Nicolò Minato
Nicolò Minato (* around 1630 in Bergamo , † 1698 in Vienna ) was an Italian poet , librettist and impresario .
Life
Minato trained as a lawyer in Venice in the 1640s and became a member of the Accademia degli Imperfetti , which dealt with law , history and classical philology . Its first publication appeared in 1645, a translation of the Eruditioni per il cortigiano by an anonymous Flemish author. From 1650 he worked as a librettist ; his first libretto Orimonte was set to music by Francesco Cavalli . By 1669, at least ten other librettos had been written in Venice, mostly also for Cavalli. By 1665 at the latest, Minato gave up his main legal profession and devoted himself only to the theater, etc. a. as impresario of the Teatro San Salvador .
In 1669 Minato became court poet in Vienna , where he wrote over 170 librettos and around 40 sacred texts over the next 29 years. On average, five works were created per year, sometimes up to ten (e.g. 1678). Almost all texts were set to music by the court composer Antonio Draghi , some of them by Emperor Leopold I himself (e.g. the oratorio Il transito di San Giuseppe , 1675, or the opera Creso , 1678). Other settings often followed by other composers, including Pistocchi , Bononcini , Ziani , Albinoni , Hasse and Telemann . His admission to the Imperial Academy and the posthumous republication of his sacred works in two volumes proves that Minato was highly regarded in Vienna.
style
Most of the Minatos libretti deal with ancient historical material, with the focus on the hero's military and moral greatness and parallels with the present. Unlike most of his contemporaries, Minato divided each act into exactly the same number of scenes (20 in the Venetian libretti, usually less in the Viennese operas). Recitatives and arias are clearly delimited from one another in form and function; the number of arias is e.g. T. increased by manipulating the action. Extensive subplots and the mixture of serious and comic elements identify Minato as a typical representative of opera of the 17th century before the reforms by Zeno and Metastasio .
Works (selection)
- Orimonte (1650), set to music by Cavalli
- Xerse (1654/55), set to music by Cavalli , Bononcini and Handel , among others
- Elena (1659), based on a scenario by Giovanni Faustini , set to music by Cavalli
- Pompeo Magno (1666), set to music by Cavalli , Scarlatti and Perti
- La prosperità di Elio Sejano (1667), set to music by Sartorio , Draghi and Albinoni , among others
- Leonida in Tegea (1670), set to music by Draghi
- Chilonida (1677), set to music by Draghi and Ziani
- La patienza di Socrate con due mogli (1680), set to music by Draghi and Reutter / Caldara , among others
- La tirannide abbatuta dalla virtù (1697), set to music by Draghi
literature
- Sergio Monaldini: Minato, Nicolò. In: Mario Caravale (ed.): Dizionario Biografico degli Italiani (DBI). Volume 74: Messi – Miraglia. Istituto della Enciclopedia Italiana, Rome 2010.
Web links
- Literature by and about Nicolò Minato in the catalog of the German National Library
personal data | |
---|---|
SURNAME | Minato, Nicolò |
BRIEF DESCRIPTION | Italian poet, librettist and impresario |
DATE OF BIRTH | around 1630 |
PLACE OF BIRTH | Bergamo |
DATE OF DEATH | 1698 |
Place of death | Vienna |