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{{short description|1979 television film by William Hale}}
{{About|the 1979 film||Titanic (disambiguation)}}
{{About|the 1979 film||Titanic (disambiguation)}}
{{Infobox television
{{Infobox television
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| network = [[American Broadcasting Company|ABC]]
| network = [[American Broadcasting Company|ABC]]
| budget = $5 million<ref>Made-for-TV Films--Hollywood's Stepchild Comes of Age: Made-for-TV Films Come of Age
| budget = $5 million<ref>Made-for-TV Films--Hollywood's Stepchild Comes of Age: Made-for-TV Films Come of Age
By KIRK HONEYCUTT. New York Times 19 Aug 1979: D1.</ref>
By KIRK HONEYCUTT. New York Times 19 Aug 1979: D1.</ref> 1979 $dollars
⚫
| released = {{Start date|1979|09|23}}
| picture_format = Black and White (archive footage)<br>Color
| audio_format = [[Monaural|Mono]]
⚫
| released = {{Film date|1979|09|23|TV=y}}
}}
}}


'''''S.O.S. Titanic''''' is a [[United Kingdom|British]]-[[United States|American]] 1979 [[drama film|drama]] [[disaster film|disaster]] [[television movie]] that depicts the [[Sinking of the RMS Titanic|doomed 1912 maiden voyage]] from the perspective of three distinct groups of passengers in First, Second, and Third Class. The script was written by [[James Costigan]] and directed by [[William Hale (director)|William Hale]] (credited as Billy Hale). It is the first ''Titanic'' film to be filmed and released in [[Colour television|colour]].
'''''S.O.S. Titanic''''' is a 1979 [[drama film|drama]] [[disaster film|disaster]] [[television movie]] that depicts the [[Sinking of the RMS Titanic|doomed 1912 maiden voyage]] from the perspective of three distinct groups of passengers in first, second and third class. The script was written by [[James Costigan]] and directed by [[William Hale (director)|William Hale]] (credited as Billy Hale). It is the first ''Titanic'' film to be filmed and released in [[Colour television|colour]].


==Plot==
==Plot==
First Class passengers include a [[Age disparity in sexual relationships|May–December couple]], multi-millionaire [[John Jacob Astor IV]] ([[David Janssen]]) and his new wife [[Madeleine Astor|Madeleine Talmage Force]] (Beverly Ross); their friend, [[Molly Brown]] ([[Cloris Leachman]]); another pair of honeymooners, Daniel and Mary Marvin ([[Jerry Houser]] and Deborah Fallender); and [[Benjamin Guggenheim]] ([[John Moffatt (actor)|John Moffatt]]), returning to his wife and children after a scandalous affair.
First class passengers include a [[Age disparity in sexual relationships|May–December couple]], multi-millionaire [[John Jacob Astor IV]] ([[David Janssen]]) and his new wife [[Madeleine Astor|Madeleine Talmage Force]] (Beverly Ross); their friend, [[Molly Brown]] ([[Cloris Leachman]]); another pair of honeymooners, Daniel and Mary Marvin ([[Jerry Houser]] and Deborah Fallender); and [[Benjamin Guggenheim]] ([[John Moffatt (actor)|John Moffatt]]), returning to his wife and children after a scandalous affair.


One plot line relates the tentative shipboard romance of two schoolteachers, [[Lawrence Beesley]] ([[David Warner (actor)|David Warner]], later appearing in the [[James Cameron]] 1997 film ''[[Titanic (1997 film)|Titanic]]'') and the fictional Leigh Goodwin ([[Susan Saint James]]).
One plot line relates the tentative shipboard romance of two schoolteachers, [[Lawrence Beesley]] ([[David Warner (actor)|David Warner]], later appearing in the [[James Cameron]] 1997 film ''[[Titanic (1997 film)|Titanic]]'') and the fictional Leigh Goodwin ([[Susan Saint James]]).


