Pixinguinha

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Pixinguinha.  (around 1935)

Pixinguinha (born April 23, 1897 in Rio de Janeiro ; † February 17, 1973 ibid), actually Alfredo da Rocha Viana Filho, was a Brazilian musician , singer , composer and conductor . He anchored the saxophone in Brazilian popular music and wrote around 600 choros , many of which became classics.

Live and act

Pixinguinha, 1959.

Pixinguinha comes from a musical family; his father Alfredo da Rocha Viana was a flautist. After taking flute lessons from his father, he received lessons from Irineu de Almeida ; He wrote his first compositions at the age of 14. As a 15-year-old he appeared with his flute wherever the elderly made music, so that he was scolded as a “rogue” (“pinzinguim”), from which his nickname is derived. In 1912 he began to work professionally as a musician in revues, cinemas and cabarets. From 1919 he played in the Oito Batutas octet , with which he ultimately expanded the traditional choro line-up of two guitars, cavaquinho and flute to include the timbres of saxophone , trumpet and other wind instruments as well as percussion instruments such as reco-reco , pandeiro and Ganzá . He also established counterpoint as the basis for choro and its improvisations .

In 1922 Pixinguinha appeared in Europe with the Os Batutas , which emerged from the ensemble; in order to be able to play in larger halls, he switched to the soprano saxophone . In 1930 Pixinguinha disbanded the orchestra and concentrated mainly on his career as a composer, arranger and director of the studio orchestra Orquestra Victor Brasileira . His compositions were made famous by interpreters such as Francisco Alves and Mário Reis .

In 1939 he became a member of the group of Benedito Lacerda, where he concentrated on the tenor saxophone (and thus the second voice). In the 1940s he was involved in the recording of Brazilian music, which Leopold Stokowski initiated for Columbia Records . Despite the recognition from colleagues and friends, Pixinguinha could only rarely perform in the last two decades, as the choro was hardly noticed anymore. In 1963 he wrote the music for the film Sol sobre a Lama with Vinícius de Moraes .

Selection of works

  • A pombinha (with donga )
  • A vida é um buraco
  • Agüenta, seu Fulgêncio
  • Ai, eu queria (with Vidraça)
  • Ainda exists
  • Amigo do povo
  • Assim é que é
  • Benguelê
  • Bianca (with Andreoni)
  • Buquê de flores (with W. Falcão)
  • Cafezal em flor (with Eugênio Fonseca)
  • Carinhos
  • Carinhoso (with João de Barro)
  • Carnavá tá aí (with Josué de Barros)
  • Casado na orgia (with João da Baiana)
  • Casamento do coronel Cristino
  • Céu do Brasil (with Gomes Filho)
  • Choir
  • Chorinho no parque São Jorge (with Salgado Filho)
  • Cochichando (with João de Barro and Alberto Ribeiro)
  • Conversa de crioulo (with Donga and João de Baiana)
  • Dança dos ursos
  • Dando topada
  • Desprezado
  • Displicente
  • Dominant
  • Encantadora
  • Estou voltando
  • Eu sou gozado assim
  • Fala baixinho (with Hermínio Bello de Carvalho)
  • Festa de branco (with Baiano)
  • Foi muamba (with Índio)
  • Fonte abandonada (with Índio)
  • Fratenidade
  • Gavião calçudo
  • Glória
  • Guiomar (with Baiano)
  • Ha! hu! lá! ho! (with Donga and João da Baiana)
  • Harmonia das flores (with Herminio Bello de Carvalho)
  • Infantile
  • Iolanda
  • Isso é que é viver (with Herminio Bello de Carvalho)
  • Isto nicht se faz (with Herminio Bello de Carvalho)
  • Já andei (with Donga and João da Baiana)
  • Já te digo (with China)
  • Jardim de Ilara (with CM Costal)
  • Knockout
  • Lamento (with Vinícius de Moraes )
  • Lamentos
  • Lá-ré
  • Leonor
  • Levante, meu nego
  • Lusitânia (with FGD)
  • Corn quinze dias
  • Mama, meu netinho (with Jararaca)
  • Mamãe Isabé (with João da Baiana)
  • Marreco across água
  • Meu coração nicht te quer (with E. Almeida)
  • Wed tristezas solo iloro
  • Mulata baiana (with Gastão Viana)
  • Mulher boêmia
  • Mundo melhor (with Vinícius de Moraes )
  • Não gostei dos teus olhos (with João da Baiana)
  • Não posso corn
  • Naquele tempo
  • Nasci pra domador (with Valfrido Silva)
  • No elevador
  • Noite and dia (with W. Falcão)
  • Nostalgia ao luar
  • Número around
  • O meu conselho
  • Os batutas (with Duque)
  • Os cinco companheiros
  • Os home implica comigo (with Carmen Miranda )
  • Onde foi Isabé
  • Oscarina
  • Paciente
  • Página de dor (with Índio)
  • Papagaio sabido (with C. Araújo)
  • Patrão, prenda seu gado (with Donga and João da Baiana)
  • Pé de mulata
  • Poema de raça (with Z. Reis and Benedito Lacerda )
  • Poética
  • Por vôce fiz o que pude (with Beltrão)
  • Pretenciosa
  • Promessa
  • Que perigo
  • Que querê (with Donga and João da Baiana)
  • Quem foi que disse
  • Raiado (with Gastão Viana)
  • Rancho abandonado (with Índio)
  • Recordando
  • Rosa (with Otávio de Souza)
  • pink
  • Samba de fato (with Baiano)
  • Samba de nego
  • Samba do urubu
  • Samba fúnebre (with Vinícius de Moraes)
  • Samba na areia
  • Sapequinha
  • Saudade do cavaquinho (with Muraro)
  • Seresteiro
  • Sofres porque queres
  • Solidão
  • Sonho da Índia (with NN and Duque)
  • Stella (with de Castro and Souza)
  • Teu aniversário
  • Teus ciúmes
  • Triangular
  • Tristezas not pagam dividas
  • To a zero
  • To caso perdido
  • Uma festa de Nanã (with Gastão Viana)
  • Urubu
  • Vamos brincar
  • Variações sobre o urubu and o gavião
  • Vem cá! not vou!
  • Vi o pombo gemê (with Donga and João da Baiana)
  • Você é bamba (with Baiano)
  • Você nicht deve beber (with Manuel Ribeiro)
  • Vou pra casa
  • Vou vivendo (with Benedito Lacerda)
  • Xou Kuringa (with Donga and João da Baiana)
  • Yaô africano (with Gastão Viana)
  • Zé Barbino (with Jararaca)

Web links

Individual evidence

  1. Claus Schreiner Musica Latina, music folklore between Cuba and Tierra del Fuego Frankfurt am Main 1982, p. 337
  2. Larry Crook: Brazilian music: northeastern traditions and the heartbeat of a modern nation . ABC-CLIO, September 2005, ISBN 978-1-57607-287-5, (accessed May 26, 2013).
  3. ^ Larry Crook: Focus: music of northeast Brazil . Taylor & Francis, March 24, 2009, ISBN 978-0-415-96066-3 , p. 138 (Accessed May 26, 2013).
  4. Tamara Elena Livingston-Isenhour, Thomas George Caracas Garcia. 2005. Choro: A Social History Of A Brazilian Popular Music. Indiana University Press 2005, p. 98