Banco de Gaia: Difference between revisions
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Marks was born in [[South London]] and was [[education|educated]] at an old fashioned boy's school. In [[1978]] he began his [[music]]al career, as a [[drum]]mer in a [[heavy metal music|heavy metal]] band. |
Marks was born in [[South London]] and was [[education|educated]] at an old fashioned boy's school. In [[1978]] he began his [[music]]al career, as a [[drum]]mer in a [[heavy metal music|heavy metal]] band. |
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Marks moved to [[Portugal]] in [[1986]], and played [[The Beatles|Beatles]] music for [[tourism|tourists]]. He first delved into [[electronic music]] in [[1989]], when |
Marks moved to [[Portugal]] in [[1986]], and played [[The Beatles|Beatles]] music for [[tourism|tourists]]. He first delved into [[electronic music]] in [[1989]], when he bought a [[digital sampler]]. The first tune he recorded on it was called "Maxwell House". |
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The music of Banco de Gaia is probably best categorized as ambient dub, but Marks works hard to cross genres, often using [[Arabic]] and [[Middle Eastern]] samples against a bass-heavy [[reggae]], rock, or [[trance]] rhythm to produce deeply textured tracks that progress layer upon layer. |
The music of Banco de Gaia is probably best categorized as ambient dub, but Marks works hard to cross genres, often using [[Arabic]] and [[Middle Eastern]] samples against a bass-heavy [[reggae]], rock, or [[trance]] rhythm to produce deeply textured tracks that progress layer upon layer. |
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Revision as of 22:00, 21 October 2007
Banco de Gaia is an electronic music outfit from England, formed by Toby Marks (born 1964) in 1991. Marks was born in South London and was educated at an old fashioned boy's school. In 1978 he began his musical career, as a drummer in a heavy metal band.
Marks moved to Portugal in 1986, and played Beatles music for tourists. He first delved into electronic music in 1989, when he bought a digital sampler. The first tune he recorded on it was called "Maxwell House".
The music of Banco de Gaia is probably best categorized as ambient dub, but Marks works hard to cross genres, often using Arabic and Middle Eastern samples against a bass-heavy reggae, rock, or trance rhythm to produce deeply textured tracks that progress layer upon layer.
Discography
- Medium (1991)
- Freeform Flutes and Fading Tibetans (1992)
- Deep Live (1992)
- Desert Wind (EP, 1993)
- Maya (1994)
- Last Train to Lhasa (1995)
- Live at Glastonbury (1996)
- Big Men Cry (1997)
- The Magical Sounds of Banco de Gaia (1999)
- Igizeh (2000)
- 10 Years (2002)
- 10 Years Remixed (2003)
- You Are Here (2004)
- Farewell Ferengistan (2006)
The first two albums existed only on tape and are no longer being sold due to copyright issues with several samples used on them.
External links
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