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{{For|the Kansas politician|Phill Kline}}
{{For|the Kansas politician|Phill Kline}}
{{Use mdy dates|date=October 2019}}


{{Infobox musical artist <!-- See Wikipedia:WikiProject Musicians -->
{{Infobox musical artist <!-- See Wikipedia:WikiProject Musicians -->
| name = Phil Kline
| name = Phil Kline
| image = Phil Kline composer NYC.jpg
| image = Phil Kline composer NYC.jpg
| caption = Kline after a performance of his ''[[Unsilent Night]]'' in [[New York City]], December 2018.
| caption = Kline after a performance of his ''[[Unsilent Night]]'' in New York City, December 2018.
| image_size =
| image_size =
| background = non_vocal_instrumentalist
| background = non_vocal_instrumentalist
Line 10: Line 11:
| death_date =
| death_date =
| death_place =
| death_place =
| genre = [[Contemporary classical music|contemporary classical]], [[performance art]], [[Experimental music|experimental]], [[art punk]],
| genre = [[Contemporary classical music|contemporary classical]], performance art, [[Experimental music|experimental]], [[art punk]],
| occupation = Composer, sound artist, performer
| occupation = Composer, sound artist, performer
| years_active = 1982-present
| years_active = 1982–present
| label = [[Cantaloupe Music]]
| label = [[Cantaloupe Music]]
| associated_acts = [[Bang on a Can]], [[The Del-Byzanteens]]
| associated_acts = [[Bang on a Can]], [[The Del-Byzanteens]]
| website = {{URL|http://philkline.com}}
| website = {{URL|philkline.com}}
}}
}}


'''Phil Kline''' (born 1953) is an American [[composer]], [[sound artist]], and [[performer]] most recognized for his ''[[Unsilent Night]]'' (1992) and ''Zippo Songs'' (2004). Beginning as a [[guitarist]] and [[singer]] in the [[New York City]] [[art punk]] scene, Kline has since gained notability through his [[song cycles]] and [[Opera|theatrical works]], musical [[performance art]] pieces, work with [[Bang on a Can]], and [[WQXR-FM|WQXR]]'s online new-music radio show.<ref>{{Cite news|url=https://www.nytimes.com/2000/12/03/arts/music-a-provocateur-takes-on-a-new-challenge.html|title=MUSIC; A Provocateur Takes On a New Challenge|last=Sisario|first=Ben|date=2000-12-03|work=The New York Times|access-date=2019-02-19|language=en-US|issn=0362-4331}}</ref><ref>{{Cite book|title=Virtual Music : How the Web Got Wired for Sound|first=William|last=Duckworth|date=2013|publisher=Taylor and Francis|isbn=9781136087301|oclc=826856037}}</ref><ref>{{Cite web|url=https://www.newsounds.org/story/185874-phil-kline-portal/|title=Phil Kline: Cascades of Vigorous, Multi-Dimensional Sound {{!}} New Sounds {{!}} Hand-picked music, genre free|website=newsounds|language=en|access-date=2019-02-19}}</ref> With five studio albums to date, a majority of his compositional work can be found on [[Cantaloupe Music]].<ref>{{Cite web|url=https://api.discogs.com/artists/183411|title=Phil Kline|website=Discogs|language=en|access-date=2019-02-19}}</ref><br />
'''Phil Kline''' (born 1953) is an American composer, [[sound artist]], and performer most recognized for his ''[[Unsilent Night]]'' (1992) and ''Zippo Songs'' (2004). Beginning as a guitarist and singer in the New York City [[art punk]] scene, Kline has since gained notability through his [[song cycles]] and [[Opera|theatrical works]], musical performance art pieces, work with [[Bang on a Can]], and [[WQXR-FM|WQXR]]'s online new-music radio show.<ref>{{Cite news|url=https://www.nytimes.com/2000/12/03/arts/music-a-provocateur-takes-on-a-new-challenge.html|title=MUSIC; A Provocateur Takes On a New Challenge|last=Sisario|first=Ben|date=December 3, 2000|work=The New York Times|access-date=19 February 2019|issn=0362-4331}}</ref><ref name=":0"/><ref>{{Cite web|url=https://www.newsounds.org/story/185874-phil-kline-portal/|title=Phil Kline: Cascades of Vigorous, Multi-Dimensional Sound {{!}} New Sounds {{!}} Hand-picked music, genre free|website=newsounds|access-date=19 February 2019}}</ref> With five studio albums to date, a majority of his compositional work can be found on [[Cantaloupe Music]].<ref>{{Cite web|url=https://api.discogs.com/artists/183411|title=Phil Kline|publisher=discogs|access-date=19 February 2019}}</ref>


== Education and Early Works ==
== Education and early works ==
Kline was born in 1953 and grew up in [[Akron, Ohio]]. After moving to [[New York City]] to pursue a degree in English literature from [[Columbia University]], he attended [[Mannes College of Music]] to study [[Musical composition|music composition]]. In the late 1970s, Kline began his career as a full-time musician, and first joined the band [[Dark Day (band)|Dark Day]] with [[Robin Crutchfield]] (also of the band [[DNA (American band)|DNA]]). When he left [[Dark Day (band)|Dark Day]], he co-founded the [[No wave|no-wave]], [[art-punk]] band [[The Del-Byzanteens]] alongside filmmaker [[Jim Jarmusch]], author [[Luc Sante]], and painter [[James Nares]]. After these projects, he also toured internationally and recorded with the [[Glenn Branca|Glenn Branca Ensemble]] and began assisting with video projects by [[Nan Goldin]] and [[Wim Wenders]].<ref>{{Cite web|url=https://www.sputnikmusic.com/bands/Dark-Day/25696/|title=Dark Day reviews, music, news - sputnikmusic|website=www.sputnikmusic.com|access-date=2019-03-07}}</ref><ref name=":0">{{Cite book|title=Virtual Music : How the Web Got Wired for Sound|first=William|last=Duckworth|date=2013|publisher=Taylor and Francis|isbn=9781136087301|oclc=826856037}}</ref>
Kline was born in 1953 and grew up in [[Akron, Ohio]]. After moving to New York City to pursue a degree in English literature from [[Columbia University]] and graduated in 1975, he attended [[Mannes College of Music]].<ref>{{Cite web|last=Clark|first=Justin|date=November 2009|title=Phil Kline '75 Strikes a Chord with Critics and Masses|url=https://www.college.columbia.edu/cct/archive/nov_dec09/alumni_profiles|archive-url=|archive-date=|access-date=August 8, 2020|website=Columbia College Today}}</ref> In the late 1970s, Kline began his career as a full-time musician, and first joined the band [[Dark Day (band)|Dark Day]] with [[Robin Crutchfield]] (also of the band [[DNA (American band)|DNA]]). When he left [[Dark Day (band)|Dark Day]], he co-founded the [[No wave|no-wave]], [[art-punk]] band [[The Del-Byzanteens]] alongside filmmaker [[Jim Jarmusch]], author [[Lucy Sante]], and painter [[James Nares (artist)|James Nares]]. After these projects, he also toured internationally and recorded with the [[Glenn Branca|Glenn Branca Ensemble]] and began assisting with video projects by [[Nan Goldin]].<ref>{{Cite web|url=https://www.sputnikmusic.com/bands/Dark-Day/25696/|title=Dark Day reviews, music, news sputnikmusic|website=Sputnikmusic|access-date=7 March 2019}}</ref><ref name=":0">{{Cite book|title=Virtual Music : How the Web Got Wired for Sound|first=William|last=Duckworth|date=2013|publisher=Taylor and Francis|isbn=9781136087301|oclc=826856037}}</ref>


