Orit Nahmias

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Orit Nahmias, September 2012

Orit Nahmias ( Ivrit אורית נחמיאס) (* 1977 in Jerusalem ) is an Israeli actress , drama - and screenwriter who has lived in Berlin since 2012 found. Since the 2015/2016 season she has been a member of the ensemble of the Maxim Gorki Theater and often works with the director Yael Ronen , who develops her plays together with the actors. Orit Nahmias was invited to the Berlin Theatertreffen in 2015 and 2016 as an actress and co-author of Common Ground and The Situation .

Live and act

Orit Nahmias was born in Jerusalem in 1977 and completed her acting training at the Hakibbutz seminar in the College of Education in Tel Aviv . Orit Nahmias has lived and worked in Berlin since 2012.

Orit Nahmias is one of the few actresses who speaks almost only English on a German stage. At first it was due to her lack of knowledge of German. In the Maxim Gorki Theater, however, it does not cause any difficulties in understanding because of the surtitles. She had her first purely German-speaking role in Feinde - the story of a love based on the novel by Isaac Bashevis Singer . There she was used by Yael Ronen "against the line of origin": She played the Polish non-Jew Yadwiga with a blonde Gretchen braided hairstyle.

Since 2009 Orit Nahmias has performed several productions at the Schaubühne with the theater group of the Israeli director Yael Ronen , whom she knew from her studies . In the fall of 2013, Yael Ronen became resident director at the Maxim-Gorki-Theater, and Nahmias has been a permanent guest actress there ever since. She has been a member of the Maxim Gorki Theater ensemble since the 2015/2016 season. So far, she has been featured in almost all of Yael Ronen's productions and is seen as the director's alter ego .

In 2013 she shot the documentary Jerusalem for Cowards with her school friend Dalia Castel, who now also lived in Berlin .

The range of her roles is wide: in The Russian Is One Who Loves Birken , she played a lesbian photographer in Israel in 2013, in the award-winning piece Common Ground , as an Israeli, she is "a self-deprecating expert on insoluble political and ethnic conflicts". In Erotic Crisis she depicts a woman who suffers from the fact that her partner no longer feels like having sex with her. Her role in her self-conceived stand-up show Oritsy - A Young Mother Tells the Truth arose from the desire to finally be on stage not as an Israeli, as a Jew, but as a sex symbol.

Works

  • Why Me? (Drama), directed by Karin Sigal
  • 2011: Jerusalem for Cowards , (documentary), with Dalia Castel, screenplay
  • 2014: Oritsy - A young mother tells the truth / The Best and the Worst. Stand-up show
  • 2017: Jilet Ayşe and Orit Nahmias. Maxim Gorki Theater , Berlin

Roles (selection)

  • Taxi , Israel
  • Revizor , Habima Israeli National Theater , Tel Aviv , Israel .
  • Reluctant Heroes , Haifa Theater , Israel.
  • 2009: Third Generation / Third Generation by Yael Ronen and Ensemble, co-production by the Schaubühne am Lehniner Platz , Berlin, and the Israeli National Theater Habimah, Tel Aviv; First performance at the Theater der Welt festival in Halle, commissioned for this festival; numerous guest performances, director: Yael Ronen.
  • 2011: The Day Before the Last Day by Yael Ronen, coproduction of the Schaubühne am Lehniner Platz, Berlin, and the Israeli National Theater Habimah , Tel Aviv, world premiere, director: Yael Ronen.
  • 2013: The Russian is someone who loves birch trees by Olga Grjasnowa , Maxim-Gorki-Theater , Berlin, director: Yael Ronen, world premiere.
  • 2013: La dernière crise - women on the verge of comedy by and with Lony Ackermann, Anika Baumann, Karla Nina Diedrich, Ursula Renneke, Maiden Monsters, Orit Nahmias, Bärbel Schwarz, Vanessa Stern, Laura Tratnik, Sophiensæle , Berlin. La dernière crise - women on the verge of comedy . In: sophiensaele.com. Retrieved October 3, 2016 .
  • 2014: Common Ground by Yael Ronen and Company, Maxim-Gorki-Theater, Berlin, director: Yael Ronen.
  • 2014: Role of Maya in Erotic Crisis by Yael Ronen and Company, Maxim-Gorki-Theater, Berlin, director: Yael Ronen.
  • 2014/2015: Berlin Harlekin , feature film, director: Mateja Meded
  • 2015: On our behalf , text version by Sebastian Nübling , Ludwig Haugk, Julia Pustet. Using Aeschylus ' Die Schutzbefohlenen , Elfriede Jelinek's Die Schutzbefohlenen , the 42nd meeting of the Interior Committee of the German Bundestag and original contributions by the actors, Maxim-Gorki-Theater, Berlin.
  • 2015: Role of Noa in The Situation by Yael Ronen and Ensemble, Maxim-Gorki-Theater, Berlin, director: Yael Ronen.
  • 2016: Role of Yadwiga in Feinde - the story of a love, by Isaac Bashevis Singer , Maxim-Gorki-Theater, Berlin, director: Yael Ronen.
  • 2016: Role of Dorit in Denial by Yael Ronen and Ensemble, Maxim-Gorki-Theater, Berlin, director: Yael Ronen.
  • 2016: Oritsy & Friends. Jerusalem for Cowards // stagediving. Stand-up show with Orit Nahmias, Bettina Lamprecht and Moritz Sauer.
  • 2017: Oedipus and Antigone, Maxim-Gorki-Theater, Berlin, director: Ersan Mondtag
  • 2017: Verräter , Maxim-Gorki-Theater, Berlin, director: Falk Richter
  • 2019: Rewitching Europe , Maxim-Gorki-Theater, Berlin, by Yael Ronen and Ensemble

