Anita Brenner

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Anita Brenner recorded by Tina Modotti in 1926

Anita Brenner (born August 13, 1905 in Aguascalientes , Mexico , † December 1, 1974 in Aguascalientes, Mexico) was a Mexican and American anthropologist, art critic, historian, journalist, children's author and translator.

Life

Anita Brenner (actually Hanna Brenner) was born in Aguascalientes , Mexico , the daughter of Latvian immigrants. In 1916, after the outbreak of the Mexican Revolution, she and her parents fled to San Antonio in the USA . When she was 18, she dropped out of college and returned to Mexico to study the local culture. In 1929 she published Idols Behind Altars , one of the first and to this day one of the most important critical studies of the origins of Mexican art . After four years in Mexico, she went to New York to do a PhD in anthropology from Columbia University . After 17 years in New York , she finally returned to Mexico, where she died in a car accident in 1974.

Mexico City in the 1920s

Through her studies, Anita Brenner came into contact with many avant-garde artists in Mexico in the 1920s. So she commissioned Edward Weston and Tina Modotti with the photographs for her book Idols Behind Altars . She also modeled one of Weston's most famous nudes. Her circle of friends also included Jean Charlot , Rufino Tamayo , José Clemente Orozco , Diego Rivera and David Alfaro Siqueiros . On the side she also worked as a journalist z. B. for the New York Times .

Mexico City in the 1950s and 60s

During this time Anita Brenner founded the magazine Mexico / This Month , which she published herself. She also wrote numerous children's books: I Want to Fly , The Boy Who Could Do Anything , Dumb Juan and the Bandits , A Hero by Mistake, and The Timid Ghost , all of which were illustrated by Jean Charlot . When she was about to be awarded the highest Mexican Order of Merit for foreigners, the Order of the Aztec Eagle , she refused on the grounds that she was not a foreigner.

Works

  • Idols Behind Altars: Modern Mexican Art and Its Cultural Roots. Payson & Clarke, New York 1929. New edition: Dover Publications, Mineola 2002, ISBN 978-0-486-42303-6 .
  • Your Mexican Holiday. GP Putnam, New York 1931.
  • The Influence of Technique on the Decorative Style in the Domestic Pottery of Culhuacan. Columbia University Press, New York 1934.
  • The Wind that Swept Mexico: The History of the Mexican Revolution 1910-1942. Harpers, New York 1943. New edition: University of Texas Press, Austin 1984, ISBN 978-0-292-79024-7 .

literature

  • Susannah Joel Glusker: Anita Brenner: A Mind of Her Own. University of Texas Press, Austin 1998, ISBN 978-0-292-72810-3 .
  • Nadia Ugalde, Carlos Monsiváis , Ana Indych, Alicia Azuela, Carol Miller, Susana Glusker: Visión de una época / Vision of an Age. RM Verlag, Barcelona 2007, ISBN 978-968-5208-78-9 .
  • Susannah Joel Glusker: Avant-Garde Art and Artists in Mexico: Anita Brenner's Journals of the Roaring Twenties. University of Texas Press, Austin 2010, ISBN 978-0-292-72184-5 .

Web links

Individual evidence

  1. ^ "Sotheby's y Christie's, posibilidad no explorada del INBA: Ana Garduño" , La Jornada, December 9, 2010 (Spanish), accessed on December 11, 2010
  2. "Returning to her roots in Mexico at 18, Anita Brenner posed for photographer Edward Weston's 1925 abstract masterpiece, Pear-Shaped Nude." , Vanity Fair, August 1, 2004 (English), accessed on December 11, 2010
  3. ^ "Peter Morse: Jean Charlot's Technique in Children's Book Illustration" ( Memento of May 3, 2012 in the Internet Archive ), The Jean Charlot Collection (English), accessed on December 11, 2010