Freetekno
Freetekno (also FreeTek ) is a subculture of the techno movement and has existed since the early 1990s as a counter-movement to commercial rave and techno . The scene is organized informally and decentrally in sound systems . The term describes the PA system on the one hand and the connection between people who organize free parties / raves with this system on the other . For the most part, the sound systems build their PA speakers themselves, set up this PA independently, set up or play live music and then dismantle the system.
In addition to this specific practice, the term Freetekno outlines a certain spectrum of subcultural varieties of electronic music, which are also referred to as Tekno (with k). Tekno has many sub-genres and related genres. Whether or not a piece of music belongs to Tekno is less a question of style than a question of whether it is played at free parties and whether it was produced from the context of the scene.
The terms Freetekno and Free Party are linked to a certain ethic and code of conduct.
Other aspects of Freetekno are: decoration (decoration of the party), light and a. Event technology , visuals / projection mapping , painting / graphics (backdrops, banners , record covers, flyers, posters, buttons), photography, performance (artistic, fire show, juggling), theater, fashion ( screen printing of T-shirts and patches, bags , Costume design, etc.), maintaining, transporting and storing the music system, converting vehicles for transport or residential purposes, organizing or operating car spaces, maintaining vehicles, producing music, pressing music on vinyl records, operating of music labels, the distribution of vinyl records, etc. a.
Larger, mostly Europe-wide gatherings of the scene are called Teknivals , e.g. B. the CzechTek. The individual dance floors are defaced by the cooperation of several sound systems in complete self-organization.
history
root
One of the roots of Freetekno are the unannounced free festivals of the hippies in the 1970s and 1980s. B. the Rainbow Festival or the Stonehenge Free Festival, last held in 1984 . The group of people who attended and organized these festivals were the New Age Travelers . They followed a driving lifestyle - either all year round or part-time in the warmer part of the year. They often drove in convoys and covered long distances to attend events that usually lasted several days and often even lasted several weeks.
Another root is the Jamaican sound system scene, which was present in Great Britain through migrant communities. In this collective and work-sharing practice of performing music in the open air, building your own boxes is of great importance.
Another root is the autonomous scene or the squatter scene . What they have in common is the collective use of unused buildings and land. In this sense, the concept of the Temporary Autonomous Zone of the philosopher Hakim Bey was the inspiration or flanked the Freetekno activities.
Raves in the UK in the early 1990s
From the Second Summer of Love (1989), the raves followed the tradition of the free festivals , but now with the then new music of acid house . In contrast to the hippie festivals, from the beginning of the 1990s the music played without a break for several days - at least that is what the Spiral Tribe sound system implemented on their dance floor for the first time and made this practice a fundamental principle.
Castlemorton and Criminal Justice Act
A decisive event in the development of Freetekno was the rave in Castlemorton (England) in May 1992, which was attended by 20,000 people and then broken up by the police. The police arrested 13 activists of the Spiral Tribe sound system , who then had to defend themselves in a process lasting several months and thus became widely known. The matter gained widespread publicity as well as political significance and drew repression for the ravers involved.
In May 1994, the Criminal Justice Act was passed, banning unannounced raves, providing harsher penalties for "anti-social behavior," and giving the police greater rights to prosecute and monitor. Specifically, squatting, land occupation, environmental activism, anti-hunting activism, street protests and wild camping have been criminalized. The rights of people living while driving were restricted, the obligation to provide them with seats was abolished (Part V, section 80). Any gathering of 20 or more people where music is played that contains repetitive beats (“sounds wholly or predominantly characterized by the emission of a succession of repetitive beats”; Section 63-67) was prohibited. The law was followed by strong street protests between May and October 1994, in which between 20,000 and 100,000 people were involved per demonstration and on the occasion of which there were sometimes violent clashes between the sound systems and the police.
Spiral Tribe as the hub of the Freetekno in Europe
Because of this repression, the Spiral Tribe left Great Britain and initially migrated to France, later alternately and repeatedly to Eastern Central Europe (Eastern Germany, Austria and the Czech Republic) and the Netherlands. In the Netherlands they were influenced by the hardcore techno that is widespread there . In the mid-1990s, they were finally active across Europe. They had trucks, mobile studios and a PA system, held unannounced parties and coined the term Teknival for larger gatherings . The core group of Spiral Tribe separated towards the end of the 1990s, but remained active individually or in new constellations. However, Spiral Tribe had until then inspired numerous ravers and musicians all over Europe to found their own sound systems and to produce and develop music in their style.
