Yizhak Sadai

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Yizhak Sadai

Yizhak Sadai ( Hebrew יצחק סדאי; * May 13, 1935 in Sofia ; † February 26, 2019 ) was an Israeli composer and music teacher .

Career

Sadai immigrated to Israel in 1949. From 1951 to 1956 he studied composition with Alexander Uriah Boskovitch and Ödön Pártos at the Tel Aviv Conservatory. He then took private lessons with Roman Haubenstock-Ramati and Josef Tal and took part in the Darmstadt summer courses in 1962 and 1964 . In addition, he worked in the Groupe de recherches musicales in Paris with Pierre Schaeffer , François Bayle and Guy Reibel in the 1960s .

In 1960 he founded the Renanim Art School with Dan Miron , Jehoash Hirshberg and Zeev Schuss , where he taught music. In the same year he also began teaching at the Rubin Music Academy in Jerusalem. In 1966 he became professor of composition and music theory at Tel Aviv University.

Here he founded a studio for electroacoustic music in 1974, from which numerous composers such as Joseph Dorfman , Yossi Mar-Chaim , Raviv Gazit , Amnon Wolman , Betty Olivero , Danny Oppenheim , Jonathan Berger , Kiki Keren-Huss , Rajmil Fischman , Dan Yuhas , Dror Elimelech and Ron Kolton emerged .

In addition to electroacoustic music, Sadai also composed orchestral and vocal works as well as chamber music. He has written articles and essays on questions of music theory, phenomenology and reception in international specialist journals and has published several books.

Works

  • Ricercare symphonique for small orchestra, 1957
  • Nuances for small orchestra, 1965
  • Canti Fermi for synclavier and small orchestra, 1986
  • Serenade for flute, oboe, clarinet and bassoon, 1959
  • Interpolations variées for harpsichord and string quartet, 1965
  • Anamorphoses , string quartet, 1982
  • Reprises for synclavier and instrumental ensemble, 1986
  • Antiphones for synclavier and instrumental ensemble, 1986
  • Hatzvi Israel , cantata for alto, baritone, mixed choir and small orchestra, 1960
  • Prélude à Jérusalem , cantata for alto, tenor, bass, two female and two male speakers, mixed choir and small orchestra, 1968
  • Divertimento for alto, flute, viola and piano, 1955
  • Ecclesiastes , cantata for alto, baritone and small orchestra, 1958
  • Psychoanalysis cantata for alto, tenor, baritone and orchestra, 1959
  • Aria da capo for violin, viola, vello, double bass, celesta, vibraphone, percussion and two tape recorders, 1966
  • Song into the Night for tape, 1971
  • From the Diary of a Percussionist for percussion and tape, 1972
  • La prière interrompue for tape, 1975
  • Anagrams for small orchestra and tape, 1975
  • Trial 19 , audiovisual work based on a libretto by Recha Freier for female and male speakers and tape, 1979
  • Nine Educational Pieces for piano, 1972

Fonts

  • Methodology of the Theory of Music , 1960
  • Harmony in its Systemic and its Phenomenological Aspects , 1980
  • Traité de sujets musicaux - envers une épistémologie musicale , 2003

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Individual evidence

  1. ↑ המלחין והמורה יצחק סדאי מת בגיל 83 Haaretz , accessed on February 26, 2019
personal data
SURNAME Sadai, yizhak
ALTERNATIVE NAMES יצחק סדאי (Hebrew)
BRIEF DESCRIPTION Israeli composer and music teacher
DATE OF BIRTH May 13, 1935
PLACE OF BIRTH Sofia
DATE OF DEATH 26th February 2019