Ursula Youngest

from Wikipedia, the free encyclopedia
Ursula Jüngst (2015)

Ursula Jüngst (* 1965 in Miltenberg am Main ) is a German artist .

Life

From 1986 to 1993 she studied at the Academy of Fine Arts in Nuremberg and from 1991 to 1992 at the Universidad de Barcelona and the Escola de Llotja (Spain). In 1992 Ursula Jüngst was appointed master class student with Hans Peter Reuter . After working in Russia in 1996, she received a visiting professorship at the Art Academy in Perm (Russia) in 1998 and in 2009 Ursula Jüngst worked on an artist exchange in Skopje (Macedonia). She led the model project “Painting with seriously ill children” at the Nuremberg Clinic and in 2002 she was a specialist advisor in the European project “Spaces to live”. The artist has been dealing with glass painting since 2017 . She is a member of the BBK and has been working as a freelance artist since 1992. She lives and works in Nuremberg and Barcelona .

plant

Ursula Jüngst, who has been working with painterly positions for over thirty years, occupies a special position within contemporary art thanks to her distinctive visual language. Her paintings are powerful in their resolve. They show a creative use of a broad spectrum of intense colors that follow internal impulses. They are enriched by their knowledge of color relationships and their effects.

The current trademark of the artist, who lives in Nuremberg and Barcelona, ​​is her brushstrokes, which are similar in length and width. These are given a formal meaning through their repetition and their rhythm. The brushwork takes on the status of a building block. It is your module that can be put together in form and function. Art criticism emphasizes this innovative contribution and consequently speaks of the "brushwork as a world formula ".

Ursula Jüngst has taken a significant step with the broad brushstroke. Color and shape are available independently. In contrast to a near-natural reproduction, they stand as lively colored bodies independent of time and place. Articulated sensation values ​​are channeled into brush movements.

In a kind of color dance movement, the painter, who likes to experiment, engages in the process of encountering colors. She investigates the effect of different color nuances and is always surprised by her discoveries.

Numerous lines are arranged in changing direction and density of the paint application to create a flowing coexistence. Individual brush settings often contain different traces of mixed colors. The color sequences of individual brushstrokes can change. They can approximate, be related to, or complementary to the neighboring color. In the diversity gained and in the complexity of their interrelationships, they create an increasing, shimmering effect.

The paintings burst the familiar and stimulate free associations. They address the basic sensitivities of being human and are an expression of the modern way of life. We take part in a celebration of painting. (Bert Schlichtenmaier, Stuttgart)

Awards

  • 1992: Laufer Art Prize
  • 1994: Award from the city of Plettenberg
  • 1994: USA scholarship from the Bavarian State Ministry
  • 2003: NN Art Prize
  • 2008: Special award from the publisher of Nürnberger Nachrichten

Works in public collections

literature

monograph

  • The brushstroke as a universal formula, painting by Ursula Jüngst, ed. v. Christoph Schneider, modo Verlag, Freiburg, 2019, ISBN 978-3-86833-271-1
  • Elementary chords, painting by Ursula Jüngst, ed. v. Bert Schlichtenmaier, modo Verlag, Freiburg, 2015, ISBN 978-3-86833-182-0

Catalogs (selection)

  • Kat, Ursula Jüngst, FIESTA DE LA VIDA, Galerie Schrade Schloß Mochental, 2019, ISBN 978-3-00-062654-8
  • Kat, Ursula Jüngst, light is your dress, Rummelsberger Diakonie, Rummelsberg, 2019, ISBN 978-3-00-062355-4
  • Cat.Ursula Jüngst, Color My Singing, Museum.Burg.Miltenberg, 2014
  • Ursula Jüngst, Color my language, Kunstverein Offenburg-Mittelbaden eV, cat. 2011
  • Cat.Ursula Jüngst, Galerie Meier, Freiburg, 2010
  • Ursula Jüngst, Star Birth, painting, Nuremberg, 2008, ISBN 978-3-00-026046-9
  • Ursula Jüngst, painting and drawings, Nuremberg, 2006, ISBN 978-3-00-017845-0
  • Cat.Ursula Jüngst, look - through - look, St. Klara Open Church, Nuremberg, 2004
  • Cat.Ursula Jüngst, volcano whisper, Dresdner Bank, Nuremberg, 2003
  • Cat.Ursula Jüngst, mirA, Galerie am Schloß, Essen, 2003
  • Cat.Ursula Jüngst, Nuni Nuni, Caixa Vinaros, Spain, 2003
  • Cat.Ursula Jüngst, Paisajes en el alma, Sebastia Juan Arbo, Amposta, Spain, 2001
  • Ursula Jüngst, Die Azulen, Nuremberg, 2000
  • Ursula Jüngst, Archeology of the Unconscious, Nuremberg, 2000, ISBN 978-3-00-006881-2
  • Ursula Jüngst, drawings, Nuremberg, 2000
  • Ursula Jüngst, Knilche, Edition amRand, Münster, 1999, ISBN 978-3-00-005963-6

Individual evidence

  1. nordbayen.de. Retrieved March 20, 2020 .
  2. Derix Glass Studios. Retrieved January 18, 2019 .
  3. nordbayern.de. Retrieved January 18, 2019 .
  4. Bert Schlichtenmaier: Elementary chords . In: Elementary Chords. Painting by Ursula Jüngst , pp. 15–17
  5. Publication 2016. Retrieved May 25, 2017 .
  6. nordbayern.de. Retrieved May 25, 2017 .
  7. nordbayern.de. Retrieved May 25, 2017 .


Web links