Awards (selection)

reception

In a contribution by the Goethe Institute , the “brilliant, apt and astute monologues” by Orit Nahmias in In Our Name were praised. The actress wrote the lyrics herself and thus redesigned the role intended for her with the support of the director: It was planned that she should read texts from a Bundestag session. Since she found this incomprehensible, in her own words she made it “the role of an observer who comments on what is happening on stage from the perspective of his own common sense”.

literature

Web links

Individual evidence

  1. a b c d Orit Nahmias. In: gorki.de. Retrieved October 1, 2016 .
  2. a b c d e f g h Susanne Lenz: From Israel to Berlin: Orit Nahmias: Nothing for cowards. In: berliner-zeitung.de. October 3, 2016, accessed October 3, 2016 .
  3. a b Fabian Wallmeier: "Theatertreffen? That doesn't sound glamorous". In: rbb-online.de. May 22, 2016. Retrieved October 3, 2016 .
  4. Barbara Burckhardt: Love is a strange game. At the Maxim Gorki Theater in Berlin, Yael Ronen differentiates very clearly between man and woman in Isaac Singer's novel 'Feinde - die Geschichte einer Liebe', while Marianna Salzmann's 'Meteoriten' transforms the confusion of gender identities into normality. In: Theater Today . No. 6, June 2016, p. 27.
  5. Yael Ronen: Erotic Crisis. In: die-deutsche-buehne.de. September 1, 2011, accessed October 5, 2016 .
  6. a b c Orit Nahmias. In: schaubuehne.de. October 1, 2016, accessed October 2, 2016 .
  7. ^ Laks Hessen EV: Jerusalem for Cowards. In: hessen-szene.de. September 22, 2016. Retrieved October 5, 2016 .
  8. ^ Soldiers // The Best and the Worst. In: berlin-buehnen.de. July 2, 2015, accessed October 5, 2016 .
  9. Alexandra Kedves spoke to Orit Nahmias: «Fear makes you blind, unwise and destructive». In: bernerzeitung.newsnet.ch. November 25, 2015, accessed October 5, 2016 .
  10. Jilet Ayşe & Orit Nahmias. In: gorki.de. Retrieved June 5, 2017 .
  11. Third generation. In: schaubuehne.de. October 1, 2016, accessed October 2, 2016 .
  12. ^ The Day Before the Last Day. In: schaubuehne.de. October 1, 2016, accessed October 2, 2016 .
  13. The Russian is someone who loves birch trees. In: gorki.de. November 16, 2013, accessed October 2, 2016 .
  14. Common Ground. In: gorki.de. March 14, 2014, accessed October 2, 2016 .
  15. Erotic Crisis. In: gorki.de. September 13, 2014, accessed October 2, 2016 .
  16. Mirijam Verena Jeremic. (No longer available online.) In: castingdb.eu. August 27, 2014, archived from the original on October 5, 2016 ; Retrieved October 5, 2016 . Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. @1@ 2Template: Webachiv / IABot / www.castingdb.eu
  17. On our behalf, using Aeschylus' Die Schutzflehenden, Elfriede Jelineks Die Schutzbefohlenen, the 42nd meeting of the Deut internal committee. In: gorki.de. November 13, 2015, accessed October 2, 2016 .
  18. The Situation Piece of the Year 2016. In: gorki.de. September 4, 2015, accessed October 2, 2016 .
  19. Enemies - The Story of a Love. In: gorki.de. Retrieved October 2, 2016 .
  20. Denial. In: gorki.de. September 9, 2016, accessed October 2, 2016 .
  21. Oritsy & Friends Jerusalem for Cowards / stagediving. In: gorki.de. Retrieved October 2, 2016 .
  22. ^ Oedipus and Antigone after Sophocles. In: gorki.de. Retrieved June 5, 2017 .
  23. Traitor. In: gorki.de. April 28, 2017. Retrieved June 5, 2017 .
  24. Rewitching Europe. Retrieved November 28, 2019 .
  25. a b Jerusalem for Cowards - Trailer. In: vimeo.com. August 16, 2013, accessed October 3, 2016 .
  26. Claudius Lünstedt: Price of the authors 2014: Jerusalem for Cowards. In: faustkultur.de. July 2, 2014, accessed October 3, 2016 .
  27. ^ Sarah Mewes: The Other Berlinale. In: handelsblatt.com . Retrieved October 5, 2016 .
  28. Awards Night. (No longer available online.) In: boddinale.com. September 17, 2015, archived from the original on October 3, 2016 ; accessed on October 3, 2016 . Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. @1@ 2Template: Webachiv / IABot / www.boddinale.com
  29. a b c d Ada Mukhina: Kulturelle Bildung - Magazin - Goethe-Institut: 'How German do you feel?' Ada Mukhina on the Maxim Gorky Theater in Berlin. In: goethe.de. July 2016, accessed October 6, 2016 .