Gerald Oshita

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Gerald Oshita (* 1942 in Idaho ; † 1992 ) was an American jazz and improvisation musician ( saxophone , shakuhachi ), composer and sound engineer. He is considered one of the pioneering musicians in the development of Asian American jazz .

Live and act

Oshita, who was of Japanese descent, lived in the San Francisco Bay Area . In addition to the more common soprano , alto , tenor and baritone saxophones , he also played less common woodwind instruments in extreme frequency ranges such as the double bass sarrusophone and Conn-o-sax . First he worked in the field of blues rock with Mike Bloomfield and Nick Gravenites as well as with Southern Comfort , then in the late 1960s in a trio with Rafael Garrett and Oliver Johnson .

Oshitas referred to elements of jazz as well as contemporary classical music in his later works; often partially or completely improvised. In the mid-1970s, he recorded in Tokyo with the Japanese Jam Rice Sextet and the trio of Yosuke Yamashita . Since 1979 he has played in California with Roscoe Mitchell and Thomas Buckner in the Trio Space . As a sound engineer, he worked for Richard Teitelbaum and Roscoe Mitchell at times .

In 1994, the Gerald Oshita Memorial Fellowship was established by an anonymous donor in memory of Oshita. The scholarship was awarded annually, later every two years, to a composer with Asian, African, indigenous or Latino roots.

Discographic notes

  • Jam Rice Relaxin ' (Frasco 1976, with Toshinori Kondō , Akira Sakata , Yosuke Yamashita, Hideaki Mochizuki , Shōta Koyama )
  • Roscoe Mitchell and the Sound and Space Ensembles ( Black Saint , 1983)
  • Space An Interesting Breakfast Conversation (1750 Arch Records, 1984)
  • Space New Music For Woodwinds And Voice / An Interesting Breakfast Conversation (Mutable Music, 2000; rec. 1981)

Web links

Individual evidence

  1. ^ A b George E. Lewis A Power Stronger Than Itself: The AACM and American Experimental Music University of Chicago Press 2008, p. 189
  2. Brett J. Esaki Enfolding Silence: The Transformation of Japanese American Religion and Art under Oppression Oxford University Press 2016, p. 140
  3. ^ Djerassi Resident Artists Program