In steerage, the plot focuses on the experiences of eight Irish immigrants, who are first depicted approaching the ship from a tender in the harbor of [[Cobh|Queenstown (now Cobh)]], [[Ireland]]. These characters, all based on real people, include Katie Gilnagh (played by Shevaun Bryers), Kate Mullens, Mary Agatha Glynn, Bridget Bradley, Daniel Buckley, Jim Farrell, Martin Gallagher, and David Chartens. During the voyage, Martin Gallagher falls for an unnamed "Irish beauty." Played by Antoinette O'Reilly.
In steerage, the plot focuses on the experiences of eight Irish immigrants, who are first depicted approaching the ship from a tender in the harbor of [[Cobh|Queenstown (now Cobh)]], [[Ireland]]. These characters, all based on real people, include Katie Gilnagh (played by Shevaun Bryers), Kate Mullens, Mary Agatha Glynn, Bridget Bradley, Daniel Buckley, Jim Farrell, Martin Gallagher, and David Charters. During the voyage, Martin Gallagher falls for an unnamed "Irish beauty", played by Antoinette O'Reilly.


The cast also includes [[Helen Mirren]] in a small role (as Mary Sloan, a real-life surviving ''Titanic'' stewardess).<ref>{{cite web|author1=Robert Bianco|title=Some movies with a sinking feeling|url=https://news.google.com/newspapers?id=tOIvAAAAIBAJ&sjid=0joDAAAAIBAJ&pg=6119%2C2308709|website=Calhoun Times and Gordon County News|access-date=9 August 2017|date=April 26, 1995}}</ref>
The cast also includes [[Helen Mirren]] in a small role (as Mary Sloan, a real-life surviving ''Titanic'' stewardess).<ref>{{cite web|author1=Robert Bianco|title=Some movies with a sinking feeling|url=https://news.google.com/newspapers?id=tOIvAAAAIBAJ&sjid=0joDAAAAIBAJ&pg=6119%2C2308709|website=Calhoun Times and Gordon County News|access-date=9 August 2017|date=April 26, 1995}}</ref>


==Themes==
==Themes==
{{original research section|date=September 2023}}
One of the film's major themes is class distinctions. Second Class passengers Beesley and Goodwin discuss their ambiguous position "in the middle" and debate whether class distinctions are uniquely British. Goodwin briefly encourages Beesley to pursue his apparent attraction to a young Irish beauty in Third Class, but he rejects this advice. The Third Class passengers, mostly from poor backgrounds, do not show any resentment at their meager accommodation—Katie Gilnagh comments that sleeping four-to-a-room is far more comfortable than the situation she experienced in her overcrowded childhood home—but on the night of the sinking, they struggle to evade the efforts of ship's personnel to keep them below decks and away from the lifeboats. Led by Jim Farrell, they successfully sneak up to the First Class restaurant, where Farrell persuades the Master-at-Arms to allow the women—but only the women—to pass up to the boat deck.
One of the film's major themes is class distinctions. Second class passengers Beesley and Goodwin discuss their ambiguous position "in the middle" and debate whether class distinctions are uniquely British. Goodwin briefly encourages Beesley to pursue his apparent attraction to a young Irish beauty in third class, but he rejects this advice. The third class passengers, mostly from poor backgrounds, do not show any resentment at their meager accommodation—Katie Gilnagh comments that sleeping four-to-a-room is far more comfortable than the situation she experienced in her overcrowded childhood home—but on the night of the sinking, they struggle to evade the efforts of ship's personnel to keep them below decks and away from the lifeboats. Led by Jim Farrell, they successfully sneak up to the first class restaurant, where Farrell persuades the master-at-arms to allow the women—but only the women—to pass up to the boat deck.


Another major theme is the happy, hectic atmosphere aboard ship. Young Mary Marvin comments that many of the First Class passengers are honeymooners, and that she does not want to land, but simply to go on sailing and dancing forever. In much simpler surroundings, the Third Class passengers also engage in music, dancing, winning, and whirlwind romances. Meanwhile, Beesley and Goodwin toy with the possibility of embarking on an illicit affair in an empty cabin but decide not to. Goodwin comments that shipboard romances, like shipboard friendships, are meant to end with the voyage.
Another major theme is the happy, hectic atmosphere aboard ship. Young Mary Marvin comments that many of the first class passengers are honeymooners, and that she does not want to land, but simply to go on sailing and dancing forever. In much simpler surroundings, the third class passengers also engage in music, dancing, winning, and whirlwind romances. Meanwhile, Beesley and Goodwin toy with the possibility of embarking on an illicit affair in an empty cabin but decide not to. Goodwin comments that shipboard romances, like shipboard friendships, are meant to end with the voyage.


