Police call 110: With different eyes

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Episode of the series Polizeiruf 110
Original title With different eyes
Country of production Germany
original language German
Production
company		 Infafilm
on behalf of the BR
length 90 minutes
classification Episode 281 ( List )
First broadcast October 22, 2006 on Das Erste
Rod
Director Buddy Giovinazzo
script Christian Limmer
production Tita Korytowski
music Fabian Römer
camera Roman Novocien
cut Katja Dringenberg
occupation

With different eyes is a television film from the crime series Polizeiruf 110 . The film produced for Bayerischer Rundfunk (BR) was first broadcast on October 22, 2006. Chief Inspector Jo Obermaier ( Michaela May ) and Chief Inspector Jürgen Tauber ( Edgar Selge ) are investigating their 12th joint case, in which they deal with a cold-blooded serial killer.

action

The police are shaken by a series of brutal murders. Tauber is sure that they will soon find the ritual perpetrator who always chooses sick and weak women. He visits them in their apartments, numbs them and literally slaughters them there. Since the investigation took too long for the police chief, he put Obermaier and Tauber with the case analyst Heinrich Zermahlen. Tauber is not enthusiastic about this and sees his work being questioned. In addition, the expert makes a very strange and strange impression on the two commissioners.

A first lead leads to the single club "Romantica", where the last victim, Julia Heinz, was verifiably a regular guest, but the other two victims were not. Shortly after Tauber asked around the restaurant and talked to Rosemarie about Julia, she was killed in her car. Tauber is horrified and confides in Jo that he met the woman the day before. This murder also differs from the others, as Rosemarie was not killed in her apartment and had no physical flaws like the previous victims. This is also strange for Zermahlen, and he asks Obermaier about a murder case from the past, which also does not seem to be related to the latest murders. He is interested in the death of a seven-year-old boy who fell from a tree a few weeks ago. He can be shown the crime scene and seems to empathize with what happened in the past. He sees that the boy has observed the first murder of a homeless person, who has not yet been reported to the police as a victim. Thereupon the search is intensified and with the help of Heinrich Zermahlen's visionary abilities the half-decayed victim is actually found. While Obermaier is convinced of the profiler's special talent and even invites him over to dinner, Tauber remains skeptical. He just knows too much for him. So he uses the opportunity when Grind is with his colleague for dinner and secretly looks around in his minibus. In doing so, he discovers a strange collection of knives. A DNA analysis, which he orders, is noticed by Zermahlen and so he seeks a conversation with Tauber. He tells him that his father shot both his mother and sister. After he had shot at him and he was in a coma for four years, he got this psychic talent that he is now making available to the police.

The very next day, Lotte, whom Tauber met while researching at the Romantica, was found dead. He immediately suspects Fridolin Deller, whom he saw dancing with Lotte and whom he later spoke to in the subway. However, there is no evidence of his guilt and he cannot be arrested. So he is observed, but evades it immediately. Tauber and Zerrmahlen suspect that Deller will look for the next victim in their environment. It could be your colleague Obermaier, whereupon you won't let her out of your sight. Jo Obermaier unexpectedly receives an anonymous phone call that someone has control of her daughter Christine. She immediately drives to the cinema, where Christine often works. Deaf and grind follow it and can make dents. The latter flees and stabs Grind on his flight. Tauber pursues him further and shoots him before he can leave the cinema. Grind and Deller both succumb to their injuries.

criticism

At Tittelbach, Tilmann P. Gangloff judges this thriller: “The American director Buddy Giovinazzo [...] implements the story [...] effectively. Even the beginning develops a pull that draws you straight into the story. As gripping as the figure of the medially gifted, taciturn profiler is: the appeal of the film is limited by a camera by Roman Nowocien that is deliberately jittery and jerky at the beginning, which is not at all dramaturgically motivated and even annoying in the long run. "

Web links

Individual evidence

  1. ↑ Tilmann P. Gangloff Selge, Kier & the supernatural reinforcement for the “police call” from Munich on tittelbach.tv, accessed on August 24, 2014.
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