The Freetekno movement can be found predominantly in Europe, especially in Central, Western, Southern and Eastern Europe, in North America, Mexico and Colombia. In the Czech Republic, Freetekno is the strongest subculture.
Members of the Spiral Tribe crew created a distinctive graphic design for their sound system. With the strictly black and white choice of colors, it is based on Op Art , psychedelic art and tribal art or primitivism . This graphic style , dominated by the colors black and white , was in stark contrast to the brightly colored look of the mainstream rave and is still a style-defining feature for the entire freetek scene.
Music styles in Freetekno
At Freeteks and Teknivals, DJs who primarily play vinyl records have recently also acted digitally. There are also live acts that generate electronic music with analog or digital devices and often improvise for two to three hours. Usually played music genres are Hardtek, Tribe, Tribecore, Frenchcore, HappyTek, Happy Hardcore, Acid Techno , Acidcore, Mental Acid, Mental Tekno, Gabber and Breakcore as well as similar, related styles like Drum and Bass , Jungle , Jungletek, Raggatek or Dub , Dubstep , Goa .
Almost all music styles relevant in the freetek area have a common characteristic of relatively high speeds (in relation to techno styles played in commercial clubs) and in most cases move between 150 and 190 bpm.
The Spiral Tribe , Tribe and Tribecore sound system
Spiral Tribe or SP23 is probably the most famous sound system of the Freetekno. Around 1990 they were producing and playing house , acid house and rave. Since 1992, they have lived errantly outside the UK due to the repression against them. They always had a sound studio with them and produced vinyl records on the way. Their traveling lifestyles inspired musicians wherever they stopped and held parties. But they also took up local inspirations, incorporated them into their production and music-making styles, and spread them further. In this sense z. B. the Dutch gabber / hard techno played a role and contributed to making their style harder and faster.
The subgenre that the Spiral Tribe created or significantly shaped in this way and that plays a major role in Freetekno is accordingly called Tribe . The Hardtek-affine and faster variant is called Tribecore .
An exemplary representative of the tribe is Curley from Spiral Tribe , who died in 1998, or FKY from Okupe .
Acid Tekno, Acidcore, Mental Tekno, and Mental Acid
An important influence since the beginning of the 1990s was Acid House with all its successors, which in Freetekno were differentiated and recombined to Acid Tekno and Acidcore . Since the end of the 1990s, mainly around 2010, the more psychedelic variants Mental Tekno and Mental Acid have emerged . Tribe played an essential role in their creation. Important forerunners are the Dutch sound system and label Mononom (e.g. with Robbert Mononom with the track Instant Coffee ) or the Eindhoven label Zodiak Commune Records (e.g. with Parallax with the track "Transgressor" (2000)). A number of Dutch sound systems have followed and expanded this subgenre.
Commercially successful representatives of Mental Acid can be found in the Multiplan collective from Vienna. B. Shirin, LingLing, Enko or Yellow Cross. The Berlin label Violent Cases and The Hague label Obs.cur play an important role in this subgenre. Mental Tekno, which can be seen as a more psychedelic variant of the Tribe, sometimes with an acidic feel, produce z. B. Keja and Kan10 with their label MackiTek Records or Misspic and Bart with their label Rythmik Sound Family . An important and stylistically independent representative of Acid Tekno and Mental Acid is Hesed (Label Analog Tecne Model) .
Hardtek, Frenchcore and Industrial
The musical styles of Freetekno were strongly influenced by hard techno , hardcore and gabber / gabba in the 1990s . A Dutch sound system that also played gabber in the mid-1990s is Mononom . At the same time, the musical development was very fast and very independent, so that one can also say that the subcultural variant Hard Tekno / Hardtek was coined in Freetekno parallel to mainstream techno . Hardtek producers are z. B. Hellfish with his label Deathchant , Lucie Polska or Format \ C: from the Monoton Soundsystem, which now produces Acid Tekno.
Happy Hardcore worked in both spheres, pitching current pop songs high and adding a distorted kick drum and other drum elements. An example of this is the track "Shut up" by DJ Promo, who remixed the song "Don't Speak" by the band No Doubt .
Since the late 1990s and especially in the 2000s, the freetek scene experienced a wave of Frenchcore . Exemplary producers are The SpeedFreak and Radium with his label Psychik Genocide .
