Pull (album)

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Pull
Studio album by Winger

Publication
(s)

May 14, 1993

admission

1992-1993

Label (s) Atlantic Records

Format (s)

CD , LP

Genre (s)

Hard rock , heavy metal

Title (number)

10

running time

47:07

occupation

production

Mike Shipley

Studio (s)

Secret Sound - South Pacific

chronology
In the Heart of the Young
(1990)
Pull IV
(2006)

Pull is the third studio album by the American hard rock band Winger , released in 1993 .

background

The band's second album, In The Heart Of The Young, released in 1991 , had reached number 15 on the American Billboard charts and had sold two million in the US alone by the end of the year and, like the debut album , had reached platinum status . In the Heart of the Young also contained three single hits: Can't Get Enough (# 42), the ballad Miles Away (# 12) and Easy Come Easy Go (# 41). Winger then went on tour in support of artists such as KISS , the Scorpions , Extreme , ZZ Top and Slaughter .

Pull was created in the Secret Sound - South Pacific studios in 1992 and 1993 . It was created by Mike Shipley produced and brought a sonic turning with it. The group turned away from the previously practiced radio and pop-oriented production and now also picked up heavy metal and progressive elements ( Junkyard Dog ). Pull was less commercially successful than its predecessor, reaching number 83 on the Billboard 200 .

As a guest musician worked Andreas Vollenweider (sound effects on Junkyard Dog (Tears on Stone) ), Alex Acuna ( percussion instruments on Like a ritual and Who's the One ) and Frank Latorre (harmonica Down Incognito with album) in the development.

The making of pull

In 1993, Winger also released the VHS video The Making of Pull, which showed footage from the studio and contained the video clips for the titles Down Inkognito, Spell I'm Under, In My Weins and Who's the One .

Track list

Chart positions
Explanation of the data
Albums
Pull
  US 83 06/05/1993 (5 weeks)
  1. Blind Revolution Mad (Winger, Beach) - 5:25
  2. Down Incognito (Winger, Beach) - 3:49
  3. Spell I'm Under (Winger) - 3:55
  4. In My Veins (Winger, Beach) - 3:14
  5. Junkyard Dog (Tears on Stone) (Winger, Beach) - 6:54
  6. The Lucky One (Winger, Beach) - 5:20
  7. In for the Kill (Winger, Beach) - 4:13
  8. No Man's Land (Winger, Beach) - 3:17
  9. Like a Ritual (Winger, Beach) - 5:02
  10. Who's the One (Winger, Beach) - 5:53
Bonus track from the Japanese edition
  1. Hell to Pay (Winger, Beach) - 3:24

reception

Oliver Klemm from Rock Hard magazine wrote that Kip Winger was “going astray” with Pull . The album contains “texts with a serious touch” (Klemm named Blind Revolution Mad and In For The Kill as examples ), plus a sound that aims “to scare away the so far loyal regular audience” . The "melodies for the millions of American girlies" were "practically obsolete" , the "proven airplay-suitable singalongs according to the scheme F" are only a marginal topic on Pull , which "in exceptional cases" [...] "is rather timid" report. Instead, singer Kip Winger, whose organ sounds "like Joe Elliot" over long stretches of the album, was surprising with a song that "got by without a hookline" ( In My Veins ), an "acoustic number without the usual lard" ( Who's The One ) and a track ( Junkyard Dog ) that comes along "thanks to a Mustaine-like riff almost like the light version of an unreleased Megadeth knocker" . "Pull" will therefore "flop mercilessly" because: "miles away from" Miles Away "and so" . This is "sad but true".

Web links

Individual evidence

  1. Charts US
  2. Review in Rock Hard , No. 94 (1993)