Mario-Andreas von Lüttichau

Mario-Andreas von Lüttichau (* 1952 in Munich ) is a German art historian , curator , exhibition curator and art advisor .

Life

Mario von Lüttichau studied art history at the University of Munich , where he received his doctorate in 1983. This was followed by positions as a research assistant and fellow in Munich (Prestel-Verlag, Bayerische Staatsgemäldesammlungen), Berlin (Berlinische Galerie), Santa Monica, California ( JPGetty Center ) and Bonn (Kunstmuseum).

In 1987 Mario von Lüttichau reconstructed the Munich exhibition Degenerate Art from 1937. Since then he has published on topics such as degenerate art , provenance research and the history of collections at home and abroad. From 1991 to 2017 he was curator of the 19th to 21st century collection at the Folkwang Museum in Essen . From 1998 to 2009 he was a consultant for the art collection of the Sparkasse Essen . From 2007 to 2017 he had a lectureship at the Art History Institute of the University of Bonn for museological leadership concepts and curatorial models . He has been a member since 2010 and chairman of the board of trustees for the art collection of Franz Haniel & Cie. , Duisburg .

He initiated, developed and organized exhibitions and publications on art of the 19th century, on classical modernism, in particular on the artists of the artist community Die Brücke , the Blue Rider , the group ZERO and artists of the Informel , as well as on Ferdinand Hodler , Ernst Wilhelm Nay , Max Peiffer Watenphul , Lyonel Feininger , Oskar Schlemmer , Max Beckmann , Wilhelm Lehmbruck . Together with Tanja Pirsig-Marshall, he is the editor of the catalog raisonné on Otto Mueller (paintings and hand drawings).

After 26 years, von Lüttichau said goodbye to the Folkwang Museum Essen in 2017 and moved to the Kunsthaus Lempertz Cologne / Berlin as an expert. In September 2019, the auction house Ketterer Kunst Munich / Berlin hired him as an expert and scientific advisor.

Mario von Lüttichau is married to the curator and dramaturge Marietta Piekenbrock .

Publications (selection)