Industrial has also influenced Freetekno since the 1990s, and in recent times the Freetek version of it can be found here and there. One representative is e.g. B. the producer Anna Bolena with her label Idroscalo Dischi , the sub-label Hangar by obs.cur or the label Forma Mentis Recordings .
Due to the gabber revival in mainstream techno, this style is also increasingly moving into the focus of the freetek scene or was in certain areas such as. B. has been more strongly represented in Poland for a long time.
Breakcore, Experimental and Noise
The breakcore genre has existed since the early 1990s , initially as digital hardcore . Alec Empire coined the latter term in the early 1990s with his label Digital Hardcore Recordings with his band Atari Teenage Riot . The direct influence of hardcore punk on the freetek scene, which is not only a stylistic but also a political one, can clearly be seen in his choice of terms. Another, more formal, root of breakcore, which is actually a production strategy and not just a music genre, is British drum and bass and jungle - they all share the use of the amen break . The Raggatek and Jungletek variants emerged in more recent differentiations and recombinations of styles . There is also an intersection of breakcore and juke , a bass music genre that is often called footwork in Germany . Productions of this variety (as well as common breakcore can be found) on the label Sozialistischer Plattenbau , operated by the musician Istari Lasterfahrer .
Furthermore, there are experimental variants of Freetekno that are not so much the focus of attention of the Freetek party audience. Noise plays an important role, also in connection with breakcore, also speedcore . Exemplary experimental representatives are the producer Darkam (Sgnarl Elektro Violent SoundSystem), Donia Jourabchi and Taufan ter Weel (Exit23), StÖrenFried (MKULTRA), Dan Hekate (Hekate Soundsystem) and the musician Christoph Fringeli with the magazine datacide which he publishes . magazine for noise and politics and his label Praxis Records as well as Sub / version Records .
More conceptual approaches and intersections with the fine arts
The intersection of Freetekno and the fine arts mark approaches such as B. were followed by the performance art group Mutoid Waste Company . Founded in 1984, she installed more or less mobile sculptures in Berlin's public space. Since the fall of the Wall in 1989, they have worked at the Kunsthaus Tacheles in East Berlin. From then on, the group worked artistically on discarded vehicles of the Red Army: they deployed a Soviet MiG-21 aircraft , carried several tanks with them, which they painted white, pink and metallic, had cranes with which they could carry the heavy equipment moved. They built imaginative utopian vehicles inspired by the film Mad Max and produced plays and performances.
The artist collective Vinyl Terror & Horror deals conceptually with the destruction of vinyl records and turntables in live sets and installations and has built a truck so that it can be lived in on the one hand and, on the other hand, can be used as a stage when opened.
The collective GogoTrash has been active in the field of performance art since the mid-2000s and is active both at freetek parties and in art spaces with performances in costumes made from garbage, some of which are self-referential to the freetek scene and its contradictions. One example of this is the performance Ballerina Ketamina by Cizzy Gonzales, which - on the dance floor full of dancers - imitates and exaggerates the postures and movements of people under the influence of the drug ketamine .
Kerstin von Gabain works a. a. with backdrops in installations. She has the photo or report volume No more parties in se ÖBB-Halls? Developed. Henrike Naumann reflects on subcultures of the 1990s, a. a. the gabber subculture, using fine art methods. Tôma Anïrae photographed the moving freetek life of various sound systems with his medium format camera.
Freetekno and Goa / Psy
In Switzerland and Germany, the musically related Goa scene, which is very differentiated in terms of expression and ethics, is similarly organized. While Goa is less strongly represented in Austria, it is exactly the opposite in Switzerland. The Goa scene is dominant there and Freetekno is practically not represented at all.
Goa and Psy with all their varieties is very strongly represented in Israel. There is also a sound system scene and free parties, some of which tie in with the dance practices of Hasidism : Dancing is viewed as performing the worship service with the whole body.
ethics
The motto Free Tekno for Free People has a financial as well as a political meaning. Entrance fee is often not required, but a voluntary donation is requested, which usually does not make a profit, but is only intended to compensate for the expenses such as transport and, depending on the legality of the event, operating costs (e.g. electricity, sanitary facilities) and rent. DJs always play behind the system or are shielded from the audience by camouflage nets, it should only be about music. This does not apply to the live acts that, for technical reasons, play in front of the facility from the FoH behind the audience. The audience is not oriented towards the acts, but dances or listens towards the boxes. The DIY ( do it yourself ) culture is widespread. Music is preferred to be released on vinyl. Many visitors to the Teknivals, which often last for several days, put themselves into a hypnotic trance-like state with the help of the fast music played and the means that create intoxication .
