Hugh Masekela: Difference between revisions
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Huddleston asked the leader of the then [[Johannesburg]] "Native" Municipal Brass Band, Uncle Sauda, to teach Masekela the rudiments of trumpet playing. Masekela quickly mastered the instrument. Soon, some of Masekela's schoolmates also became interested in playing instruments, leading to the formation of the Huddleston Jazz Band, South Africa's very first youth orchestra. By 1956, after leading other ensembles, Masekela joined [[Alfred Herbert]]'s African Jazz Revue. |
Huddleston asked the leader of the then [[Johannesburg]] "Native" Municipal Brass Band, Uncle Sauda, to teach Masekela the rudiments of trumpet playing. Masekela quickly mastered the instrument. Soon, some of Masekela's schoolmates also became interested in playing instruments, leading to the formation of the Huddleston Jazz Band, South Africa's very first youth orchestra. By 1956, after leading other ensembles, Masekela joined [[Alfred Herbert]]'s African Jazz Revue. |
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Since 1954, Masekela played music that closely reflected his life experience. The agony, conflict, and exploitation South Africa faced during 1950’s and 1960’s, inspired and influenced him to make music. He was an artist who in his music vividly portrayed the struggles and sorrows, as well as the joys and passions of his country. His music protested about [[apartheid]] [[slavery]], government; the hardships individuals were living. Masekela reached a large population of people that also felt oppressed due to the country situation. |
Since 1954, Masekela played music that closely reflected his life experience. The agony, conflict, and exploitation South Africa faced during 1950’s and 1960’s, inspired and influenced him to make music. He was an artist who in his music vividly portrayed the struggles and sorrows, as well as the joys and passions of his country. His music protested about [[apartheid]], [[slavery]], government; the hardships individuals were living. Masekela reached a large population of people that also felt oppressed due to the country situation. |
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<ref> anley-Niaah, Sonjah. "Mapping of Black Atlantic Performance Geographies: From Slave Ship to Ghetto." In Black Geographies and the Politics of Place, ed. by Katherine McKittrick and Clyde Woods, 193-217. Cambridge, MA: South End Press, 2007. </ref> |
<ref> anley-Niaah, Sonjah. "Mapping of Black Atlantic Performance Geographies: From Slave Ship to Ghetto." In Black Geographies and the Politics of Place, ed. by Katherine McKittrick and Clyde Woods, 193-217. Cambridge, MA: South End Press, 2007. </ref> |
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<ref>http://www.ritmoartists.com/Hugh/Masekela.htm </ref> |
<ref>http://www.ritmoartists.com/Hugh/Masekela.htm </ref> |
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Revision as of 04:37, 29 February 2008
Hugh Masekela |
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Hugh Ramopolo Masekela (b. Witbank, South Africa, April 4, 1939) is a South African trumpeter, flugelhornist, cornetist, composer, and singer.
Early life
He began singing and playing piano as a child. At age 14, after seeing the film Young Man With a Horn (in which Kirk Douglas portrays American jazz trumpeter Bix Beiderbecke), he took up playing the trumpet. His first trumpet was given to him by Archbishop Trevor Huddleston, the anti-apartheid chaplain at St. Peters Secondary School.[1]
Huddleston asked the leader of the then Johannesburg "Native" Municipal Brass Band, Uncle Sauda, to teach Masekela the rudiments of trumpet playing. Masekela quickly mastered the instrument. Soon, some of Masekela's schoolmates also became interested in playing instruments, leading to the formation of the Huddleston Jazz Band, South Africa's very first youth orchestra. By 1956, after leading other ensembles, Masekela joined Alfred Herbert's African Jazz Revue.
Since 1954, Masekela played music that closely reflected his life experience. The agony, conflict, and exploitation South Africa faced during 1950’s and 1960’s, inspired and influenced him to make music. He was an artist who in his music vividly portrayed the struggles and sorrows, as well as the joys and passions of his country. His music protested about apartheid, slavery, government; the hardships individuals were living. Masekela reached a large population of people that also felt oppressed due to the country situation. [2] [3]
Following a Manhattan Brothers tour of South Africa in 1958, Masekela wound up in the orchestra for the musical King Kong, written by Todd Matshikiza. King Kong was South Africa's first blockbuster theatrical success, touring the country for a sold-out year with Miriam Makeba and the Manhattan Brothers' Nathan Mdledle in the lead. The musical later went to London's West End for two years.
Career
At the end of 1959, Dollar Brand (later known as Abdullah Ibrahim), Kippie Moekesti, Makhaya Ntshoko, Johnny Gertze and Hugh formed the Jazz Epistles, the first African jazz group to record an LP and perform to record-breaking audiences in Johannesburg and Cape Town through late 1959 to early 1960. Following the March 21, 1960, Sharpeville Massacre - where 69 peacefully protesting Africans were shot dead in Sharpeville, and the South African government banned gatherings of ten or more people - and the increased brutality of the Apartheid state, Masekela left the country. He was helped by Trevor Huddleston and international friends like Yehudi Menuhin and John Dankworth, who got him admitted into London's Guildhall School of Music. During that period, he visited the United States, where he was befriended by Harry Belafonte. He had hits in the United States with the pop jazz tunes "Up, Up and Away" and the number one smash "Grazin' in the Grass" (1968), which sold four million copies.[4]
He has played primarily in jazz ensembles, with guest appearances on albums by The Byrds and Paul Simon. In 1987, he had a hit single with "Bring Him Back Home" which became an anthem for the movement to free Nelson Mandela. A renewed interest in his African roots led him to collaborate with West and Central African musicians, and finally to reconnect with South African players when he set up a mobile studio in Botswana, just over the South African border, in the 1980s. Here he re-absorbed and re-used mbaqanga strains, a style he has continued to use since his return to South Africa in the early 1990s. In the 1980s, he toured with Paul Simon in support of Simon's album Graceland, which featured other South African artists such as Ladysmith Black Mambazo, Miriam Makeba, Ray Phiri, and other elements of the band Kalahari, which Masekela recorded with in the 1980s. He also collaborated in the musical development for the Broadway play, Sarafina! He previously recorded with the band Kalahari.