A third theme is who deserved, or accepted, responsibility for the wrecking of the RMS ''Titanic''. Captain [[Edward Smith (sea captain)|Edward Smith]], a veteran White Star captain nearing retirement, is depicted as a masterful leader who nevertheless failed to slow down in spite of being well aware that he was traveling into ice-laden waters. Shipbuilder [[Thomas Andrews]] radiates an almost saintly quality, seeing to the final details of construction and repairs himself, tenderly looking after passengers and crew, and even conversing with a young stewardess about their common hometown of [[Belfast]]. He fully understands the implications of the collision, and his knowledge that he cannot save the ship clearly breaks his heart. Meanwhile, [[White Star Line]] director [[J. Bruce Ismay]] wavers between a stance of command and an unwillingness to take responsibility for the sinking. Identifying himself as a passenger, he defiantly boards a lifeboat, only to experience a nervous breakdown later aboard the [[RMS Carpathia|R.M.S. ''Carpathia'']] rescuing ship. Ismay is the only one of these three men who survives, and it is clear that he will never fully recover from the psychological effects and blow to his reputation from the fabled sinking.
A third theme is who deserved, or accepted, responsibility for the wrecking of the RMS ''Titanic''. Captain [[Edward Smith (sea captain)|Edward Smith]], a veteran White Star captain nearing retirement, is depicted as a masterful leader who nevertheless failed to slow down in spite of being well aware that he was traveling into ice-laden waters. Shipbuilder [[Thomas Andrews]] radiates an almost saintly quality, seeing to the final details of construction and repairs himself, tenderly looking after passengers and crew, and even conversing with a young stewardess about their common hometown of [[Belfast]]. He fully understands the implications of the collision, and his knowledge that he cannot save the ship clearly breaks his heart. Meanwhile, [[White Star Line]] director [[J. Bruce Ismay]] wavers between a stance of command and an unwillingness to take responsibility for the sinking. Identifying himself as a passenger, he defiantly boards a lifeboat, only to experience a nervous breakdown later aboard the [[RMS Carpathia|R.M.S. ''Carpathia'']] rescuing ship. Ismay is the only one of these three men who survives, and it is clear that he will never fully recover from the psychological effects and blow to his reputation from the fabled sinking.


==Principal differences with other film versions==
==Principal differences with other film versions==
{{original research section|date=September 2023}}

The film includes roles on the {{RMS|Carpathia}} (particularly the radio operator, [[Harold Cottam]]) and shows this ship more fully than other film versions. It shows survivors boarding the ''Carpathia''. The seascape is shown heavy with [[ice floes]].
The film includes roles on the {{RMS|Carpathia}} (particularly the radio operator, [[Harold Cottam]]) and shows this ship more fully than other film versions. It shows survivors boarding the ''Carpathia''. The seascape is shown heavy with [[ice floes]].


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==Main cast==
==Main cast==
{{castlist|
* [[David Janssen]] as [[John Jacob Astor IV]]
* [[David Janssen]] as [[John Jacob Astor IV]]
* Beverly Ross as [[Madeleine Astor]]
* Beverly Ross as [[Madeleine Astor]]
* [[Cloris Leachman]] as [[Margaret Brown|Margaret "Molly" Brown]]
* [[Cloris Leachman]] as [[Margaret Brown|Margaret "Molly" Brown]]
* [[Susan Saint James]] as Leigh Goodwin
* [[Susan Saint James]] as Leigh Goodwin
* [[David Warner (actor)|David Warner]] as [[Lawrence Beesley]] (who also appears in the 1997 version, ''[[Titanic (1997 film)|Titanic]]'')
* [[David Warner (actor)|David Warner]] as [[Lawrence Beesley]] (Warner also appears in the 1997 version, ''[[Titanic (1997 film)|Titanic]]'')
* [[Geoffrey Whitehead]] as [[Thomas Andrews (shipbuilder)|Thomas Andrews]]
* [[Geoffrey Whitehead]] as [[Thomas Andrews (shipbuilder)|Thomas Andrews]]
* [[Ian Holm]] as [[J. Bruce Ismay]]
* [[Ian Holm]] as [[J. Bruce Ismay]]
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* [[Malcolm Stoddard]] as 2nd Officer [[Charles Lightoller]]
* [[Malcolm Stoddard]] as 2nd Officer [[Charles Lightoller]]
* [[Philip Stone]] as [[Arthur Rostron]], the captain of RMS ''Carpathia''
* [[Philip Stone]] as [[Arthur Rostron]], the captain of RMS ''Carpathia''
}}