A certain techno genre that is often encountered in connection with the Freetekno movement is called “tribe” or “tribal” based on ethnic-religious tribal rituals. The sound systems wandering from place to place are also seen as modern nomads who, as travelers, drive their caravans and converted trucks for weeks or months from one Teknival to the next. Event locations are often unusual places such as former military installations, castles and palaces, industrial ruins, remote beaches and the like, where you can party with the visitors. The sound systems, consisting of DJs, producers and helpers, usually have a great potential for mobile loudspeaker systems, power units, tents and the like to carry out their events spontaneously and autonomously. An Austrian sound system was typically called Wako as a short form of hiking colony .
“Illegality” of the Freetekno scene
In many cases, the parties are not registered because legal regulations on the course of large events cannot be complied with without a great deal of financial and organizational effort, and are therefore illegal, which repeatedly leads to problems with the police. Only a few Tekno parties are held in regular event venues, i.e. legally (mostly over the winter period). The unannounced, "illegal" framework of the events and the fact that donations take the place of a fixed entry are important criteria for many organizers and also for acceptance within the scene. For the affected communities and regions, however, in which suddenly thousands of party-goers appear who camp for days with no or only a minimum of sanitary facilities or food supplies, the larger teknivals in particular are serious problems. Of course, in the decade and a half of the If this niche culture exists, many organizers have now created legal framework conditions for their events so that Freetekno does not necessarily only take place illegally or without authorization.
Time and again, large and small teknivals are evacuated by the local police forces, sometimes with massive reinforcements by special forces. When the CzechTek was evacuated on July 30, 2005, when around 1,000 police officers attacked 5,000 participants with water cannons and tear gas, 82 visitors and police officers were injured. Prime Minister Jiří Paroubek and his Interior Minister defended the police's actions.
While legal parties can be advertised and announced without hesitation, illegal parties can only be announced within the community, for example by word of mouth , in order to prevent the police from finding out about the event. Tekno parties are also announced in relevant Internet forums, some of which are only accessible to registered users or users with special access rights. As a rule, every Tekno party is also announced in the form of flyers that contain all the necessary information with the exception of the venue. This can then be obtained by asking friends who may have already been informed by word of mouth, or by calling one of the “Infoline” on the flyer.
Teknivals
The larger parties with international sound systems are called Teknivals ( derived from the word festival ). The parties and Teknivals are mostly planned anonymously and are held unannounced. The venues are then only announced at very short notice via websites or infolines . Most of the "Teknival", mostly multi-day Tekno parties, based on music festivals , are organized by sound systems and DJs with their own equipment. Especially in the summer months, particularly large Teknivals take place outdoors with sound systems operating throughout Europe or internationally and thousands of visitors that last up to a week or longer.
The most famous Teknival is the CzechTek , which took place for the first time in 1994 in Hostomice . The mostly unannounced event has been held annually in the Czech Republic since then, most recently in 2006 at the Hradiště military training area , until the organizers decided not to hold any further Teknivals under this name. The largest number of visitors since then has been named as 30,000 (official) and 50,000 (unofficial) visitors.
