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Hexstatic: Stuart Warren Hill (left) and Robin Brunson

Hexstatic is a UK music duo, consisting of Stuart Warren Hill and Robin Brunson, that specializes in creating "quirky audio visual electro."^[1] Formed in 1995 after Hill and Brunson met while producing visuals at the Channel Five launch party, they decided to take over for the original members of the Ninja Tune multimedia collective Hex that had disbanded around the same time. In 1997, they collaborated with Coldcut on the Natural Rhythms Trilogy, including the critically acclaimed A/V single Timber. Much of their music involves integrated visual experiences, and both of their main album releases have been CD / DVD combinations; the latest, Master-View, includes 3D "anaglyph" versions of some of their music videos and comes packaged with 3D glasses. Hexstatic has also been instrumental in designing VJ equipment, including the Pioneer DVJ-X1 professional DVD player.^[2] Other artists they have worked with include EBN, Juice Aleem and David Byrne of the Talking Heads.

History

The current Hexstatic duo of Stuart Warren Hill and Robert Brunson have been together since 1995. Before that time Stuart Hill had been producing visuals for the Big Chill Festival and Brunson had been doing computer animation and DJing. Both wanted to combine their video talents with music. They gradually took over for the original Hex group which consisted of graphic design artists Robert Pepperell and Miles Visman and Coldcut members Matt Black and Jonathan More.

Hex

This first version, known simply as Hex, fused an interest in computer programming and animation with their talent for video design and knowledge of club culture to create a range of multimedia projects. In 1990, they produced music videos for artists such as The Fall and Queen Latifah as well as graphics for television stations. Also that year they created the first pop music video created entirely on home micro computers (Apple Macintosh, Amiga, etc.) for “Coldcut’s Christmas Break.” In 1991, they released the video game “Top Banana” along with a 12” single mix of the game’s sound track. A year later they included the game along with rave visuals, techno and ambient music all on one CD-ROM billed as a “multi dimensional future entertainment product.”^[3] The group continued to put out interactive CD-ROM and CD-I titles throughout the mid nineties. During this time they also performed live visuals for clubs and chillouts. Their final contribution came in 1997, when they helped create the CD-ROM version of Coldcut’s Let Us Play! album which featured tracks by its own offspring Hexstatic. Hex officially disbanded in 1999 due to internal tensions.

Natural rhythms trilogy

After meeting at the Channel Five launch party in 1995, Stuart Warren Hill and Robert Brunson began working on the Natural Rhythms Trilogy, a collaborative effort with Coldcut and Greenpeace. Hexstatic approached Greenpeace asking for use of their stock footage of wildlife and logging operations and in return Greenpeace could use the finished project in their campaigns and presentations. The first video was 1995’s Frog Jam, which created a rhythmic structure out of short clips of water dripping, frog leaping and tribal drumming and chanting. This was followed up by Natural Rhythm in 1996 and Timber in 1997. Natural Rhythm featured insects, birds and other wildlife as well as a tribesman playing a flute like instrument. Each video employed increasingly more complex mixing and splicing techniques culminating with the award winning Timber. Its tone is more plaintively political, opening with majestic images of the sunset over a forest of immensely beautiful trees then quickly shifting with a clap of thunder to a telegraph button punching out the dots and dashes of a Morse code SOS distress call. Images of powerful circular saws, chopping axes, and huge, buzzing chainsaws soon follow. The picture then distorts and images of the indigenous animals appear to the singing of a mournful native woman. The anti deforestation message is quite clear even before the industrial machinery makes its appearance towards the end of the track. Timber won the award for Best Editing Video Musique in France in 1998 and appeared on Coldcut’s 1997 release Let Us Play!.

Studio releases and advancement of the AV genre

Hexstatic released their first full length solo CD in 2000. Entitled Rewind, it was packaged with a 2nd CD-ROM disc that contained videos for each of the albums 11 tracks. The music is similar to Coldcut and has an electro infused sound that reviewer Bob Bannister terms a combination of “South Bronx hiphop [and] the avant-Eurodisco sound of Kraftwerk.”^[4] The album was created over a six month period on a 100Mhz Mac; one 30 second siren sound at the beginning of the track Machine Toy took three days to render.^[5]For the video track Deadly Media, Stuart Warren Hill recorded news broadcasts from around the world off of a satellite feed and cropped everything but the newscasters’ mouths to build a random cacophony of voices out of which the spliced-together phase “deadly media” emerges.

Solid Steel Presents Hexstatic - Listen and Learn was their next project. Released in 2003, it was a mix album of many of the Ninja Tune label tracks that influenced Hexstatic’s own sound. Containing a broad sampling of electro style tracks, it featured time stretching techniques made possible by the newest CD mixers.