==Career==
==Career==
As a continuation of his experimental work, Kline began creating [[Tape recorder|tape]]-based [[Sound installation|sound installations]] for collections of [[Boombox|boomboxes]] inspired by the work of [[Brian Eno]], [[Steve Reich]], and [[Glenn Branca]]. The first of these was called ''Bachman’s Warbler'' (1990), which was written for [[Harmonica|harmonicas]] and twelve [[Boombox|boomboxes]] and premiered at [[Bang on a Can|Bang on a Can Marathon]] in [[New York City]] in 1992. The concept behind these pieces later contributed to his ''[[Unsilent Night]]'' (1992), which has since brought Kline worldwide recognition.<ref>{{Cite book|title=Virtual Music : How the Web Got Wired for Sound|first=William|last=Duckworth|date=2013|publisher=Taylor and Francis|isbn=9781136087301|oclc=826856037}}</ref>
As a continuation of his experimental work, Kline began creating [[Tape recorder|tape]]-based [[sound installation]]s for collections of [[boombox]]es inspired by the work of [[Brian Eno]], [[Steve Reich]], and [[Glenn Branca]]. The first of these was called ''Bachman's Warbler'' (1990), which was written for [[harmonica]]s and twelve [[boombox]]es and premiered at [[Bang on a Can|Bang on a Can Marathon]] in New York City in 1992. The concept behind these pieces later contributed to his ''[[Unsilent Night]]'' (1992), which has since brought Kline worldwide recognition.<ref name=":0"/>


First performed in [[New York City]], ''[[Unsilent Night]]'' is an annual public performance piece in which anyone may participate. Every December, as part of this performance, a volunteer parade carrying boomboxes and other music players passes through [[Greenwich Village]], presenting an ambient cacophony made of recorded [[Bell|bells]], [[Harp|harps]], and [[Electronic musical instrument|electronic instruments]] to the neighborhood. While ''[[Unsilent Night]]'' features musical references to ancient [[Christmas]] music, the piece itself and its performance are not religion-specific. Since its premiere in 1992, the ''[[Unsilent Night]]'' tradition has spread to over 37 cities around the world, mostly in the [[United States]] and [[Canada]], but also to major cities across [[Europe]], [[Oceania]], [[Africa]], and [[Asia]].<ref>{{Cite web|url=https://www.broadwayworld.com/philadelphia/article/Phil-Klines-Avant-Garde-Holiday-Tradition-UNSILENT-NIGHT-to-Parade-Through-37-Cities-This-December-20171120|title=Phil Kline's Avant-Garde Holiday Tradition UNSILENT NIGHT to Parade Through 37 Cities This December|last=Desk|first=BWW News|website=BroadwayWorld.com|language=en|access-date=2019-02-26}}</ref><ref>{{Cite news|url=https://www.nytimes.com/2000/12/03/arts/music-a-provocateur-takes-on-a-new-challenge.html|title=MUSIC; A Provocateur Takes On a New Challenge|last=Sisario|first=Ben|date=2000-12-03|work=The New York Times|access-date=2019-02-26|language=en-US|issn=0362-4331}}</ref><ref>{{Cite web|url=https://www.wqxr.org/story/86086-your-unsilent-night/|title=Your Unsilent Night {{!}} WQXR {{!}} New York's Classical Music Radio Station|website=WQXR|language=en|access-date=2019-03-05}}</ref><ref>{{Cite web|url=https://flagpole.com/music/music-features/2018/12/05/unsilent-night-fills-downtown-athens-with-seasonal-cheer|title=Unsilent Night Fills Downtown Athens With Seasonal Cheer|last=Goodson|first=Jessie|website=Flagpole Magazine {{!}} Athens, GA News, Music, Arts, Restaurants|language=en|access-date=2019-03-05}}</ref>
First performed in New York City, ''[[Unsilent Night]]'' is an annual public performance piece in which anyone may participate. Every December, as part of this performance, a volunteer parade carrying boomboxes and other music players passes through [[Greenwich Village]], presenting an ambient cacophony made of recorded [[bell]]s, [[harp]]s, and [[Electronic musical instrument|electronic instruments]] to the neighborhood. While ''[[Unsilent Night]]'' features musical references to ancient Christmas music, the piece itself and its performance are not religion-specific. Since its premiere in 1992, the ''[[Unsilent Night]]'' tradition has spread to over 116 cities around the world, mostly in the United States and Canada, but also to major cities across Europe, Oceania, Africa, and Asia.<ref>{{Cite web|url=https://www.broadwayworld.com/philadelphia/article/Phil-Klines-Avant-Garde-Holiday-Tradition-UNSILENT-NIGHT-to-Parade-Through-37-Cities-This-December-20171120|title=Phil Kline's Avant-Garde Holiday Tradition UNSILENT NIGHT to Parade Through 37 Cities This December|author=BWW News Desk|website=BroadwayWorld.com|access-date=26 February 2019}}</ref><ref>{{Cite news|url=https://www.nytimes.com/2000/12/03/arts/music-a-provocateur-takes-on-a-new-challenge.html|title=MUSIC; A Provocateur Takes On a New Challenge|last=Sisario|first=Ben|date=December 3, 2000|work=The New York Times|access-date=26 February 2019|issn=0362-4331}}</ref><ref>{{Cite web|url=https://www.wqxr.org/story/86086-your-unsilent-night/|title=Your Unsilent Night {{!}} WQXR {{!}} New York's Classical Music Radio Station|publisher=WQXR|access-date=5 March 2019}}</ref><ref>{{Cite web|url=https://flagpole.com/music/music-features/2018/12/05/unsilent-night-fills-downtown-athens-with-seasonal-cheer|title=Unsilent Night Fills Downtown Athens With Seasonal Cheer|last=Goodson|first=Jessie|website=Flagpole Magazine {{!}} Athens, GA News, Music, Arts, Restaurants|access-date=5 March 2019}}</ref><ref>{{Cite web|url=https://www.bostonglobe.com/arts/music/2017/12/06/from-block-long-stereo-system-stirring-sound-unsilent-night/J7GEw3EpM4EJnfvzN8haOI/story.html|title=From a 'block-long stereo system,' the stirring sound of 'Unsilent Night' – The Boston Globe|website=Boston Globe|access-date=2 April 2019}}</ref>


