Michael Colgrass

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Michael Charles Colgrass (born April 22, 1932 in Chicago , Illinois , United States , † July 2, 2019 in Toronto , Ontario , Canada ) was an American composer and percussionist who later lived in Canada .

Life

Michael Colgrass gained his first professional musical experience as a jazz drummer from 1944 to 1949 . In 1954 he graduated from the University of Illinois , which also included courses with Darius Milhaud ( Aspen Festival ) and Lukas Foss ( Tanglewood ). He then played for almost two years as the drummer of the Seventh Army Symphony Orchestra in Stuttgart , then for eleven years with various ensembles in New York, including the New York Philharmonic , with Dizzy Gillespie and with the Columbia Symphony Orchestra in the Stravinsky Conducts Stravinsky recording series . In this phase, further composition studies with Wallingford Riegger and Ben Weber fell , as well as musical collaborations a. a. with Gunther Schuller ( Perceptions , 1961), Orchestra USA , John Cage , Elliott Carter and Edgar Varèse , for whom he organized the percussionist group (and played it himself).

Michael Colgrass, supported by two Guggenheim scholarships , has received composition commissions from numerous, mainly American orchestras and ensembles, including the New York Philharmonic and the Boston Symphony Orchestra . In 1978 he won the Pulitzer Prize for Music with his composition Déjà vu for percussion and orchestra .

Michael Colgrass, who later lived in Toronto , was also active in music education. In 2010 his autobiographical memoirs, Adventures of an American Composer, appeared .

plant

The compositional work of Colgrass includes stage works (including Virgil's Dream , 1967), vocal works and instrumental works of various casts, often with drums, some of which he himself participated in as a soloist.

The compositions created in the 1950s and early 1960s use serial techniques , influenced by his teachers Riegger and Weber. Colgrass broke away from serialism in the mid-1960s. Many of his works show influences from jazz, in later works musical material from earlier composers also serves as a starting point for thematic processing, for example in the orchestral works Letter from Mozart (1976) and The Schubert Birds (1989).

literature

Web links

Individual evidence

  1. Tom Lord The Jazz Discography (online, accessed December 8, 2013)