In contradiction to many DJ purists who only use vinyl, Hexstatic (and Hex before them) have consistently demonstrated a willingness and even a passion for bleeding edge technologies. In 2004, they consulted with Pioneer on the production of the first DVD turntable with tempo control, the DJV-X1. This machine has the ability to live mix audio and video in the same way one would a simple audio disc.^[6]

For Master-View, Hexstatic continued to innovate by creating 3D analgraph videos for six of the tracks on the DVD portion of the CD/DVD combo release. The single Salvador, which features footage of people dancing in the streets of Salvador, Brazil, was voted Best Music Video for 2004 at the Portobello Film Festival.^[7]

Hexstatic’s newest mix CD Pick'n'Mix: An Assortment To Suit All Tastes was released in April 2006. Sanctuary Records gave the group access to its large back catalogue of works, resulting in an eclectic mix of hiphop, rock and reggae from artists as diverse as Grandmaster Flash, The Kinks and the Harry J Allstars.^[8]

Hexstatic has also released a bootleg CD/DVD set under the alias Exactshit (an anagram of Hexstatic). Featuring samples of popular hit songs, only 200 copies were made available at the Big Chill Music Festival 2003 and from the Ninja Tune online store.^[9] It has since been more broadly distributed through online file sharing.

Live performances

For live performances Stuart Hill usually controls the visuals while Brunson handles the audio. Their setup includes four DVJ-X1’s for live AV mixing. Since their art crosses a lot of boundaries they have performed at art galleries and cinemas as well as festivals and smaller clubs. After viewing Timber David Byrne asked Hexstatic to do the visuals for his performance at the 1998 Lisbon Expo. Since then they performed the first ever live AV gig at the Guggenheim in Bilbao as well as at the Pompidou Centre in Paris and the Getty Museum in Los Angeles. In September 2005, they projected video on a huge water screen over the Thames River in London as part of the Thames Festival. They also have performed at raves in Japan for over 10,000 people.

Notably, they performed a series of unlicensed “guerrilla gigs” in the streets of London on March 10th 2006 as part of promoting their single Distorted Minds. They loaded up their equipment in a van and performed a 30 minute set projected on the wall of a local building in each of three sites that they had previously scouted out. The crowds of a couple hundred people each were generally well behaved and the brevity of the performances meant that Hexstatic was on their way to the next location before the police arrived. They escaped with only a single parking ticket.^[10]

Awards

Best Editing Video Musique Awards, France 1998 "Timber" (with Coldcut)
Portabello Film Festival, Best Music Video 2004 "Salvador"
No.1 in Top 20 VJ vote DJ Magazine, October 2005
^[11]

Discography

Upcoming shows

June 1, 2006 07:00 PM - Cargo, London, England - special Pick'n'Mix audio-visual set
July 1, 2006 11:00 PM - Clockwork (Angel), London, England - Robin Brunson DJ set
July 15, 2006 08:00 PM - Dour Festival, Dour, Belgium
August 12, 2006 10:00 PM - Bloom Festival, Larmer Tree Gardens, Wiltshire, England

Notes

External links

Videos

[1] ttp://www.pixelsurgeon.com/interviews/interview.php?id=151

[2] ttp://www.ninjatune.net/ninja/artist.php?id=64

[3] ttp://www.robertpepperell.com/hex.htm

[4] ttp://www.amazon.com/gp/product/B00004WK9H/102-3281619-2585751?v=glance&n=5174

[5] ttp://www.gigwise.com/contents.asp?contentid=652

[6] ttp://www.gigwise.com/contents.asp?contentid=652

[7] ttp://www.djsounds.com/dj/content/news/news/Hexstatic.html

[8] ttp://www.djsounds.com/dj/content/news/news/Hexstatic.html

[9] ttp://www.discogs.com/release/314477

[10] ttp://www.djmag.com/newsfeat129.php

[11] ttp://www.flynnproductions.com/flynn/directors/?hexstatic/

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@@ Line 48: / Line 48: @@
 </gallery>
 ==='Exactshit' Bootlegs===
-<gallery>Image:Exactshit_bootleg.jpg|<center> '''''Exactshit CD'''''<br><center> ([[2003]])<br><center>No Label<center><center>(CDR - 16 audio tracks)<center>
+<gallery>Image:Exactshit_bootleg_dvd.jpg|<center> '''''Exactshit CD'''''<br><center> ([[2003]])<br><center>No Label<center><center>(CDR - 16 audio tracks)<center>
 Image:Exactshit_bootleg_dvd.jpg|<center> '''''Exactshit DVD'''''<br><center> ([[2003]])<br><center>No Label<center><center>(DVD - 10 video tracks)<center></gallery>