- Czech Republic: Czechtek, Falanx, Czarotek, Space Piknik, Step Evolution
- Slovakia: SlovTek
- Germany: SouthTek, EastTek
- Austria: Tektotal
- Poland: Centertek, Pomrotek
- Romania: Romaniatek
- Bulgaria: Bulgariatek
- Albania: Albaniatek
- Italy: Pasquatek
- Belgium: Belgitek
- Netherlands: Durchtek
- France: Frenchtek, Tek'Steve'all, TekSud
- Spain: Dragon Festival, End of The World
- Colombia: Bogotrax
- Russia: Rutek, Rustek (РуссТек)
- Belarus: Polyanka
Sound systems
- Great Britain: Spiral Tribe, Bedlam, Fako, Hekate, Mutoid Waste Company (Performance, Deko), Noxious, Ardkore, Irritant, Kontribe, Impactik, Broken Core
- Czech Republic: Circus Alien, Mayapur, NSK, Komatsu, Fdm Freax, Swamp, Fatal Noise, Metro, INF, Badtek, Oktekk, Strahov, Kouzelnej Kolotoč, Tworba ČSN, System Terror, Mental Disorder, Tatramat, Shamanic, Rotor, URA, Esso
- Netherlands: Acid Anonymous, ZMK, Exit23, Kierewiet, SOS, Kopstoot, 0815, White Noise, Tentnival, So Watt, TRIPS
- France: Okupe, Metek, Heretik, Unexpected Frequencies, UFO, TNT, Total Resistance, Facom Unit, L'Hallucidité, TeK-No PaniK Family, Idyllik System, Troubles fete
- Austria: ExperienceCommando, SoulSoundCulture23 Lego, Wako, Makava / FTSK, Teamtrash, Enter, Traxx, Apacut / Tekwax, SBS, Fairytale Soundsystem (FTS), Mad Sound, Out of CTRL, Multiplan Kollektiv, Acid Factory
- Italy: Kernel Panik, Osteriot, FaidaSystem, IFP, Mad, Jamex, Hazard Unitz, Cronik, Mayday, Sgnarl Elektro Violent, Puzzle, Zapotek, Kamos Crew
- Poland: PZG, Autonoma Sound System
- Germany: Cyberrise, Kamikaze, Circus Mirage, Tekknoost, Soap Sound Freax, Monotonsystem, MKUltra, Daimon, Desystematik Soundlab, Krachkultur Soundsystena, Lunatic Sound Dresden
- Belgium: 013, Absurd, DDM, Occult, Overbelast
- Sweden: Electro Illegal
- Russia: PZDC (Пздц), Monkey Invasion, Squirt Machine, Plastic Dub, PLUD, D.Lobanoff, DreadLøw, Mathross, Kknvll, Hurvinek, CriminalTempo, shkt
- Ukraine: Fat Frumos, Bob the Builder
- Spain: Boycore
Freetekno in film, literature and media
- Gunnar Hauth: Freetekno. 2011, documentation, 53:30 min
- Christiana Breinl: Free Tekno: History of a Counterculture . 1st edition. Lit Verlag, Münster 2012, ISBN 978-3-643-50376-3 .
- Rozálie Kohoutová, Jakub Hradílek: CzechTek, 2017, documentary, 52:08 min
- Pjeer van Eck, Kráva: Inge a Jorgen. 2005, short film, 14:10 min
- Kerstin von Gabain: No more parties in these ÖBB halls? A documentation of interviews and photos, 2009
- Bianca Ludewig: Utopia and Apocalypse in Pop Music. Gabber and breakcore in Berlin. Vienna 2018, ISBN 978-3-902029-32-4
- Carl Schranz: Rave's not dead! The Vienna free party scene, 2014
- Lea: Fire dance. seven-part dossier on open-air parties in Leipzig
- Damien Raclot: Heretics - We Had A Dream. Documentation, 64:14 min
- RA.MM and theaterart Berlin eV: Bestia Pigra. Play, 1991, directed by Arthur Kuggeleyn
- Circus Alien and Friends: Lidé jsou si rovni , multimedia performance piece , performed on December 5th, 2009 in the Meetfactory in Prague
- Czarotek 2018 , drone video from April 29, 2018
- Jesse Thompson, Carolyne Léonhard: Teknival: La fete libre? , Documentation, 17:02 min
- Syd B: Tekno Free Doom: Musica, rave, intrallazzi e illuminazioni mistiche, 2015, ISBN 8898591136
- Fred Gélard (director): Free Party, 2014, 34 min, feature film, in French
swell
- ↑ Hakim Bey: taz - the temporary autonomous zone, in the website of the Cyberrise sound system, mirrored in archive.org
- ↑ a b Spiral Tribe 23: FREE PARTIES, FREE PEOPLE ( Memento from August 6, 2008 in the Internet Archive ). In: Cyberrise Soundsystem website.
- ↑ https://www.theguardian.com/music/2011/jun/15/castlemorton-triggers-rave-crackdown
- ^ Spiral tribe report within the program Tracks, Arte, November 17, 2011.
- ^ Mark Angelo Harrison: Cult of Signs . In: Mark Angelo Harrison's website
- ↑ FKY from the Okupe Soundsystem, live in Canada on YouTube , September 22, 2014, accessed on February 20, 2020.
- ↑ Esoteric (Curley): Floatdemonium (2001, on EP Kibra-HACHA 2001, CURLEY MUSIC 11) on YouTube , October 6, 2011, accessed on February 20, 2020.
