Hilary Harris

from Wikipedia, the free encyclopedia

Hilary Tjader Harris (born December 9, 1929 Jackson County , Iowa in the United States , † October 26, 1999 in New York City ) was an American film director , experimental and documentary filmmaker and one of the pioneers of time-lapse photography and kinetic sculptor . His documentary Seawards the Great Ships , produced by Templar Film Studios, won an Oscar at the 1962 Academy Awards.

biography

Harris made his first short film Pastoral in 1950 , which he backed with music by Johann Sebastian Bach . Influenced by László Moholy-Nagy's work, he took his two early short films Longhorns (1951) and Generation (1956) as an opportunity to explore the possibilities of abstract movement. In his following film, Highway (1958), his fast-moving images were aided by a rock and roll score. The footage shows a speeding car on the freeway and on bridges in and around New York. Harris was awarded a bronze medal for his work at the International Experimental Film Festival in Brussels in 1958.

As a result, he attracted the attention of the Scottish Film Board, which asked him to make a documentary about shipbuilding on the Clyde River in Glasgow. The film and producer of the short film Seawards the Great Ships received an Oscar .

In the 1960s and 1970s Harris ran a studio in Greenwich Village , where both experimental and documentary, industrial and animated films were made. His short film Nine Variations on a Dance Theme from 1966, in which he dealt with the dancer Bettie de Jong , received awards at various film festivals. In the documentary The Nuer 1971 Harris showed the Nuer , one of the Nilotic belonging group of African peoples who speak Nilotic languages and their common homeland in Southern Sudan is suspected.

Hilary Harris, who pioneered time-lapse photography, demonstrated this particularly in his 1975 film Organism , where this is the basic technique of his film. Harris moved to Woodstock , New York, in the 1980s , where he designed a house in the shape of a spaceship for himself. Furthermore, he put his labor into the development of a computer-oriented drawing machine. At this time he became seriously ill and died several years later of kidney failure in the Mount Sinai Hospital in Manhattan as a result of the consequences of this illness . He was 69 years old.

Harris was married to Maxine Barnes Rochlin for the second time, and the marriage resulted in a son. He had two daughters with his third wife, Dena Crane.

Filmography (selection)

as a director of short films, unless otherwise stated

  • 1950: Pastoral
  • 1951: Longhorns
  • 1956: generation
  • 1958: Highway
  • 1961: Seawards the Great Ships (+ camera)
  • 1964: The Squeeze
  • 1965: Inside America (television mini-series, episode The Dynamic Eye ; dialogues)
  • 1966: Nine Variations on a Dance Theme (9 Variations on a Dance Theme)
  • 1971: The Nuer (documentary; + producer)
  • 1973: Element (camera)
  • 1975: Organism
  • 1980: Our Kosmos (2 episodes, special camera recordings):
    a) One Voice in the Cosmic Fugue
    b) The Harmony of the Worlds
  • 1982: Tides (camera)
  • 1985: Ornette: Made in America (documentary; cameraman)

Awards (selection)

BAFTA Awards

Academy Awards 1962

Web links

Individual evidence

  1. a b c d e f Stephen Holden : Hilary Tjader Harris, 69 Sculptor and Experimental Filmmaker In: The New York Times , November 3, 1999. sS nytimes.com (English)
  2. Hilary Harris sS birthcharts.astro-seek.com (English)
  3. The 34th Academy Awards | 1962 sS oscars.org (English)
  4. Hilary Harris sS magazine.milanodesignfilmfestival.com (Italian)
  5. Contact for Hilary Tjader Harris d. 1999 see norman.hrc.utexas.edu (English)