Willy Habl

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Willy Paul Rudolf Habl (born August 26, 1888 in Egeln ; † October 18, 1964 in Hamburg ) was a German painter and graphic artist.

Life

Habl received his first painting and drawing lessons at the Kunstgewerbeschule Kassel. From 1904 to 1908 he completed an apprenticeship as a lithographer in Hamburg. At the same time he studied until 1909 at the Hamburg School of Applied Arts (today Hamburg University of Fine Arts ) with Friedrich Adler and Carl Otto Czeschka . Between 1911 and 1914 he undertook numerous study trips, including to Northern Italy, Hungary, Romania and the Balkans. During the First World War he was a soldier in France, where he was seriously wounded in 1915. In the 1920s, Habl was a member of the Hamburg Art Association and the Hamburg Art Association . He was also a member of the Hamburg Artists 'Association from 1832 and the Altona Artists' Association . From 1925 to 1931 he taught as a lecturer at the Hamburg School of Applied Arts (since 1928 Landeskunstschule) and from then on worked as a freelance artist.

plant

Under the influence of his teacher Czeschka and under the influence of the works of Ferdinand Hodler and Wilhelm Leibl , Habl's early work initially created drawings and etchings of processions and praying people in a decorative style. The Hamburg and Schleswig-Holstein landscapes, which he created as a freelance painter, are significantly influenced by German and French impressionism . In his works of the 1920s there are mainly echoes of Paul Cézanne and Pierre-Auguste Renoir , which express themselves in a free, relaxed style. Based on the painting of the late 19th century, Habl was in his time as a painter committed to peinture. The much-acclaimed etchings in his ex-libris cycle (1918–1922), on the other hand, refer to the graphic work of his contemporary Max Klinger .

In the 1920s and 1930s Habl was represented in numerous exhibitions, including the Commeter Gallery in Hamburg. At the Great German Art Exhibition of 1942 in the House of German Art in Munich, he was represented with two paintings. After the war it was largely forgotten.

Works (selection)

  • Field Worker (1912)
  • Windy Day (1924, Kunsthalle Hamburg )
  • Portrait of a Girl (1924)
  • Surf (1935)
  • Borsteler Moor (1940)

literature

Web links