Kline’s other notable work primarily includes [[Song cycle|song cycles]] and [[opera]]. Kline’s song cycles have historically had political themes, such as his ''Three Rumsfeld Songs'', which borrow text from the [[The Pentagon|Pentagon]] briefings of [[United States Secretary of Defense|Secretary of Defense]] [[Donald Rumsfeld]] following the [[September 11 terrorist attacks]] and during the [[War in Iraq]]. The source for Kline’s ''Zippo Songs'' (2004), the song cycle for which he is best known, comes from [[United States|U.S.]] government-issued [[Zippo Lighter|Zippo lighters]] from the [[Vietnam War]], on which some soldiers etched short sayings or poems. These sayings and poems, compiled into ''Zippo Songs'', therefore offers a lens into the social, spiritual, sexual, and emotional lives of these [[United States|American]] [[Vietnam War]] soldiers. ''Zippo Songs'' was written for singer [[Theo Bleckmann]], as well as for violin, percussion, and guitar.<ref>{{Cite web|url=https://web.archive.org/web/20060523191654/http:/www.yaledailynews.com/article.asp?AID=28204|title=yaledailynews.com - 'Souls' and 'Zippo' are modern classics|date=2006-05-23|website=web.archive.org|access-date=2019-02-26}}</ref><ref>{{Cite web|url=https://www.newsounds.org/story/64225-zippo-songs/|title=#2249: Zippo Songs {{!}} New Sounds {{!}} New Sounds|website=newsounds|language=en|access-date=2019-02-26}}</ref> Kline's [[Lounge music|lounge]]-inspired, staged song cycle ''Out Cold'' (2012)''—''about the desperation of lost love''—''was also written for and performed by [[Theo Bleckmann|Bleckmann]].<ref>{{Cite news|url=https://www.nytimes.com/2012/10/27/arts/music/out-cold-zippo-songs-at-bams-next-wave-festival.html|title=‘Out Cold/Zippo Songs’ at BAM’s Next Wave Festival|last=Schweitzer|first=Vivien|date=2012-10-26|work=The New York Times|access-date=2019-03-05|language=en-US|issn=0362-4331}}</ref><ref>{{Cite web|url=http://www.artsjournal.com/condemned/2012/11/phil-klines-staged-song-cycle-better-seen-or-heard/|title=Phil Kline’s staged song cycle: Better seen or heard?|last=Stearns|first=David Patrick|date=2012-11-02|website=Condemned to Music|language=en-US|access-date=2019-03-05}}</ref>
Kline's other notable work primarily includes [[song cycle]]s and opera. Kline's song cycles have historically had political themes, such as his ''Three Rumsfeld Songs'', which borrow text from the [[The Pentagon|Pentagon]] briefings of [[United States Secretary of Defense|Secretary of Defense]] [[Donald Rumsfeld]] following the [[September 11 terrorist attacks]] and during the [[War in Iraq]]. The source for Kline's ''Zippo Songs'' (2004), the song cycle for which he is best known, comes from US government-issued [[Zippo Lighter]]s from the [[Vietnam War]], on which some soldiers etched short sayings or poems. These sayings and poems, compiled into ''Zippo Songs'', therefore offers a lens into the social, spiritual, sexual, and emotional lives of these American [[Vietnam War]] soldiers. ''Zippo Songs'' was written for singer [[Theo Bleckmann]], as well as for violin, percussion, and guitar.<ref>{{Cite web|url=http://www.yaledailynews.com/article.asp?AID=28204|archive-url=https://web.archive.org/web/20060523191654/http://www.yaledailynews.com/article.asp?AID=28204|url-status=dead|archive-date=May 23, 2006|title=yaledailynews.com 'Souls' and 'Zippo' are modern classics|date=May 23, 2006|access-date=26 February 2019}}</ref><ref>{{Cite web|url=https://www.newsounds.org/story/64225-zippo-songs/|title=#2249: Zippo Songs {{!}} New Sounds {{!}} New Sounds|website=newsounds|access-date=26 February 2019}}</ref> Kline's [[Lounge music|lounge]]-inspired, staged song cycle ''Out Cold'' (2012)''—''about the desperation of lost love''—''was also written for and performed by [[Theo Bleckmann|Bleckmann]].<ref>{{Cite news|url=https://www.nytimes.com/2012/10/27/arts/music/out-cold-zippo-songs-at-bams-next-wave-festival.html|title='Out Cold/Zippo Songs' at BAM's Next Wave Festival|last=Schweitzer|first=Vivien|date=October 26, 2012|work=The New York Times|access-date=5 March 2019|issn=0362-4331}}</ref><ref>{{Cite web|url=http://www.artsjournal.com/condemned/2012/11/phil-klines-staged-song-cycle-better-seen-or-heard/|title=Phil Kline's staged song cycle: Better seen or heard?|last=Stearns|first=David Patrick|date=November 2, 2012|website=Condemned to Music|access-date=5 March 2019}}</ref>


More recently, Kline has delved into the opera genre with his ''Tesla'', which explores the life and works of inventor [[Nikola Tesla]], in collaboration with filmmaker [[Jim Jarmusch]], a colleague from their band [[The Del-Byzanteens]].<ref>{{Cite web|url=http://www.electricsheepmagazine.co.uk/features/2014/04/27/tesla-in-new-york-metal-machine-music-on-lithium/|title=Tesla in New York: Metal Machine Music on Lithium|last=Jahn|first=Pam|date=2014-04-27|website=Electric Sheep|language=en-US|access-date=2019-03-05}}</ref><ref>{{Cite web|url=https://news.dartmouth.edu/news/2013/02/hopkins-center-co-commissions-opera-jim-jarmusch-and-phil-kline|title=Hopkins Center Co-Commissions an Opera by Jim Jarmusch and Phil Kline {{!}} Dartmouth News|website=news.dartmouth.edu|access-date=2019-03-05}}</ref><ref name=":0" /> Kline has also written music for [[dance]] and [[ballet]], such as his work for the [[Birmingham Royal Ballet]].<ref>{{Cite news|url=https://www.theguardian.com/stage/2018/jun/18/birmingham-royal-ballet-polarity-and-proximity-review|title=Birmingham Royal Ballet: Polarity and Proximity review – dialogues of desire|last=Mackrell|first=Judith|date=2018-06-18|work=The Guardian|access-date=2019-03-07|language=en-GB|issn=0261-3077}}</ref>
More recently, Kline has delved into the opera genre with his ''Tesla'', which explores the life and works of inventor [[Nikola Tesla]], in collaboration with filmmaker [[Jim Jarmusch]], a colleague from their band [[The Del-Byzanteens]].<ref>{{Cite web|url=http://www.electricsheepmagazine.co.uk/features/2014/04/27/tesla-in-new-york-metal-machine-music-on-lithium/|title=Tesla in New York: Metal Machine Music on Lithium|last=Jahn|first=Pam|date=April 27, 2014|website=Electric Sheep|access-date=5 March 2019}}</ref><ref name="news.dartmouth.edu">{{Cite web|url=https://news.dartmouth.edu/news/2013/02/hopkins-center-co-commissions-opera-jim-jarmusch-and-phil-kline|title=Hopkins Center Co-Commissions an Opera by Jim Jarmusch and Phil Kline {{!}} Dartmouth News|website=news.dartmouth.edu|access-date=5 March 2019}}</ref><ref name=":0" /> Kline has also written music for dance and ballet, such as his work for the [[Birmingham Royal Ballet]].<ref>{{Cite news|url=https://www.theguardian.com/stage/2018/jun/18/birmingham-royal-ballet-polarity-and-proximity-review|title=Birmingham Royal Ballet: Polarity and Proximity review – dialogues of desire|last=Mackrell|first=Judith|date=June 18, 2018|work=The Guardian|access-date=7 March 2019|issn=0261-3077}}</ref>