- ↑ FKY: Petites Voix on YouTube , October 8, 2019, accessed February 20, 2020.
- ↑ Robbert Mononom: Instant Coffee (on the EP Number Six, Sensory Overload Records - 006) on YouTube , March 20, 2011th
- ↑ Lucie Polska: Swim or Sink (WITCHCRAFT 001) on YouTube , November 10, 2019, accessed on February 26, 2020.
- ↑ Format \ C:: Nafta is What We Need (on AstralTek 12, 2007) on YouTube , March 21, 2014, accessed on February 20, 2020.
- ↑ DJ Promo: Shut up! on YouTube , April 13, 2016, accessed February 20, 2020. Published on Thunderdome XVIII (18) CD1 (Psycho Silence).
- ↑ distorting mirror 03/2019 - Freetek # 6 Anna Bolena / Idroscalo Dischi
- ↑ a b Bianca Ludewig: Utopia and Apocalypse in Pop Music. Gabber and breakcore in Berlin. Vienna 2018, ISBN 978-3-902029-32-4
- ↑ History of Hekate Soundsystem, in: Clear Spot (radio broadcast), Resonance FM on YouTube , June 18, 2013, accessed on February 20, 2020.
- ↑ datacide. magazine for noise and politics, on Christoph Fringeli's website
- ↑ Christine Kewitz and Chris Keller: Tanks, fire-breathers and occupied houses: The wild Berlin after the fall of the wall. In: Vice, December 9, 2016
- ↑ OFF TRACK - Vinyl-Terror & -Horror, exhibition at SMAC Berlin, 2018
- ↑ Website of the collective GogoTrash
- ↑ Performance "Deadly Women", website by Olivia Pils
- ↑ Christian Höller: Backdrop January 26, 2007 - March 17, 2007 , in: Website of the Gabriele Senn Gallery
- ↑ Gabber Nation , in: Website by Henrike Naumann, 2017
- ↑ Erwan Lecoup, Tôma Anïrae: À voir: une série de photos des free parties itinérantes d'Europe vient de refaire surface , in: Trax, January 22, 2020
- ↑ Shmuel Barzilai: Music and Ecstasy (Hitlahavut) in Hasidism. Frankfurt a. M. 2007, ISBN 978-3631556665 , p. 72
- ↑ Praxis Records: Störsignale ( Memento from August 6, 2008 in the Internet Archive ). In: Website of the Cyberrise sound system.
- ↑ CzechTek: Police operation ends bloody, one party participant dead ( Memento from June 27, 2012 in the Internet Archive ) Newspaper article from Czech Republic-online.org, July 31, 2005
- ↑ a b Czarotek 2018 on YouTube , May 7, 2018, accessed on February 20, 2020.
- ↑ Nick Leukhardt: Behind the scenes of the "biggest illegal festival" , in: Torgauer Zeitung, June 23, 2017
- ^ Website of the sound system Unexpected Frequencies
- ↑ Gunnar Hauth: Freetekno. 2011 on YouTube , November 20, 2012, accessed February 20, 2020.
- ↑ Rozálie Kohoutová, Jakub Hradílek: CzechTek on YouTube , June 23, 2018, accessed on February 20, 2020.
- ↑ Inge a Jorgen on YouTube , December 17, 2012, accessed on February 20, 2020.
- ↑ Cosima Rainer: No Minimum, March 17, 2010 - April 24, 2010
- ↑ Carl Schranz: Rave's not dead! - The Viennese free party scene , in: Vice, November 5, 2014
- ↑ Lea: Fire dance. Seven -part dossier on open-air parties in Leipzig , in: happy, 10th September 2018
- ↑ Damien Raclot: Heretik - We had A Dream on YouTube , January 5, 2013, accessed February 20, 2020.
- ↑ RA.MM: Bestia Pigra on Vimeo
- ↑ Lidé jsou si rovni on YouTube , April 14, 2013, accessed on February 20, 2020.
- ↑ Teknival: La fete libre? on YouTube , June 27, 2016, accessed February 20, 2020.
- ↑ Fred Gélard (director): Free Party, 2014, 34 min, feature film, in: Anisdesu's YouTube channel, uploaded on March 27, 2020
Web links
- SPIRAL TRIBE - FREE PARTIES, FREE PEOPLE ( Memento from August 6, 2008 in the Internet Archive )