Carl Walther Meyer

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Carl Walther Meyer (born February 1, 1898 in Dresden , † after 1949) was a German actor.

Life

Meyer broke off his medical studies at the University of Göttingen after only one year and instead took acting lessons from Erich Ponto . In 1922 he made his debut at the Gotha City Theater . Then he went to Munich to the State Theater. His leading roles included August Keil in Rose Bernd and Titus in Everything about Money by Herbert Eulenberg .

Later Meyer worked mainly as an actor in silent films. He got his first role in the Danish silent film President (The President), which Carl Theodor Dreyer directed in 1919. He often played military roles . In 1927 he took on the leading role of the aviator hero of the First World War, Baron von Richthofen . At the beginning of the sound film era he appeared in an early Edgar Wallace film adaptation, Karel Lamač's Witcher from 1932, at the side of Maria Matray and Fritz Rasp ; After that he only played in supporting roles.

After 1936 no films have been made with him. In 1949 he was engaged at the Kleist Theater in Frankfurt (Oder) .

He was the great-uncle of producer Rik Walters .

Filmography

Silent films

  • 1919: The President
  • 1925: The Royal Grenadiers
  • 1925: women who stray from the path
  • 1925: The adventurous wedding
  • 1926: the seventh boy
  • 1926: The Song of Songs of German Mother Love
  • 1926: Little Inge and her three fathers
  • 1927: German women - German loyalty
  • 1927: Climbing maxi
  • 1927: The Cavalier from Wedding
  • 1927: Valencia
  • 1927: Fem
  • 1927: A beautiful woman's toy
  • 1927: What children keep from their parents
  • 1927: The king of the center forwards
  • 1927: Richthofen, the red knight of the air
  • 1928: Eva in silk
  • 1928: There is a linden tree at the Ruedesheimer Schloss
  • 1928: Old Fritz - Part 2: The end
  • 1928: Leontine's husbands
  • 1928: Saxophone Susi
  • 1928: We stick together firmly and faithfully
  • 1929: Three days of life and death
  • 1929: Escape to the Foreign Legion
  • 1929: Once upon a time there was a loyal hussar
  • 1929: The call of the north
  • 1930: The caviar princess
  • 1930: Pancérové ​​auto

Sound films

  • 1930: visit at midnight. The night ghost of Berlin (short film, 29 min.)
  • 1930: Make the world a paradise for me
  • 1931: Cadets
  • 1931: The maneuver time is nice
  • 1931: The mother of the company
  • 1931: Stormy night
  • 1931: The dancing hussar
  • 1931: love song
  • 1932: string quartet (short film)
  • 1932: paprika
  • 1932: The Bang Effect (short film)
  • 1932: One of us
  • 1932: The Witcher
  • 1933: The hotel in love
  • 1933: Fräulein Hoffmann's stories
  • 1934: polar storms
  • 1934: The Czardas Princess
  • 1934: Two Geniuses (short film)
  • 1934: Vacation from me
  • 1934: Black hunter Johanna
  • 1934: Heinz in the moon
  • 1934: Music in the blood
  • 1935: Regine
  • 1935: A winter night's dream
  • 1935: Petersburg nights. Waltz on the Neva
  • 1936: The Empress' favorite
  • 1936: The shy Casanova
  • 1936: Paul and Pauline

Web links

literature

  • Julia Bernhard, Sylvia Rebbelmund, Akademie der Künste (Berlin, Germany). Foundation Archive (Ed.): OE Hasse. Archive sheets, Foundation Archive of the Academy of the Arts [= Volume 3 of Film and Media Art] Publisher: Foundation Archive of the Academy of the Arts, 2003.
  • Ralf Bülow: Aviator films - dramas in a double-decker . one day , April 6, 2008
  • Gero Gandert: 1929 - The film of the Weimar Republic. Illustrated edition, Walter de Gruyter, Berlin 1993, ISBN 978-3-11-085261-5 .
  • Carola Höhn: Never start to stop ...: memories. Kettermann + Schmidt, Koblenz 2003, ISBN 978-3-934639-01-0 , here p. 152.
  • Ulrich J. Klaus (Ed.): Volume 2 of Deutsche Tonfilme: Film lexicon of the full-length German and German-language sound films after their German premieres. Publisher: Klaus-Archiv, Berlin / Berchtesgaden 2006, here pp. 139, 270, 274.
  • Ulrich J. Klaus (Ed.): Supplements 1929 / 30–1945. Volume 14 of Deutsche Tonfilme: Film lexicon of the full-length German and German-language sound films after their German premieres. Klaus Archive, Berlin / Berchtesgaden 2006, ISBN 978-3-927352-13-1 .
  • Günter Krenn (Ed.): Walter Reisch: Write a film. Verlag Filmarchiv Austria, Vienna 2004, ISBN 978-3-901932-28-1 , here p. 351.
  • Jan Tilman Schwab: Football in Film: Lexicon of Football Films. Volume 2. Belleville, Munich 2006, ISBN 978-3-936298-06-2 .
  • Erika Wottrich (Ed.): M for Nebenzummer: Nero film production between Europe and Hollywood. Edition Text + Critique, Munich 2002, ISBN 978-3-88377-710-8 , here p. 126.

