Tina Sauerländer

from Wikipedia, the free encyclopedia

Tina Sauerländer (* 1981 in Kassel ) is a German curator and author . She is co-founder and director of peer to space , an international exhibition platform that was founded in Munich in 2010 .

Professional background

Sauerländer grew up in Melsungen and graduated from the Geschwister-Scholl-Schule there in 2000. She then studied art history , business administration and Bavarian church history at the Ludwig Maximilians University . From 2007 to 2011 she worked as a commercial assistant at the Haus der Kunst in Munich under the direction of Chris Dercon . From 2011 to 2013 she worked for the Berlin Camera Work AG , a gallery for contemporary photography. From 2013 to 2015 she worked as a curator for the Haupt Collection in Berlin.

Sauerländer has been working as a freelance curator and author since 2010. She is co-founder of the international exhibition platform peer to space , the research database for virtual reality art Radiance VR , and founder of SALOON , a network for women in the Berlin, Hamburg , Paris and Vienna art scene.

In cooperation with the Mexican-Canadian curator Erandy Vergara, she developed the exhibition concept Critical Approaches in Virtual Reality Art in 2017 with the support of the Goethe-Institut in Montréal and Studio XX . a. at the Halcyon Arts Lab in Washington, DC with the exhibition Envisioning The Future (2018).

peer to space

Sauerländer founded the exhibition platform peer to space together with Maja Block in 2010 in Munich. After Maja Block left, she headed peer to space from 2013 to 2017 solely from Berlin. Peggy Schoenegge has been part of the team as a partner since 2017. Peer to space combines the concept of the peer-to-peer network with the idea of ​​giving space to new forms of artistic expression. Peer to space does not have its own exhibition space, but works on a project basis with art institutions such as the House of Electronic Arts in Basel or the NRW Forum in Düsseldorf to realize international group exhibitions. They deal with how the Internet and the digital age are changing and shaping society and personal living environments. Another main concern is the presentation of art using new media such as virtual reality or augmented reality .

Radiance VR

Together with Philip Hausmeier, Sauerländer founded Radiance VR , an international online platform for researching artistic virtual reality experiences. They represent international artists who work with the medium, including Tamiko Thiel , Jakob Kudsk Steensen and Manuel Roßner. In project-related cooperation with institutions such as Künstlerhaus Graz , Process Festival Dortmund , Open Source Festival Düsseldorf , Bavarian Film Center Munich or Digifest in Toronto, they help VR art to become more visible.

SALOON

The SALOON is a sour countries in 2012 based in Berlin network for women who work in the arts industry as curators, artists, journalists or in galleries, museums and universities. Sauerländer runs the SALOON Berlin together with the artists Ornella Fieres and Julia Herfurth. SALOON has had additional locations in Hamburg, Paris and Vienna since 2017. The name ironically refers to the once masculine spheres of the Salons de Paris and the pubs of the Wild West .

Exhibitions (selection)

