Yan Tax

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Yan Tax (also: Jan Tax ) is a Dutch costume designer who works for operas , musicals and film productions .

life and work

Tax studied fashion design in Breda . Since the 1970s he has been working internationally as a costume designer for film, television and stage. In the field of opera, he has a longstanding artistic partnership with the director Harry Kupfer and the set designer Hans Schavernoch , who a. a. to Berlin, Paris, San Francisco, Sydney, Dresden, Hamburg, Amsterdam, Florence, Bern and Helsinki. In 2014 he made his debut in a highly acclaimed Rosenkavalier new production by Kupfer at the Salzburg Festival . Tax also worked with the opera directors Jean-Louis Martinoty (in Paris and Vienna) and Frank Van Laecke (in Maastricht) together.

His costumes for musicals are particularly in demand in the German-speaking area and the Benelux countries and have earned him several nominations and prizes. His collaboration on the Dutch musical Cyrano , which was also played on Broadway in New York, was nominated for the Tony Award in 1994.

“My job is a serving job. This is very important to me. I serve the production, serve the director. It is he who sets the direction at the beginning and that's where I start. There are colleagues who can later say exactly what their motivation, the concept, was. For me it's a very emotional thing and I usually can't say why I choose this color or that material. I'm not a friend of many words, that's difficult sometimes. There are directors who want to talk a lot and a long time about costumes. I panic there. I don't have that much to say about my work. It is what it is."

- Yan Tax : On his understanding of the role of the costume designer, in: Die Presse , December 9, 2010

In addition, Yan Tax was responsible for the costumes in more than 50 films. In 2008 he was nominated for the German Film Prize for his costumes for Paul Verhoeven's Black Book .

Musical theater

musical

Opera

Awards

Web links

Individual evidence

  1. ^ Anne Zimmermann: Role Models: Yan Tax , in: Schaufenster (Die Presse), December 9, 2010