Individual evidence

  1. ^ Carl Walther Meyer in the Internet Movie Database (English), Carl Walther Meyer at filmportal.de
  2. ^ Wilhelm Kosch : Meyer, Carl Walter In: Deutsches Theaterlexikon. Volume 2, Klagenfurt 1960.
  3. ^ Critique in Film-Kurier , No. 172, July 23, 1932; where he is mentioned by name: "This interplay between the joints and hinges of a conscience equally driven by good and evil succeeds the far too little occupied Karl Walter Meyer convincingly."
  4. Deutsches Bühnen-Jahrbuch , Volume 58, 1950, p. 144
  5. cinemahistory.com acinemahistory.com (English)
  6. Jll. Film Courier No. 591 fig. at franklava.de franklava.de
  7. cf. Schwab p. 581
  8. cf. Bülow 2008: “Richthofen was not ten years dead when the Dresden actor Carl Walther Meyer took off in November 1927 in" Richthofen, the red knight of the air ". The film was an intricate love and espionage story in which the title character only played a supporting role. [...] "Richthofen" ran in the Berlin suburbs and in the provinces. Today he is missing; some excerpts are kept in the library of the University of Texas at Dallas. ”; Fig. Of Jll. Film Courier No. 747 at movie-poster-galaxy.net
  9. with Siegfried Arno and Kurt Gerron as a comedian duo Beef & Steak , premiere May 1929, cf. Gandert 1929, pp. 721-723
  10. A "propaganda film for warrior clubs" called the strip by critic eb [d. i. Erna Büsing] in The Evening No. 2 of January 2, 1930; Georg Herzberg mentions Meyer by name in Film-Kurier No. 3 of the same day: “Safe, objective players like […] the grumpy Kampers like Angelo Ferrari, CW Meyer and Arthur Duarte and others. a. form a good ensemble. ”, cf. Gandert 1929, pp. 126-127
  11. Gandert 1929, p. 174, Wottrich p. 126
  12. "A soldier film, powdered by a broad carnival insert, arose from the need to film another hit", judged the Deutsche Film Zeitung No. 11 of March 14, 1930, and Georg Herzberg in Film-Kurier No. 42 of February 16, 1930 said indulgently "... the rest of the ensemble, consisting of Ressel Orla , Ernst Rückert , Olga Limburg and Carl Walther Meyer, [...] is certainly doing an injustice with overly harsh criticism." - see. Gandert 1929, pp. 165-166
  13. ↑ The template was the much-played stage sketch by Szöke Szakall based on an idea by Karl Farkas
  14. cf. Gandert 1929, p. 553; “Since 1931 the first three German film adaptations with sound were made, in 1931 initially“ Der Zinker ”under the dual direction of Carl Lamač and Martin“ Mac ”Frič, then in 1932 the adaptation“ Der Hexer ”, also by Lamač and Frič, and in 1934“ Der Doppelganger "Directed by EW Emo, born Emerich Josef Wojtek.", cf. Simon Ofenloch at arte.tv arte.tv ( Memento of the original from September 23, 2015 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. @1@ 2Template: Webachiv / IABot / www.arte.tv
  15. cf. Bernhard-Rebbelmund, p. 80
  16. Meyer's participation is only possible at IMDb and in Jll. Film-Kurier No. 2463 confirmed, cf. Ludwig Manfred Lommel -Filmseite lmlommel.de , and is not mentioned on filmportal.de filmportal.de ; Fig. Jll. Film-Kurier No. 2463 at lmlommel.de lmlommel.de