  • Touching From A Distance II - Transmediation Processes in the Digital Age , Goethe-Institute Toronto (CAN), with: Jonas Blume, Manja Ebert, Ornella Fieres, Aron Lesnik, Lorna Mills, Sarah Oh-Mock, Julia Charlotte Richter, Anna Ridler, The Swan Collective, Tina Wilke, March 22nd to May 23rd, 2019
  • Pendoran Vinci. Art and Artificial Intelligence Today , NRW Forum Düsseldorf , curated with Peggy Schoenegge, with: Nora Al-Badri & Jan Nikolai Nelles, Jonas Blume, Justine Emard, Carla Gannis, Sofian Audry and Erin Gee, Liat Grayver, Faith Holland, Tuomas A. Laitinen and William Latham, June 9 to August 19, 2018
  • The unframed world. Virtual reality as an artistic medium for the 21st century , HeK (House of Electronic Arts Basel) , with: Li Alin, Banz & Bowinkel, Fragment.In, Martha Hipley, Rindon Johnson, Marc Lee , Mélodie Mousset & Naëm Baron, Rachel Rossin , Alfredo Salazar-Caros, January 18 to March 5, 2017
  • Sometimes You See Your City Differently, Feindberg Projects , Tel Aviv , with: Diana Artus, Hirohito Nomoto, Pola Sieverding , Eli Singalovski, May 26th to July 9th, 2016
  • Porn to Pizza - Domestic Clichés , DAM Gallery, Berlin, with: Anthony Antonellis, Kim Asendorf, Ole Fach, Domenico Barra, Petra Cortright, Kate Durbin, Carla Gannis, Laurence Gartel , Emilie Gervais, Claudia Hart, Paul Hertz, Faith Holland, Lindsay Lawson, Jessica Lichtenstein, Patrick Lichty, Mark Napier, Eva Papamargariti, Angelo Plessas , Hayley Aviva Silverman, Cornelia Sollfrank , Jonny Star , September 5 to October 24, 2015
  • Money Works Part 2 , Haus am Lützowplatz (Studiogalerie), Berlin, with: Katharina Arndt, Alexandra Baumgartner, Jennifer Chan, César Escudero Andaluz, Nadine Fecht, Manuel Gras, Maarten Janssen, Ralf Kopp, Alicja Kwade , Erica Lapadat-Janzen, Lorna Mills, Yoshi Sodeoka, Virginie Mossé, Maximilian Roganov, Sebastian Siechold, Philipp Valenta , Vadim Zakharov , August 30 to October 12, 2014
  • Non-Stop Infinity - Lance Wakeling , Future Gallery, Berlin, Boque auf Croque, Munich, curated with Maja Block and Mike Ruiz with: Lindsay Lawson, Niko Princen, Rafaël Rozendaal, Spiros Hadjidjanos, Swyndle & Hawks, September to October 2011
  • Identity reset? Photo reportage from the Balkans to Afghanistan , Boque auf Croque, Munich, curated with Maja Block, with: Adina Huber, Florian Generotzky, Mika Schmidt, September to October 2010

Publications (selection)

  • Interview - A conversation Tina Sauerländer and Peggy Schoenegge , in: Kunstmuseum Stuttgart : Mixed Realities , exhibition catalog, Stuttgart, 2018
  • The unframed world of virtual reality , in: HeK (House of Electronic Arts Basel) : The unframed world. Virtual reality as an artistic medium, exhibition catalog, 2017
  • Gregor Hildebrandt - The Presence of the Absent , Critical Lexicon of Contemporary Art , Edition 113/2, 2016
  • Taryn Simon - Archives of the Invisible , Critical Lexicon of Contemporary Art, Issue 109/7, 2015
  • Alicja Kwade - The Construction of Reality , Critical Lexicon of Contemporary Art, Edition 107/19, 2014
  • Anselm Reyle - Pop Abstraction , Critical Lexicon of Contemporary Art, Edition 106/12, 2014
  • Carsten Nicolai - The Potential of the Process , Critical Lexicon of Contemporary Art, Edition 104/25, 2013
  • Collection Haupt . Thirty pieces of silver - art and money , catalog of the collection, published by Hermann Büchner and Tina Sauerländer, Edition Braus, Berlin, Germany, 2013

Web links

Individual evidence

  1. peer to space. Retrieved November 14, 2019 (American English).
  2. HeK: HeK - In The Woods - part II. Accessed November 14, 2019 .
  3. Pendoran Vinci: NRW-Forum Dusseldorf. Retrieved November 14, 2019 .
  4. Start. Retrieved November 14, 2019 .
  5. SALOON - Network for Women of Berlin's art scene. Retrieved November 14, 2019 .
  6. Installation: Touching from a Distance II: Transmediations in the Digital Age - Goethe-Institut Canada. In: www.goethe.de. Retrieved December 10, 2019 .
  7. Pendoran Vinci: NRW-Forum Dusseldorf. In: www.nrw-forum.de. Retrieved December 10, 2019 .
  8. exhibition THE WORLD UNFRAMED
  9. SOMETIMES YOU SEE YOUR CITY DIFFERENTLY. In: www.peertospace.eu. Retrieved December 10, 2019 .
  10. PORN TO PIZZA - DOMESTIC CLICHÉS. In: dam-gallery.de. September 5, 2015, accessed December 10, 2019 .
  11. Money Works Part 2 peer to space: Haus am Lützowplatz. In: www.hal-berlin.de. Retrieved December 10, 2019 .
  12. ^ Non-Stop Infinity: The Future Gallery. In: thefuturegallery.org. Retrieved December 10, 2019 .
  13. peer to space - IDENTITY RESET? In: www.peertospace.eu. Retrieved December 10, 2019 .