Other than these projects, Kline’s work includes continuing commissions from [[Bang on a Can]], [[American Opera Projects]], the [[Brooklyn Youth Chorus]], [[WNYC]], the [[New York State Council on the Arts]], Ethel and Alice Tully Hall at [[Lincoln Center]], [[Jennifer Koh]], [[Muzik3]], the [[La Jolla|La Jolla Symphony Orchestra]], the [[Orchestra of St. Luke's|St. Luke’s Chamber Ensemble]], and for the [[Kotzschmar Memorial Organ|Kotschmar Memorial Organ]] in [[Portland, Maine]]. Furthermore, his works have had performances venues across the world including [[Lincoln Center]], the [[Barbican Centre]], the [[Amsterdam]] [[Concertgebouw|Royal Concertgebouw]], the [[Brooklyn Academy of Music]], the [[Royal Conservatory of Music, Toronto|Royal Conservatory of Music of Toronto]], [[The Whitney Museum]], the [[Cleveland Museum of Art]], the [[Kimmel Center]], [[Trinity Church (Manhattan)|Trinity Church]], [[Symphony Space]], [[National Sawdust]], [[The Kitchen]], and the [[Badlands National Park]].<ref>{{Cite web|url=https://www.eamdc.com/psny/composers/phil-kline/biography/|title=PSNY: Phil Kline Biography|website=www.eamdc.com|access-date=2019-03-05}}</ref><ref>{{Cite web|url=https://news.dartmouth.edu/news/2013/02/hopkins-center-co-commissions-opera-jim-jarmusch-and-phil-kline|title=Hopkins Center Co-Commissions an Opera by Jim Jarmusch and Phil Kline {{!}} Dartmouth News|website=news.dartmouth.edu|access-date=2019-03-05}}</ref><ref>{{Cite news|url=https://www.nytimes.com/2012/08/06/arts/music/phil-klines-dreamcitynine-at-lincoln-center-out-of-doors.html|title=Phil Kline’s ‘dreamcitynine’ at Lincoln Center Out of Doors|last=Smith|first=Steve|date=2012-08-05|work=The New York Times|access-date=2019-03-05|language=en-US|issn=0362-4331}}</ref><ref>{{Cite web|url=https://nmbx.newmusicusa.org/Sounds-Heard-Phil-Klines-John-the-Revelator-A-Mass-for-Six-Voices/|title=Sounds Heard: Phil Kline’s John the Revelator—A Mass for Six Voices|last=May 18|first=Molly Sheridanon|last2=2009|date=2009-05-18|website=NewMusicBox|language=en|access-date=2019-03-05}}</ref><ref>{{Cite web|url=http://jenniferkoh.com/projects/bach_and_beyond.html|title=Jennifer Koh's Bach and Beyond|website=jenniferkoh.com|access-date=2019-03-05}}</ref><ref>{{Cite web|url=http://www.pytheasmusic.org/kline_phil.html|title=Phil Kline at Pytheas ~ Contemporary, Modern, New, Non-Pop Art Music Composers, Ensembles & Resources|website=www.pytheasmusic.org|access-date=2019-03-05}}</ref>
Other than these projects, Kline's work includes continuing commissions from [[Bang on a Can]], [[American Opera Projects]], the [[Brooklyn Youth Chorus]], [[WNYC]], the [[New York State Council on the Arts]], Ethel and Alice Tully Hall at [[Lincoln Center]], [[Jennifer Koh]], [[Muzik3]], the [[La Jolla|La Jolla Symphony Orchestra]], the [[Orchestra of St. Luke's|St. Luke's Chamber Ensemble]], and for the [[Kotzschmar Memorial Organ|Kotschmar Memorial Organ]] in [[Portland, Maine]]. Furthermore, his works have had performances venues across the world including [[Lincoln Center]], the [[Barbican Centre]], the [[Amsterdam]] [[Concertgebouw, Amsterdam|Royal Concertgebouw]], the [[Brooklyn Academy of Music]], the [[Royal Conservatory of Music, Toronto|Royal Conservatory of Music of Toronto]], [[The Whitney Museum]], the [[Cleveland Museum of Art]], the [[Kimmel Center]], [[Trinity Church (Manhattan)|Trinity Church]], [[Symphony Space]], [[National Sawdust]], [[The Kitchen]], and the [[Badlands National Park]].<ref>{{Cite web|url=https://www.eamdc.com/psny/composers/phil-kline/biography/|title=PSNY: Phil Kline Biography|website=eamdc.com|access-date=5 March 2019}}</ref><ref name="news.dartmouth.edu"/><ref>{{Cite news|url=https://www.nytimes.com/2012/08/06/arts/music/phil-klines-dreamcitynine-at-lincoln-center-out-of-doors.html|title=Phil Kline's 'dreamcitynine' at Lincoln Center Out of Doors|last=Smith|first=Steve|date=August 5, 2012|work=The New York Times|access-date=5 March 2019|issn=0362-4331}}</ref><ref>{{Cite web|url=https://nmbx.newmusicusa.org/Sounds-Heard-Phil-Klines-John-the-Revelator-A-Mass-for-Six-Voices/|title=Sounds Heard: Phil Kline's John the Revelator—A Mass for Six Voices|first=Molly|last=Sheridanon|date=May 18, 2009|website=NewMusicBox|access-date=5 March 2019}}</ref><ref>{{Cite web|url=http://jenniferkoh.com/projects/bach_and_beyond.html|title=Jennifer Koh's Bach and Beyond|website=jenniferkoh.com|access-date=5 March 2019}}</ref><ref>{{Cite web|url=http://www.pytheasmusic.org/kline_phil.html|title=Phil Kline at Pytheas ~ Contemporary, Modern, New, Non-Pop Art Music Composers, Ensembles & Resources|website=pytheasmusic.org|access-date=5 March 2019}}</ref>