• German art and degenerate art . Reconstruction of the exhibition Degenerate Art in Munich 1937 in collaboration with Andreas Hüneke, in: Die Kunststadt München 1937. National Socialism and Degenerate Art, ed. by Peter-Klaus Schuster, Munich 1987, (5th revised edition 1998), ISBN 3-7913-0843-2 .
• "Crazy at any price". The 'pathologization' of modernism from Schultze-Naumburg to the exhibition guide “Degenerate Art”, in: Exhibition cat .: “From one wave to another”. Art by outsiders in dialogue, ed. by Roman Buxbaum, DuMont Kunsthalle Köln, Cologne 1990, ISBN 3-7701-2448-0 .
• Degenerate Art, Munich 1937: A Reconstruction , in: Exh. Cat .: Degenerate Art. The Fate of the Avant-Garde in Nazi Germany, ed. by Stephanie Barron, Los Angeles County Museum of Art, Los Angeles 1991. German edition: Hirmer Verlag 1992, ISBN 3-7774-5880-5 .
• Galleries, associations, exhibitions. A sketch for the presentation of modern painting in Germany before 1914, in: August Macke and the Rhenish Expressionists in the Bonn Art Museum. The collection, ed. by Katharina Schmidt, Wienand Verlag Cologne, Bonn 1991.
• The reception de l'expressionnisme en Allemagne. , in: Exhib.-Cat .: Figures du Moderne 1905–1914, ed. by Suzanne Pagé, Musée d'Art Moderne de la Ville de Paris, Paris 1992, ISBN 2-87900-081-5 .
• Otto Mueller. A romantic among the expressionists , DuMont-Buchverlag, Cologne 1992, ISBN 3-7701-2981-4 .
• Emil Nolde. The years 1930–1945. “Daily pacting with the responsibilities”, in: Exh. Cat .: Emil Nolde, ed. by Rudy Chiappini, Museo d'Arte Moderna, Electra Verlag Milan, Lugano 1994.
• Lyonel Feininger. "Waiting room" Berlin. The years 1933 to 1937, in: Exhibition cat .: Lyonel Feininger. From Gelmeroda to Manhattan. Retrospective of the paintings, ed. by Roland März, Nationalgalerie SMPK, Berlin 1998, ISBN 3-931768-18-X .
• The Blue Rider in the Modern Gallery Thannhauser. , in: Exh. Cat .: Der Blaue Reiter and the New Image, ed. by Annegret Hoberg and Helmut Friedel, Städtische Galerie im Lenbachhaus, Munich 1999, ISBN 3-7913-2065-3 .
• Kirchner, Schmidt-Rottluff, Nolde, Nay ... Letters to the collector and patron Carl Hagemann, edited and edited. by Hans Delfs, Mario-A. v. Lüttichau and Roland Scotti, Ostfildern-Ruit 2004, ISBN 3-7757-1477-4 .
• Between joy and depression. Kirchner in Frankfurt, in: Exhibition catalog: Ernst Ludwig Kirchner. Die Deutschlandreise 1925/26, ed. by Christine Mössinger, Chemnitz Kunstsammlungen, Chemnitz 2007, ISBN 978-3-87909-910-8 .
• Paris! A picture for the salon! - Paris? Corinth between tradition and modernity, in: Exhibition cat. Lovis Corinth (1858-1925). Between Impressionism and Expressionism, ed. by Serge Lemoine, Musée d'Orsay, Paris 2008, German edition: ISBN 978-3-86678-177-1 .
• Loss of modernity. Klaus Graf von Baudissin. Director at the Folkwang Museum from 1934 to 1937; Picture fates, in: Exhibition cat .: The most beautiful museum in the world, ed. by Hartwig Fischer and Uwe Schneede, Museum Folkwang, Essen 2010, ISBN 978-3-86930-097-9 .
• The Haniel Collection (paintings and sculptures) , Ed. Franz Haniel & Cie, editorial team and catalog Mario-A. von Lüttichau, Duisburg 2010, ISBN 978-3-8030-3350-5 .
• Thomas Mann and Max Beckmann. Meeting point in the fictional , in: exhib.-cat .: Max Beckmann. Face to Face, ed. by Susanne Petri and Hans-Werner Schmidt, Museum of Fine Arts Leipzig 2012, ISBN 978-3-7757-2817-1 .
• The Haniel Collection (works on paper) , Ed. Franz Haniel & Cie, editorial and catalog Mario-A. von Lüttichau, Duisburg 2011, ISBN 978-3-8030-3357-4 .
• “Crazy at any Price”. The Pathologizing of Modernism in the Run-up to the “Entarte Kunst” Exhibition in Munich in 1937, in: Degenerate Art, The Attack on Modern Art in Nazi Germany 1937, ed. by Olaf Peters , Neue Galerie, New York 2014, ISBN 978-3-7913-5367-8 .
• Museum Folkwang, Painting & Sculpture 19. – 21. Century , published by Museum Folkwang, editorial and catalog Mario-A. von Lüttichau, Munich / Essen 2014, ISBN 978-3-944874-09-8 .
• Museum Folkwang, masterpieces from the collection , published by Museum Folkwang, editor and catalog Mario-A. von Lüttichau, Munich / Essen 2015, ISBN 978-3-944874-11-1 .
• Bathers. In: Impressionism - Expressionism. Art turn. Edited by Angelika Wesenberg . Alte Nationalgalerie Berlin, Berlin 2015, ISBN 978-3-7774-2343-2 .
• Les noirs sont la matière de la lumière / The shades of black are the matter of light . In: Soulages. Peintures 2013–2015. Galerie Karsten Greve, Paris 2015
• '' The black tones are the matter of light ''. In: Pierre Soulages: Le Noir. Museum Folkwang in collaboration with Galerie Karsten Greve, Essen 2016.
• Lehmbruck. Variation and Perfection. In: Lehmbruck. Edited by Christiane Lange, Mario-A. from Lüttichau, Nathalie French. State Gallery Stuttgart. Stuttgart 2018, ISBN 978-3-95498-428-2
• with Tanja Pirsig-Marshall (Ed.): Otto Mueller. Catalog raisonné. Volume 1: Paintings , Volume 2: Drawings and Watercolors. Leipzig 2019, ISBN 978-3-86502-423-7 .

