Daniela Hammer-Tugendhat

Daniela Hammer-Tugendhat (* 2. August 1946 in Caracas as Marie-Daniela Tugendhat ) is an Austrian art historian . She is considered a pioneer of feminist art history.

Life

Hammer-Tugendhat was born in Caracas in 1946 as the daughter of the couple Fritz (1895 to 1958) and Grete Tugendhat (1903 to 1970) who emigrated from Brno . Her parents had fled the Nazi persecution and ran a major textile factory in Brno.

Daniela Tugendhat studied art history and archeology at the University of Bern and the University of Vienna . In 1975 she received her doctorate with a thesis on Hieronymus Bosch , doctoral supervisor was Otto Pächt .

Since then she has taught at the University of Applied Arts in Vienna, initially with lectureships . In 1993 she completed her habilitation cumulatively with work under the title Studies of Gender Relations in Art at the University of Oldenburg and in 1994 at the University of Vienna, where she also holds lectures on a regular basis. Since 1994 she has had a permanent position at the University of Applied Arts in Vienna.

Between 1996 and 1997 she was visiting professor at the Art History Institute and Graduate College of the University of Frankfurt am Main . In 1997 she was appointed C4 professor at the University of Frankfurt and in 1999 was appointed a Fellow of the “Center for Research in the Early Modern Age” in Frankfurt. However, the appointment negotiations in Frankfurt am Main failed because of the question of civil service. From 1998 to June 2012 she was an associate professor at the University of Applied Arts in Vienna.

Hammer-Tugendhat has carried out numerous events and projects, especially on topics related to women's research and women's culture: in 1986 she organized the “3. Art Historians Conference ”in Vienna. Between 1989 and 1992 she headed the project “Civil Women's Culture in Austria in the 19th Century” at the Austrian Fund for the Promotion of Scientific Research .

From 1993 to 2000 she was a member of the “Commission of the Inter-University Coordination Center for Women's Research” (renamed in 2000 and linked to the University of Vienna). She has lectured at the Universities of Salzburg (1990), the University of Oldenburg (1994), the University of Basel (1995), the Institute for History at the University of Vienna and the Institute for Art History at the University of Vienna (since 1991).

In 2009 she received the Austrian Gabriele Possanner State Prize (awarded in 2010).

Hammer-Tugendhat is the spokeswoman for the Tugendhat family regarding the preservation of the historically important Villa Tugendhat ; her brother is the philosopher Ernst Tugendhat .

She is married to the German conservator Ivo Hammer and has a son, the environmental activist Lukas Hammer .

Publications

• Hieronymus Bosch and the pictorial tradition. Vienna 1975, OCLC 17253371 (Dissertation Universität Wien 1975, 157, 91 pages 31 cm full text online 255 pages, this document consists of 255 scans split over 3 files to reduce download time (3 files)).
  • Hieronymus Bosch, a historical interpretation of his design principles (= theory and history of literature and the fine arts ; Volume 58), Fink, Munich 1981, ISBN 3-7705-1960-4 (256 pages with 95 illustrations, 21 cm table of contents ).
• with Renate Berger (Hrsg.): The Garden of Lusciousness: on the interpretation of the erotic and sexual in artists and their interpreters (= DuMont paperbacks , volume 165), DuMont, Cologne 1985, ISBN 3-7701-1627-5 ).
• with others: Der nackte Mensch (= Loccumer Protocol , [19] 88, No. 74, also: Kritischeberichte , Volume 17, Issue 13), Jonas, Marburg 1989, DNB 900561076 .
• with Wolf Tegethoff (ed.): Ludwig Mies van der Rohe - the Tugendhat House. Springer, Vienna / New York, NY 1998, ISBN 978-3-211-83096-3 .
  • with Wolf Tegethoff, Ivo Hammer: The Tugendhat House - Ludwig Mies van der Rohe. Birkhäuser, Basel 2015, ISBN 978-3-7091-1270-0 (Birkhäuser bei de Gruyter) / ISBN 978-3-99043-503-8 (Ambra Verlag).
  • Vila Tugendhat Ludwiga Miese van der Rohe: rodinný dům Tugendhatových: památka UNESCO. Translated by Iva Kratochvílová, Lenka Šedová a Mojmír Jeřábek, Barrister & Principal, Brno 2013, ISBN 978-80-7485-012-7 .
• The invisible text - love letters in 17th century Dutch painting. In: Horst Wenzel ... (Ed.): Audiovisuality before and after Gutenberg. Pages 158–174, 2001, ISBN 3-8549-023-4 (= writings of the Kunsthistorisches Museum ; Volume 6), Skira, Milano 2001, DNB 1030959544 .

literature

• Gabriele Werner: Asymmetries. Festschrift for Daniela Hammer-Tugendhat. Book with CD, published by the University of Applied Arts, Vienna 2006, ISBN 978-3-85211-147-6 .

Web links

• Literature by and about Daniela Hammer-Tugendhat in the catalog of the German National Library
• Daniela Hammer-Tugendhat on the website of the University of Applied Arts, Vienna
• Laudation for Possanner State Prize from Marie-Luise Angerer on Hammer-Tugendhat (PDF; 66 kB)
• "Handout" for the lecture "Aspects of the History of Art" summer semester 2010 (PDF; 889 kB)
• Daniela Hammer-Tugendhat in the FID Benelux research directory

Individual evidence

1. ^ Gabriele Possanner State Prize to Hammer-Tugendhat, in: derStandard.de March 5, 2010
2. ↑ See http://www.tugendhat.eu/en/the-commissioners-.html
3. ↑ Review of Josef Fritsch's habilitation in: Historicum, summer 1998
4. ↑ Daniela Hammer-Tugendhat in the course directory of the University of Vienna  ( page no longer available , search in web archives )  Info: The link was automatically marked as defective. Please check the link according to the instructions and then remove this notice.  
5. ↑ ^{a b} See eulogy by Marie-Luise Angerer on Hammer-Tugendhat (PDF; 66 kB)
6. ↑ Farewell party ( memento of the original from April 7, 2014 in the Internet Archive ) Info: The archive link was automatically inserted and not yet checked. Please check the original and archive link according to the instructions and then remove this notice. . 
7. ↑ http://www.sueddeutsche.de/kultur/streit-um-dringend-notwendige-restaurierung-villa-kummerkasten-1.627074