== Critical Reception ==
== Critical reception ==
Throughout his career, Phil Kline’s music has been respected for its experimental nature. ''[[The New York Times]]'' describes it as having “the tonal richness of [[Samuel Barber|Barber]], the austerity of [[Igor Stravinsky|Stravinsky]] and the harmonic piquancy of [[György Ligeti|Ligeti]], and ''[[New York (magazine)|New York magazine]]'' has said that Kline “long ago declared independence from any musical Establishment.<ref>{{Cite news|url=https://www.nytimes.com/2006/11/14/arts/music-in-review.html|title=Music in Review|last=Smith|first=Steve|date=2006-11-14|work=The New York Times|access-date=2019-03-05|language=en-US|issn=0362-4331}}</ref><ref>{{Cite web|url=http://nymag.com/arts/classicaldance/classical/reviews/57724/|title=Tiny Blockbusters|last=Davidson|first=By Justin|last2=Published Jul 2|first2=2009|website=NYMag.com|access-date=2019-03-05}}</ref>
Throughout his career, Phil Kline's music has been respected for its experimental nature. ''[[The New York Times]]'' describes it as having "the tonal richness of [[Samuel Barber|Barber]], the austerity of [[Igor Stravinsky|Stravinsky]] and the harmonic piquancy of [[György Ligeti|Ligeti]]," and ''[[New York (magazine)|New York magazine]]'' has said that Kline "long ago declared independence from any musical Establishment."<ref>{{Cite news|url=https://www.nytimes.com/2006/11/14/arts/music-in-review.html|title=Music in Review|last=Smith|first=Steve|date=November 14, 2006|work=The New York Times|access-date=5 March 2019|issn=0362-4331}}</ref><ref>{{Cite web|url=http://nymag.com/arts/classicaldance/classical/reviews/57724/|title=Tiny Blockbusters|last1=Davidson|first1=Justin|date= Jul 2, 2009|website=New York|access-date=5 March 2019}}</ref>


Kline’s ''[[Unsilent Night]]'' has been called “a magical musical parade, “a tribute to the joy of caroling" (''[[The Village Voice]]''), and “an ethereal sound sculpture” (''[[The Guardian]]''); it’s been noted for the “benign sense of wonder it instilled in observers” (''[[San Francisco Chronicle]]'').<ref>{{Cite web|url=https://www.villagevoice.com/2007/12/17/phil-klines-unsilent-night/|title=Phil Kline’s “Unsilent Night”|website=www.villagevoice.com|access-date=2019-03-05}}</ref><ref>{{Cite web|url=https://www.villagevoice.com/2013/12/11/alternative-caroling/|title=ALTERNATIVE CAROLING|website=www.villagevoice.com|access-date=2019-03-05}}</ref><ref>{{Cite news|url=https://www.theguardian.com/music/musicblog/2014/dec/11/unsilent-night-the-boombox-choir-sweeping-america|title=Unsilent Night: the boombox choir sweeping America|last=Longley|first=Martin|date=2014-12-11|work=The Guardian|access-date=2019-03-05|language=en-GB|issn=0261-3077}}</ref><ref>{{Cite web|url=https://www.sfgate.com/music/article/Unsilent-Night-spreads-music-through-Hayes-6711371.php|title=‘Unsilent Night’ spreads music through Hayes Valley|last=Kosman|first=Joshua|date=2015-12-20|website=SFGate|access-date=2019-03-05}}</ref>
Kline's ''[[Unsilent Night]]'' has been called "a magical musical parade," “a tribute to the joy of caroling" (''[[The Village Voice]]''), and "an ethereal sound sculpture" (''[[The Guardian]]''); it's been noted for the "benign sense of wonder it instilled in observers" (''[[San Francisco Chronicle]]'').<ref>{{Cite web|url=https://www.villagevoice.com/2007/12/17/phil-klines-unsilent-night/|title=Phil Kline's "Unsilent Night"|website=The Village Voice|access-date=5 March 2019}}</ref><ref>{{Cite web|url=https://www.villagevoice.com/2013/12/11/alternative-caroling/|title=ALTERNATIVE CAROLING|website=The Village Voice|access-date=5 March 2019}}</ref><ref>{{Cite news|url=https://www.theguardian.com/music/musicblog/2014/dec/11/unsilent-night-the-boombox-choir-sweeping-america|title=Unsilent Night: the boombox choir sweeping America|last=Longley|first=Martin|date=December 11, 2014|work=The Guardian|access-date=5 March 2019|issn=0261-3077}}</ref><ref>{{Cite web|url=https://www.sfgate.com/music/article/Unsilent-Night-spreads-music-through-Hayes-6711371.php|title='Unsilent Night' spreads music through Hayes Valley|last=Kosman|first=Joshua|date=December 20, 2015|website=San Francisco Chronicle|access-date=5 March 2019}}</ref>


Furthermore, although Brian Olewnick (''The Squid’s Ear'') said that Kline’s ''Zippo Songs'' has a “lack of memorability, [[Alex Ross (music critic)|Alex Ross]] (''[[The New Yorker]]'', ''The Rest is Noise'') described this collection as “one of the most brutally frank [[Song cycle|song cycles]] ever penned, and [[Anne Midgette]] for [[The New York Times|''The'' ''New York Times'']] described his it as “brilliant American [[Lied|lieder]] for the 21st century."<ref>{{Cite web|url=http://www.squidco.com/cgi-bin/news/newsView.cgi?newsID=448|title=Review: Phil Kline - Zippo Songs (Cantaloupe)|website=www.squidco.com|access-date=2019-03-05}}</ref><ref>{{Cite web|url=https://www.therestisnoise.com/2004/11/emnew_yorkerem_.html|title=America the Baleful|website=Alex Ross: The Rest Is Noise|access-date=2019-03-05}}</ref><ref>{{Cite news|url=https://www.nytimes.com/2004/12/12/arts/the-best-classical-cds-of-2004-kline-zippo-songs-airs-of-war-and.html|title=The Best Classical CD's of 2004; KLINE: 'ZIPPO SONGS: AIRS OF WAR AND LUNACY'|last=Midgette|first=Anne|date=2004-12-12|work=The New York Times|access-date=2019-03-05|language=en-US|issn=0362-4331}}</ref>
Furthermore, although Brian Olewnick (''The Squid's Ear'') said that Kline's ''Zippo Songs'' has a "lack of memorability," [[Alex Ross (music critic)|Alex Ross]] (''[[The New Yorker]]'', ''The Rest is Noise'') described this collection as "one of the most brutally frank [[song cycle]]s ever penned," and [[Anne Midgette]] for [[The New York Times|''The'' ''New York Times'']] described his it as "brilliant American [[lied]]er for the 21st century."<ref>{{Cite web|url=http://www.squidco.com/cgi-bin/news/newsView.cgi?newsID=448|title=Review: Phil Kline Zippo Songs (Cantaloupe)|website=squidco.com|access-date=5 March 2019}}</ref><ref>{{Cite web|url=https://www.therestisnoise.com/2004/11/emnew_yorkerem_.html|title=America the Baleful|website=Alex Ross: The Rest Is Noise|access-date=5 March 2019}}</ref><ref>{{Cite news|url=https://www.nytimes.com/2004/12/12/arts/the-best-classical-cds-of-2004-kline-zippo-songs-airs-of-war-and.html|title=The Best Classical CD's of 2004; KLINE: 'ZIPPO SONGS: AIRS OF WAR AND LUNACY'|last=Midgette|first=Anne|date=December 12, 2004|work=The New York Times|access-date=5 March 2019|issn=0362-4331}}</ref>


