, Delamain & Boutelleau, 1942)
  • Zélie dans le désert (Gallimard, 1944)
  • Le promeneur (Editions du Pavois, 1944)
  • Il faut de tout pour faire un monde (Gallimard, 1947)
  • Sidobre (Éditions de Minuit, 1949)
  • La prose française - anthology, histoire et critique d'un art (Stock, Delamain & Boutelleau, 1951)
  • Essais et nouveaux essais critiques (Gallimard, 1952)
  • La Consolation du voyageur (Stock, Delamain & Boutelleau, 1952), dts. The Consolation of Travelers: Autobiography
  • La grâce d'écrire (Gallimard-NRF, 1955)
  • A perdre haleine (Gallimard-NRF, 1960)
  • Je vous écris ... (Grasset, 1960; droits repris en 1968 par Gallimard-NRF)
  • L'Eau et le feu (Gallimard, 1960)
  • Je vous écris… La nuit et les sources (Grasset, 1963; droits repris en 1968 par Gallimard-NRF)
  • Le Grand Pardon (Gallimard, 1965)
  • Carnets de Gilbert (Gallimard-NRF, 1966)
  • La musique des Anges (Gallimard-NRF, 1967)
  • Attendez l'aube (Gallimard, 1970)
  • Avons-nous vécu? (Gallimard-NRF, 1977)
  • Ce fut ainsi (Gallimard-NRF, 1979)
  • Lumière du soir (Gallimard-NRF, 1983)

German editions

  • Holy Order , Berlin 1932 (Rowohlt)
  • Home earth , Dessau 1942 (Rauch)
  • From love , Düsseldorf 1949 (Diederichs)
  • The Law of Order , Zurich 1955 (Gutenberg Book Guild)

literature

Remarks

  1. Arland is considered an excellent stylist. In his lacony he reminds some critics of Benjamin Constant . Arland's main theme is the endeavor of man to bring self and world into harmony, which turns out to be in vain, especially in love.

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