Pierre Albert Castanet

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Pierre Albert Castanet (born February 20, 1956 in Harnes ) is a French musicologist and composer .

Life

Castanet was initially the leader of a big band and directed an ensemble for new music. In 1992 he received his doctorate in musicology with Jean-Michel Vaccaro at the Université François Rabelais de Tours / École normal supérieure de Paris on the French composer Hugues Dufourt .

He then taught at the Paris Conservatoire national supérieur de musique et de danse de Paris as part of a doctoral program offered by the École des Hautes Études en Sciences Sociales , the Sorbonne , the IRCAM and the CNRS in Paris . In 2004 he was appointed emcee at the Cité de la musique / Philharmonie de Paris . He is currently professeur associé at the Paris Conservatory and a professor at the Départements de musicologie of the Université de Rouen . In Rouen he supervised several dissertations. He also heads the Département des métiers de la culture (CMOPC) and is president of the Center international de recherches en esthétique musicale (CIREM), whose magazine Les Cahiers du CIREM he founded in 1986. He is also a member of the Center Iannis Xenakis at the university .

He has specialized in contemporary music and has published articles a. a. on Roland Auzet , Luc Ferrari , Michaël Levinas , Alain Louvier , Ivo Malec , Laurent Martin , Gilles Racot , Jean-Claude Risset and Giacinto Scelsi . Castanet, who is himself a laureate of the Coup de Cœur , is currently a member of the Musique Classique and Musique Contemporaine commissions of the Académie Charles-Cros in Paris. In 2000 he was awarded the Grand Prix ​​des Muses for the publication Tout est bruit pour qui a peur (1999) . Catanet is also the director of music collections such as Silences of the Éditions Michel de Maule in Paris.

In 2015 he became a member of the Académie des sciences, belles-lettres et arts de Rouen .

He also appears as a composer of his own works (orchestral and chamber music, etc.).

Fonts (selection)

  • Edited with Nicola Cisternino : Giacinto Scelsi: viaggio al centro del suono . Luna Editore, La Spezia 1993 (with a foreword by John Cage ).
  • Hugues Dufourt, 25 ans de musique contemporaine . Michel de Maule, Paris 1995, ISBN 2-87623-046-1 .
  • Tout est bruit pour qui a peur: pour une histoire sociale du son sale . Michel de Maule, Paris 1999, ISBN 2-87623-079-8 .
  • Louvier… les claviers de lumière . Millénaire III, Lillebonne 2002 (with a foreword by Henri Dutilleux ).
  • Edited with Danielle Cohen-Levinas : Michael Levinas: Le Compositeur trouvère. Écrits et entretiens (1982-2002) . L'Harmattan, Paris 2002, ISBN 2-7475-2816-2 .
  • Instantanés, douze regards sur la musique, suivis de "Les cohérences aventureuses de la pensée et de la musique de Francis Bayer" . Millénaire III, Lillebonne 2003.
  • Dominique Lemaître: L'Instant et l'éternité . Cig'Art Edition, Paris 2005 (with a foreword by Daniel Kawka ).
  • Edited with Nicole de Mourgues : Les métiers de la culture. [Actes du colloque du 16 January 2004] . Millénaire III, Lillebonne 2005 (with a foreword by Françoise Benhamou ).
  • Ed .: Giacinto Scelsi, aujourd'hui. [Actes des journées européennes d'études musicales consacrées à Giacinto Scelsi (1905–1988), Paris, CDMC, 12–18 January 2005] . Cdmc - Center de documentation de la musique contemporaine , Paris 2008, ISBN 978-2-916738-01-7 .
  • Quand le sonore cherche noise. Pour une philosophie du bruit . Michel de Maule, Paris 2008 (with a foreword by Daniel Charles ).
  • With Frédéric Cousinié , Philippe Fontaine: L'Impressionnisme, les arts, la fluidité . Presses universitaires de Rouen et du Havre, Mont Saint Aignan 2013, ISBN 978-2-87775-556-6 .
  • With Sharon Kanach : Xenakis et les arts . Les Cahiers de l'Ecole nationale supérieure d'architecture de Normandie Recherche, Éditions Point de vues, Rouen 2014, ISBN 978-2-37195-000-9 .
  • Edited with Patrick Otto: L'improvisation musicale collective ( L'univers esthétique ). L'Harmattan, Paris 2016, ISBN 978-2-343-07966-0 .
  • With Juliette Boisnel : Frank Zappa: l'un et le multiple ( Changer d'époque. No. 29). Presses universitaires de Rouen et du Havre, Mont Saint Aignan 2017, ISBN 979-10-240-0763-2 (with a foreword by Bertrand Chamayou and an afterword by Henning Lohner ).
  • Thierry Alla… un musicien à la conquête du timbre . Ed. Delatour France, Sampzon 2017, ISBN 978-2-7521-0346-8 (with a foreword by Roger Tessier and an afterword by Marie-Bernadette Charrier ).
  • A la research du temps suspendu. Speaking of the la musique de Dominique Lemaître au XXIe siècle . Éditions Aedam Musicae, Château-Gontier 2018, ISBN 978-2-919046-56-0 .

Web links

Individual evidence

  1. ↑ Michel Masserey: Livres: Pierre Albert Castanet: Tout est pour Bruit qui a peur . letemps.ch, January 15, 2000.
  2. ↑ a b Pierre Albert Castanet , theses.fr, accessed on August 19, 2018.
  3. ↑ a b c Notes on contributors. In: Contemporary Music Review, Vol. 19, H. 3, 2000, pp. 119–121, here: p. 119.
  4. ↑ a b Biographie de Pierre Albert Castanet , franceculture.fr, accessed on August 19, 2018.
  5. ^ Notes on contributors. In: Contemporary Music Review, Vol. 8, H. 1, 1993, p. 213.
  6. ↑ Membres , center-iannis-xenakis.org, accessed August 19, 2018.
  7. ^ Pierre-Albert Castanet , charlescros.org, accessed on August 19, 2018.
  8. ↑ Membres titulaires en 2018 , academie1744-rouen.fr, accessed on August 19, 2018.
personal data
SURNAME Castanet, Pierre Albert
ALTERNATIVE NAMES Castanet, Pierre-Albert
BRIEF DESCRIPTION French musicologist and composer
DATE OF BIRTH February 20, 1956
PLACE OF BIRTH Urine