Yesterdays (song)

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Yesterdays is a ballad by Jerome David Kern with a text by Otto Harbach from 1933.

Yesterdays was written for the musical Roberta (1933, film versions 1935 and 1952). The ballad, which was originally held in 2/4 time , is kept in a minor key throughout and appears “melancholy without being desperate”. The composition consists of 32 bars in the ABAB song form , at a moderately slow tempo. The song deals with the memory of the bygone days of youth, which in addition to the painful side also has a comforting side: "Sad am I, glad am I."

Harmonious structure

The piece is in C minor throughout. The chord progressions are similar to the piece " Alone Together " in the first four bars (i - vi - ii7 - V7) and have descending chromatics like in " My Funny Valentine " in the second four (in the key, Cm - G7 / B - Eb / Bb - Am7 (b5)). A fifth case sequence follows in bars 9–12 and leads to As and Des, which surprisingly is led a semitone up to ii7 and then chromatically down to the tonic .

Impact history

The first recording of Yesterdays by Leo Reisman and his orchestra with singer Frank Luther reached number 3 in the American hit parade in 1933. It was interpreted by Irene Dunne in the 1935 musical film .

After a recording by Artie Shaw, the song became a jazz standard in swing and then also in modern jazz : The recordings by Billie Holiday (1939), Bud Powell (1950), Lee Konitz (1951, with Miles Davis ) and Coleman are considered essential Hawkins (1960, with Oscar Pettiford ), and 1963, with Sonny Rollins . The song was interpreted very often by Stan Getz . One of the most notable recordings of Yesterdays was by Ella Fitzgerald , published on her songbook album Ella Fitzgerald Sings the Jerome Kern Songbook (1963). More recent interpretations come from Fred Hersch / Bill Frisell , Branford Marsalis , Joshua Redman , Lynne Arriale and Melissa Walker . The discographer Tom Lord lists 1170 recordings in the field of jazz.

literature

Web links

Individual evidence

  1. Marcus A. Woelfle, in Schaal, Jazz-Standards , p. 557
  2. "I'm sad, I'm happy."
  3. Lower case letters: minor level of the corresponding Roman numerals. Large: major
  4. The song was also interpreted in traditional jazz ( Peanuts Hucko ) and in the avant-garde ( Franz Koglmann ).
  5. Tom Lord : The Jazz Discography (online, accessed September 28, 2014)