Kline's contemporary adaptation of the [[Catholic Mass]], ''John the Revelator'' (2006), was called "offbeat" and "moving" (''The New York Times''), and ''AllMusic'' called it "easily one of the most moving and engaging mass settings in recent memory."<ref>{{Cite news|url=https://www.nytimes.com/2006/11/14/arts/music/14roun.html|title=Music in Review|last=Times|first=The New York|date=2006-11-14|work=The New York Times|access-date=2019-03-05|language=en-US|issn=0362-4331}}</ref><ref>{{Cite web|url=https://www.allmusic.com/album/phil-kline-john-the-revelator-mw0000818710|title=Phil Kline: John the Revelator - Lionheart, Ethel, Phil Kline {{!}} Songs, Reviews, Credits|website=AllMusic|language=en-us|access-date=2019-03-05}}</ref>
Kline's contemporary adaptation of the [[Catholic Mass]], ''John the Revelator'' (2006), was called "offbeat" and "moving" (''The New York Times''), and AllMusic called it "easily one of the most moving and engaging mass settings in recent memory."<ref>{{Cite news|url=https://www.nytimes.com/2006/11/14/arts/music/14roun.html|title=Music in Review|date=November 14, 2006|work=The New York Times|access-date=5 March 2019|issn=0362-4331}}</ref><ref>{{Cite web|url=https://www.allmusic.com/album/phil-kline-john-the-revelator-mw0000818710|title=Phil Kline: John the Revelator Lionheart, Ethel, Phil Kline {{!}} Songs, Reviews, Credits|publisher=AllMusic|access-date=5 March 2019}}</ref>


==Discography==
==Discography==
Line 52: Line 53:
|''John the Revelator''
|''John the Revelator''
|[[Cantaloupe Music]]
|[[Cantaloupe Music]]
|2009<ref>{{Cite web|url=https://www.discogs.com/Phil-Kline-Lionheart-9-Ethel-John-The-Revelator/release/6565195|title=Phil Kline / Lionheart (9) / Ethel - John The Revelator|website=Discogs|language=en|access-date=2019-03-05}}</ref>
|2009<ref>{{Cite web|url=https://www.discogs.com/Phil-Kline-Lionheart-9-Ethel-John-The-Revelator/release/6565195|title=Phil Kline / Lionheart (9) / Ethel John The Revelator|publisher=discogs|access-date=5 March 2019}}</ref>
|-
|-
|''Around the World in a Daze''
|''Around the World in a Daze''
|[[Starkland]]
|[[Starkland]]
|2009<ref>{{Cite web|url=https://www.discogs.com/Phil-Kline-Around-The-World-In-A-Daze/master/1360246|title=Phil Kline - Around The World In A Daze|website=Discogs|language=en|access-date=2019-03-05}}</ref>
|2009<ref>{{Cite web|url=https://www.discogs.com/Phil-Kline-Around-The-World-In-A-Daze/master/1360246|title=Phil Kline Around The World in a Daze|publisher=discogs|access-date=5 March 2019}}</ref>
|-
|-
|''Zippo Songs''
|''Zippo Songs''
|[[Cantaloupe Music]]
|[[Cantaloupe Music]]
|2004<ref>{{Cite web|url=https://www.discogs.com/Phil-Kline-Zippo-Songs/release/7519874|title=Phil Kline - Zippo Songs|website=Discogs|language=en|access-date=2019-03-05}}</ref>
|2004<ref>{{Cite web|url=https://www.discogs.com/Phil-Kline-Zippo-Songs/release/7519874|title=Phil Kline Zippo Songs|publisher=discogs|access-date=5 March 2019}}</ref>
|-
|-
|''[[Unsilent Night]]''
|''[[Unsilent Night]]''
|[[Cantaloupe Music]]
|[[Cantaloupe Music]]
|2001<ref>{{Cite web|url=https://www.discogs.com/Phil-Kline-Unsilent-Night/release/9005185|title=Phil Kline - Unsilent Night|website=Discogs|language=en|access-date=2019-03-05}}</ref>
|2001<ref>{{Cite web|url=https://www.discogs.com/Phil-Kline-Unsilent-Night/release/9005185|title=Phil Kline Unsilent Night|publisher=discogs|access-date=5 March 2019}}</ref>
|-
|-
|''Glow in the Dark''
|''Glow in the Dark''
|[[Composers Recordings, Inc.]]
|[[Composers Recordings, Inc.]]
|1998''<ref>{{Cite news|url=https://www.nytimes.com/2009/12/21/arts/music/21acme.html|title=Kindred Spirits in John Cage and Phil Kline, at Tank|last=Smith|first=Steve|date=2009-12-20|work=The New York Times|access-date=2019-02-20|language=en-US|issn=0362-4331}}</ref>''
|1998''<ref>{{Cite news|url=https://www.nytimes.com/2009/12/21/arts/music/21acme.html|title=Kindred Spirits in John Cage and Phil Kline, at Tank|last=Smith|first=Steve|date=December 20, 2009|work=The New York Times|access-date=20 February 2019|issn=0362-4331}}</ref>''
|-
|-
|''Emergency Music''
|''Emergency Music''
|[[Composers Recordings, Inc.]]
|[[Composers Recordings, Inc.]]
|1997''<ref>{{Cite web|url=http://www.arkivmusic.com/classical/Namedrill?name_id=88348&name_role=2&rewr=1|title=Emergency Music - Kline: Glow In The Dark - Composers Recordings, Inc. (Cri): NWCR801|last=|first=|date=|website=www.arkivmusic.com|archive-url=|archive-date=|dead-url=|access-date=2019-02-20}}</ref>''
|1997''<ref>{{Cite web|url=http://www.arkivmusic.com/classical/Namedrill?name_id=88348&name_role=2&rewr=1|title=Emergency Music Kline: Glow In The Dark Composers Recordings, Inc. (Cri): NWCR801|website=arkivmusic.com|access-date=20 February 2019}}</ref>''
|}
|}
<br />
<br />
Line 83: Line 84:
|-
|-
|''Messiah Remix''
|''Messiah Remix''
|“Hallelujah!”
|"Hallelujah!”
|[[Cantaloupe Music]]
|[[Cantaloupe Music]]
|2004<ref>{{Cite web|url=https://www.discogs.com/Various-Messiah-Remix/release/368122|title=Various - Messiah Remix|website=Discogs|language=en|access-date=2019-02-20}}</ref>
|2004<ref>{{Cite web|url=https://www.discogs.com/Various-Messiah-Remix/release/368122|title=Various Messiah Remix|publisher=discogs|access-date=20 February 2019}}</ref>
|-
|-
|''[[Ethel (string quartet)|Ethel]]''
|''[[Ethel (string quartet)|Ethel]]''
Line 95: Line 96:
|"Exquisite Corpses"
|"Exquisite Corpses"
|[[Cantaloupe Music]]
|[[Cantaloupe Music]]
|2001<ref>{{Cite web|url=https://www.discogs.com/Bang-On-A-Can-Renegade-Heaven/release/1429645|title=Bang On A Can - Renegade Heaven|website=Discogs|language=en|access-date=2019-02-20}}</ref>
|2001<ref>{{Cite web|url=https://www.discogs.com/Bang-On-A-Can-Renegade-Heaven/release/1429645|title=Bang on a Can Renegade Heaven|publisher=discogs|access-date=20 February 2019}}</ref>
|-
|-
|''Immersion''
|''Immersion''
|"The Housatonic at Henry Street"
|"The Housatonic at Henry Street"
|[[Starkland]]
|[[Starkland]]
|2000<ref>{{Cite web|url=https://www.discogs.com/Various-Immersion/release/373771|title=Various - Immersion|website=Discogs|language=en|access-date=2019-02-20}}</ref>
|2000<ref>{{Cite web|url=https://www.discogs.com/Various-Immersion/release/373771|title=Various Immersion|publisher=discogs|access-date=20 February 2019}}</ref>
|-
|-
|''The Alternative Schubertiade''
|''The Alternative Schubertiade''
|“Franz in the Underworld”
|"Franz in the Underworld”
|[[Composers Recordings, Inc.]]
|[[Composers Recordings, Inc.]]
|1999<ref>{{Cite web|url=https://www.discogs.com/Various-The-Alternative-Schubertiade/release/7877328|title=Various - The Alternative Schubertiade|website=Discogs|language=en|access-date=2019-02-20}}</ref>
|1999<ref>{{Cite web|url=https://www.discogs.com/Various-The-Alternative-Schubertiade/release/7877328|title=Various The Alternative Schubertiade|publisher=discogs|access-date=20 February 2019}}</ref>
|-
|-
|''New York Guitars''
|''New York Guitars''
|“Fantasy on One Note”
|"Fantasy on One Note”
|[[Composers Recordings, Inc.]]
|[[Composers Recordings, Inc.]]
|1996<ref>{{Cite web|url=https://www.discogs.com/Various-New-York-Guitars/release/6633617|title=Various - New York Guitars|website=Discogs|language=en|access-date=2019-02-20}}</ref>
|1996<ref>{{Cite web|url=https://www.discogs.com/Various-New-York-Guitars/release/6633617|title=Various New York Guitars|publisher=discogs|access-date=20 February 2019}}</ref>
|-
|-
|''Bang on a Can Vol. 2''
|''Bang on a Can Vol. 2''
|“Bachman’s Warbler”
|"Bachman's Warbler”
|[[Composers Recordings, Inc.]]
|[[Composers Recordings, Inc.]]
|1993<ref>{{Cite web|url=https://www.discogs.com/Bang-On-A-Can-Live-Vol-2/release/7877220|title=Bang On A Can - Live Vol. 2|website=Discogs|language=en|access-date=2019-02-20}}</ref>
|1993<ref>{{Cite web|url=https://www.discogs.com/Bang-On-A-Can-Live-Vol-2/release/7877220|title=Bang on a Can Live Vol. 2|publisher=discogs|access-date=20 February 2019}}</ref>
|}<br />
|}