Exhibitions (selection)

• Stations of modernity. The important exhibitions of the 20th century in Germany: Künstlergemeinschaft Brücke, Dresden 1910; Der Blaue Reiter, Munich 1911; First German Autumn Salon, Berlin 1913; Great German Art Exhibition, Munich 1937; Degenerate Art, Munich 1937; ZEN 49, Munich 1949, in: Exhibition cat .: Stations of Modernity, ed. by Jörn Merkert, Berlinische Galerie, Martin-Gropius-Bau (Kulturstadt-Berlin), Berlin 1988, ISBN 3-78584-256-1 .
• Oskar Schlemmer. The Folkwang cycle. Painting around 1930 - Young German Art. The Folkwang Competition 1934, exhib.cat. ed. by Karin von Maur , Staatsgalerie Stuttgart and Mario-A. von Lüttichau, Museum Folkwang Essen, 1993/94, ISBN 3-7757-0464-7 .
• Sean Scully. Works on Paper 1975–1996, exhibitor catalog: Michael Semff, Staatliche Graphische Sammlung München and Mario-A. von Lüttichau, Museum Folkwang, Essen 1996/97, ISBN 3-927803-18-9 .
• The point after Weimar - or how does the maple leaf get on the kitchen table , in: Exhibition catalog: Max Peiffer Watenphul. From Weimar to Italy, ed. by Mario-A. von Lüttichau and Walter Steiner, Stadtmuseum Weimar (art cabinet), Weimar (European Capital of Culture) 1999, ISBN 3-7701-4957-2 .
• "I shouldn't be called an expressionist" . Ernst Ludwig Kirchner. The critic of his art, in: Exh. Cat. "Colors are the joy of life" Ernst Ludwig Kirchner. The Inner Image, ed. by Roland Scotti, Ernst Ludwig Kirchner Museum, Davos, and Mario-A. von Lüttichau, Museum Folkwang, Essen 1999/2000, ISBN 3-7701-5275-1 .
• Otto Mueller. ed. by Johann-Georg Prinz von Hohenzollern and Mario-A. von Lüttichau, published for the exhibition of the same name in the art gallery of the Hypo-Kulturstiftung, in it a directory of paintings and works on paper in digital form on CD, edited and edited. by Mario-A. von Lüttichau and Tanja Pirsig-Marshall, Munich 200, ISBN 3-7913-2857-3 .
• Heckel, Kirchner, Nolde, Schmidt-Rottluff. Artists of the bridge in the Hagemann collection , catalog exhibitor: Eva Mongi-Vollmer, Städelschen Kunstinstitut, Frankfurt a. Main, and Mario-A. von Lüttichau Museum Folkwang, Essen, 2004/2005, ISBN 3-7757-1521-5 .
• Auguste Rodin. The kiss, the couples. Munich, cat.-exh. ed. by Anne-Marie Bonnet, Hartwig Fischer, Christiane Lange, Kunsthalle der Hypo-Kulturstiftung, Munich and Museum Folkwang, Essen 2006/2007, ISBN 3-7774-3225-3 .
• Jonas Burgert , Cat.-Exh. Mario-A. von Lüttichau, Sparkasse Essen, Essen 2012.
• In the rush of colors - Munch, Matisse and the Expressionists , cat. Mario-A. von Lüttichau with Sandra Gianfreda, Museum Folkwang, Essen 2012, ISBN 978-3-86930-522-6 .
• Monet, Gauguin, van Gogh… Inspiration Japan , cat. Exh. Sandra Gianfreda, co-curator Mario-A. von Lüttichau, Museum Folkwang, Essen 2014, ISBN 978-3-86930-841-8 .
• Young-Jae Lee. Works in ceramics / OEuvres en céramique , foreword, exhib., Galerie Karsten Greve Cologne, Paris 2018, ISBN 978-3-940824-67-7 .
• Lehmbruck , Cat.-Exh. Christiane Lange, Mario-A. von Lüttichau, Nathalie French, Staatsgalerie Stuttgart, Stuttgart 2018, ISBN 978-3-95498-428-2 .

Web links

• Brief CV

Individual evidence

1. ↑ Folkwang curator Mario-Andreas von Lüttichau is retiring essenruhr.de, accessed on February 6, 2019
2. ↑ Lempertz gets Mario von Lüttichau , accessed on February 6, 2019
3. ↑ [1] .