In 2003, he was featured in the documentary film Amandla!. In 2004, he released his autobiography, Grazin' in The Grass: The Musical Journey of Hugh Masekela,[5] which thoughtfully details his struggles against apartheid in his homeland, as well as his personal struggles against alcoholism from the late 1970s through to the 1990s, a period when he migrated, in his personal recording career, to mbaqanga, jazz/funk, and the blending of South African sounds to an adult contemporary sound through two albums he recorded with Herb Alpert, and solo recordings, Techno-Bush (recorded in his studio in Botswana), Tomorrow (featuring the anthem "Bring Him Back Home"), Uptownship (a lush-sounding ode to American R&B), Beatin' Aroun' de Bush, Sixty, Time, and his most recent studio recording, "Revival". His song, "Soweto Blues", sung by his former wife, Miriam Makeba, is a blues/jazz piece that mourns the carnage of the Soweto riots in 1976. He has also provided interpretations of songs composed by Caiphus Semenya, Jonas Gwangwa, Dorothy Masuka, and Fela Kuti.
Hugh Masekela is the father of Sal Masekela, host of American channel E!'s show Daily 10, along with Debbie Matenopoulos. In summer 2007, Masekela embarked on a tour of the United States and Canada in support of the live recording, "Hugh Masekela: Live at the Market Theatre", touring with most of the band mates that supported his highly regarded album, "Uptownship". Since October 2007, he is a Board Member of the Woyome Foundation. [6]
Recognitions
Grammy history
- Career Wins:
- Career Nominations: 1[7]
| Hugh Masekela Grammy Awards History | |||||
| Year | Category | Title | Genre | Label | Result |
|---|---|---|---|---|---|
| 1968 | Best Contemporary Pop Performance - Instrumental | Grazin' in the Grass | Pop | Uni Records | Nominated |
Honors
- Nominated for Broadway's 1988 Tony Award as Best Score (Musical), with music and lyrics collaborator Mbongeni Ngema, for "Sarafina!"[11]
Discography
| Year | Title | Genre | Label |
|---|---|---|---|
| 2007 | Live at the Market Theatre | Jazz | Four Quarters Ent |
| 2006 | The Chisa Years: 1965-1975 (Rare and Unreleased) | Funk | BBE |
| 2005 | Revival | Pop, Jazz, R&B | Heads Up |
| 2004 | Still Grazing | Township Jazz | Blue Thumb |
| 2003 | The Collection | Jazz | Universal/Spectrum |
| 2002 | Time | Jazz | Columbia |
| 2001 | Grazing in the Grass: The Best of Hugh Masekela | Jazz | Sony |
| 2000 | Sixty | Jazz | Shanachie |
| 1999 | The Best of Hugh Masekela on Novus | Jazz | RCA |
| 1998 | Boy's Doin' It | Jazz, Funk, Pop, Afrobeat, and R&B | Polygram |
| 1998 | Black to the Future | Tuneful fusion | Columbia |
| 1994 | Hugh Masekela & Union of South Africa | Jazz | Mo Jazz |
| 1994 | Reconstruction | Jazz | Motown |
| 1993 | Hope [Live] | Jazz | Triloka Records |
| 1987 | Tomorrow | Jazz | Warner Bros. |
| 1973 | The African Connection | Jazz | Impulse! Records |
| 1966 | Grrr | Jazz | Verve |
References
- ^ Fairweather, Digby. The Rough Guide to Jazz, St. Martin's Press (2004), page 13 - ISBN 0312278705
- ^ anley-Niaah, Sonjah. "Mapping of Black Atlantic Performance Geographies: From Slave Ship to Ghetto." In Black Geographies and the Politics of Place, ed. by Katherine McKittrick and Clyde Woods, 193-217. Cambridge, MA: South End Press, 2007.
- ^ http://www.ritmoartists.com/Hugh/Masekela.htm
- ^ Yanow, Scott. Trumpet Kings: The Players Who Shaped the Sound of Jazz Trumpet, Backbeat Books (2001), page 248 - ISBN 0879306084
- ^ Masekela, Hugh. Still Grazing: The Musical Journey of Hugh Masekela, Crown Publishers (2004) - ISBN 0609609572
- ^ http://www.wofound.org/index.html
- ^ Hugh Masekela Grammy History
- ^ The Ghana Music Awards 2007
- ^ 2005 Channel O Music Video Awards
- ^ BBC Radio Jazz Awards
- ^ IMDb Filmography