== Sources ==
== Sources ==
{{reflist}}
<references />


==External links==
==External links==
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[[Category:20th-century classical composers]]
[[Category:20th-century classical composers]]
[[Category:American male classical composers]]
[[Category:American male classical composers]]
[[Category:Columbia College (New York) alumni]]
[[Category:American classical composers]]
[[Category:American classical composers]]
[[Category:21st-century classical composers]]
[[Category:21st-century classical composers]]
[[Category:Living people]]
[[Category:Living people]]
[[Category:Musicians from Akron, Ohio]]
[[Category:Musicians from Akron, Ohio]]
[[Category:Columbia University alumni]]
[[Category:Place of birth missing (living people)]]
[[Category:Place of birth missing (living people)]]
[[Category:21st-century American composers]]
[[Category:21st-century American composers]]
Line 139: Line 141:
[[Category:1953 births]]
[[Category:1953 births]]
[[Category:Classical musicians from Ohio]]
[[Category:Classical musicians from Ohio]]
[[Category:20th-century male musicians]]
[[Category:20th-century American male musicians]]
[[Category:21st-century male musicians]]
[[Category:21st-century American male musicians]]

Latest revision as of 21:50, 26 September 2023

Phil Kline
Kline after a performance of his Unsilent Night in New York City, December 2018.
Kline after a performance of his Unsilent Night in New York City, December 2018.
Background information
BornAkron, Ohio
Genrescontemporary classical, performance art, experimental, art punk,
Occupation(s)Composer, sound artist, performer
Years active1982–present
LabelsCantaloupe Music
Websitephilkline.com

Phil Kline (born 1953) is an American composer, sound artist, and performer most recognized for his Unsilent Night (1992) and Zippo Songs (2004). Beginning as a guitarist and singer in the New York City art punk scene, Kline has since gained notability through his song cycles and theatrical works, musical performance art pieces, work with Bang on a Can, and WQXR's online new-music radio show.[1][2][3] With five studio albums to date, a majority of his compositional work can be found on Cantaloupe Music.[4]

Education and early works[edit]

Kline was born in 1953 and grew up in Akron, Ohio. After moving to New York City to pursue a degree in English literature from Columbia University and graduated in 1975, he attended Mannes College of Music.[5] In the late 1970s, Kline began his career as a full-time musician, and first joined the band Dark Day with Robin Crutchfield (also of the band DNA). When he left Dark Day, he co-founded the no-wave, art-punk band The Del-Byzanteens alongside filmmaker Jim Jarmusch, author Lucy Sante, and painter James Nares. After these projects, he also toured internationally and recorded with the Glenn Branca Ensemble and began assisting with video projects by Nan Goldin.[6][2]

Career[edit]

As a continuation of his experimental work, Kline began creating tape-based sound installations for collections of boomboxes inspired by the work of Brian Eno, Steve Reich, and Glenn Branca. The first of these was called Bachman's Warbler (1990), which was written for harmonicas and twelve boomboxes and premiered at Bang on a Can Marathon in New York City in 1992. The concept behind these pieces later contributed to his Unsilent Night (1992), which has since brought Kline worldwide recognition.[2]

First performed in New York City, Unsilent Night is an annual public performance piece in which anyone may participate. Every December, as part of this performance, a volunteer parade carrying boomboxes and other music players passes through Greenwich Village, presenting an ambient cacophony made of recorded bells, harps, and electronic instruments to the neighborhood. While Unsilent Night features musical references to ancient Christmas music, the piece itself and its performance are not religion-specific. Since its premiere in 1992, the Unsilent Night tradition has spread to over 116 cities around the world, mostly in the United States and Canada, but also to major cities across Europe, Oceania, Africa, and Asia.[7][8][9][10][11]

Kline's other notable work primarily includes song cycles and opera. Kline's song cycles have historically had political themes, such as his Three Rumsfeld Songs, which borrow text from the Pentagon briefings of Secretary of Defense Donald Rumsfeld following the September 11 terrorist attacks and during the War in Iraq. The source for Kline's Zippo Songs (2004), the song cycle for which he is best known, comes from US government-issued Zippo Lighters from the Vietnam War, on which some soldiers etched short sayings or poems. These sayings and poems, compiled into Zippo Songs, therefore offers a lens into the social, spiritual, sexual, and emotional lives of these American Vietnam War soldiers. Zippo Songs was written for singer Theo Bleckmann, as well as for violin, percussion, and guitar.[12][13] Kline's lounge-inspired, staged song cycle Out Cold (2012)about the desperation of lost lovewas also written for and performed by Bleckmann.[14][15]

More recently, Kline has delved into the opera genre with his Tesla, which explores the life and works of inventor Nikola Tesla, in collaboration with filmmaker Jim Jarmusch, a colleague from their band The Del-Byzanteens.[16][17][2] Kline has also written music for dance and ballet, such as his work for the Birmingham Royal Ballet.[18]

Other than these projects, Kline's work includes continuing commissions from Bang on a Can, American Opera Projects, the Brooklyn Youth Chorus, WNYC, the New York State Council on the Arts, Ethel and Alice Tully Hall at Lincoln Center, Jennifer Koh, Muzik3, the La Jolla Symphony Orchestra, the St. Luke's Chamber Ensemble, and for the Kotschmar Memorial Organ in Portland, Maine. Furthermore, his works have had performances venues across the world including Lincoln Center, the Barbican Centre, the Amsterdam Royal Concertgebouw, the Brooklyn Academy of Music, the Royal Conservatory of Music of Toronto, The Whitney Museum, the Cleveland Museum of Art, the Kimmel Center, Trinity Church, Symphony Space, National Sawdust, The Kitchen, and the Badlands National Park.[19][17][20][21][22][23]

Critical reception[edit]

Throughout his career, Phil Kline's music has been respected for its experimental nature. The New York Times describes it as having "the tonal richness of Barber, the austerity of Stravinsky and the harmonic piquancy of Ligeti," and New York magazine has said that Kline "long ago declared independence from any musical Establishment."[24][25]

Kline's Unsilent Night has been called "a magical musical parade," “a tribute to the joy of caroling" (The Village Voice), and "an ethereal sound sculpture" (The Guardian); it's been noted for the "benign sense of wonder it instilled in observers" (San Francisco Chronicle).[26][27][28][29]

Furthermore, although Brian Olewnick (The Squid's Ear) said that Kline's Zippo Songs has a "lack of memorability," Alex Ross (The New Yorker, The Rest is Noise) described this collection as "one of the most brutally frank song cycles ever penned," and Anne Midgette for The New York Times described his it as "brilliant American lieder for the 21st century."[30][31][32]

Kline's contemporary adaptation of the Catholic Mass, John the Revelator (2006), was called "offbeat" and "moving" (The New York Times), and AllMusic called it "easily one of the most moving and engaging mass settings in recent memory."[33][34]

Discography[edit]

Studio Albums
Title Label Year
John the Revelator Cantaloupe Music 2009[35]
Around the World in a Daze Starkland 2009[36]
Zippo Songs Cantaloupe Music 2004[37]
Unsilent Night Cantaloupe Music 2001[38]
Glow in the Dark Composers Recordings, Inc. 1998[39]
Emergency Music Composers Recordings, Inc. 1997[40]


Compilation Albums
Title Track Label Year
Messiah Remix "Hallelujah!” Cantaloupe Music 2004[41]
Ethel "Blue Room and Other Stories" Cantaloupe Music 2003
Renegade Heaven "Exquisite Corpses" Cantaloupe Music 2001[42]
Immersion "The Housatonic at Henry Street" Starkland 2000[43]
The Alternative Schubertiade "Franz in the Underworld” Composers Recordings, Inc. 1999[44]
New York Guitars "Fantasy on One Note” Composers Recordings, Inc. 1996[45]
Bang on a Can Vol. 2 "Bachman's Warbler” Composers Recordings, Inc. 1993[46]

Sources[edit]

  1. ^ Sisario, Ben (December 3, 2000). "MUSIC; A Provocateur Takes On a New Challenge". The New York Times. ISSN 0362-4331. Retrieved February 19, 2019.
  2. ^ a b c d Duckworth, William (2013). Virtual Music : How the Web Got Wired for Sound. Taylor and Francis. ISBN 9781136087301. OCLC 826856037.
  3. ^ "Phil Kline: Cascades of Vigorous, Multi-Dimensional Sound | New Sounds | Hand-picked music, genre free". newsounds. Retrieved February 19, 2019.
  4. ^ "Phil Kline". discogs. Retrieved February 19, 2019.
  5. ^ Clark, Justin (November 2009). "Phil Kline '75 Strikes a Chord with Critics and Masses". Columbia College Today. Retrieved August 8, 2020.
  6. ^ "Dark Day reviews, music, news – sputnikmusic". Sputnikmusic. Retrieved March 7, 2019.
  7. ^ BWW News Desk. "Phil Kline's Avant-Garde Holiday Tradition UNSILENT NIGHT to Parade Through 37 Cities This December". BroadwayWorld.com. Retrieved February 26, 2019.
  8. ^ Sisario, Ben (December 3, 2000). "MUSIC; A Provocateur Takes On a New Challenge". The New York Times. ISSN 0362-4331. Retrieved February 26, 2019.
  9. ^ "Your Unsilent Night | WQXR | New York's Classical Music Radio Station". WQXR. Retrieved March 5, 2019.
  10. ^ Goodson, Jessie. "Unsilent Night Fills Downtown Athens With Seasonal Cheer". Flagpole Magazine | Athens, GA News, Music, Arts, Restaurants. Retrieved March 5, 2019.
  11. ^ "From a 'block-long stereo system,' the stirring sound of 'Unsilent Night' – The Boston Globe". Boston Globe. Retrieved April 2, 2019.
  12. ^ "yaledailynews.com – 'Souls' and 'Zippo' are modern classics". May 23, 2006. Archived from the original on May 23, 2006. Retrieved February 26, 2019.
  13. ^ "#2249: Zippo Songs | New Sounds | New Sounds". newsounds. Retrieved February 26, 2019.
  14. ^ Schweitzer, Vivien (October 26, 2012). "'Out Cold/Zippo Songs' at BAM's Next Wave Festival". The New York Times. ISSN 0362-4331. Retrieved March 5, 2019.
  15. ^ Stearns, David Patrick (November 2, 2012). "Phil Kline's staged song cycle: Better seen or heard?". Condemned to Music. Retrieved March 5, 2019.
  16. ^ Jahn, Pam (April 27, 2014). "Tesla in New York: Metal Machine Music on Lithium". Electric Sheep. Retrieved March 5, 2019.
  17. ^ a b "Hopkins Center Co-Commissions an Opera by Jim Jarmusch and Phil Kline | Dartmouth News". news.dartmouth.edu. Retrieved March 5, 2019.
  18. ^ Mackrell, Judith (June 18, 2018). "Birmingham Royal Ballet: Polarity and Proximity review – dialogues of desire". The Guardian. ISSN 0261-3077. Retrieved March 7, 2019.
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  27. ^ "ALTERNATIVE CAROLING". The Village Voice. Retrieved March 5, 2019.
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