==Production==
==Production==
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Several of the scenes on the exterior decks, as well as those in the ship's wheelhouse, were filmed on board the later British ocean liner from the 1930s, the retired {{RMS|Queen Mary}} in [[Long Beach, California]].<ref name="los"/>
Several of the scenes on the exterior decks, as well as those in the ship's wheelhouse, were filmed on board the later British ocean liner from the 1930s, the retired {{RMS|Queen Mary}} in [[Long Beach, California]].<ref name="los"/>


Some interior scenes were filmed at the [[The Waldorf Hilton, London|Waldorf]] and [[Britannia Adelphi Hotel|Adelphi]] historic hotels in [[London]] and [[Liverpool]], respectively. The town of [[Peel, Isle of Man|Peel]] on the [[Isle of Man]] served as the [[Cobh|Queenstown]] backdrop. Some external shots were filmed aboard, and of, the [[TSS Manxman (1955)|TSS ''Manxman'']] which also appears as the [[RMS Carpathia|R.M.S. ''Carpathia'']] in some of the opening sequences and as the [[RMS Titanic|R.M.S. ''Titanic'']] in a few shipboard scenes.
Some interior scenes were filmed at the [[The Waldorf Hilton, London|Waldorf]] and [[Britannia Adelphi Hotel|Adelphi]] historic hotels in [[London]] and [[Liverpool]], respectively. The town of [[Peel, Isle of Man|Peel]] on the [[Isle of Man]] served as the [[Cobh|Queenstown]] backdrop. Some external shots were filmed aboard, and of, the [[TSS Manxman (1955)|TSS ''Manxman'']] which also appears as the [[RMS Carpathia|R.M.S. ''Carpathia'']] in some of the opening sequences and as the [[RMS Titanic|R.M.S. ''Titanic'']] in a few shipboard scenes.{{citation needed|date=September 2023}}


==Versions==
==Versions==
*''S.O.S. Titanic'' was originally broadcast as a television film on [[American Broadcasting Company|ABC]] on September 23, 1979. It ran for 3 hours, or approximately 144 minutes, excluding commercials. Although this version was shown on TV occasionally and bootleg copies sometimes surfaced on the internet, it was never commercially released until making its debut on home video from [[Kino Lorber]] on October 13, 2020, as both a Blu-ray and a 2-disc DVD set along with the European theatrical version.<ref>{{Cite web|url=https://www.blu-ray.com/news/?id=26093|title=Kino: Three TV Films Dated for Blu-ray|via=www.blu-ray.com}}</ref><ref>{{Cite web|url=https://www.blu-ray.com/movies/SOS-Titanic-Blu-ray/245559/|title=S.O.S. Titanic Blu-ray Release Date October 13, 2020|via=www.blu-ray.com}}</ref>
*''S.O.S. Titanic'' was originally broadcast as a television film on [[American Broadcasting Company|ABC]] on September 23, 1979. It ran for 3 hours, or approximately 144 minutes, excluding commercials. Although this version was shown on TV occasionally and bootleg copies sometimes surfaced on the internet, it was never commercially released until making its debut on home video from [[Kino Lorber]] on October 13, 2020, as both a Blu-ray and a two-disc DVD set along with the European theatrical version.<ref>{{Cite web|url=https://www.blu-ray.com/news/?id=26093|title=Kino: Three TV Films Dated for Blu-ray|via=www.blu-ray.com}}</ref><ref>{{Cite web|url=https://www.blu-ray.com/movies/SOS-Titanic-Blu-ray/245559/|title=S.O.S. Titanic Blu-ray Release Date October 13, 2020|via=www.blu-ray.com}}</ref>
*In 1980, the film was edited to 103 minutes and released theatrically in Europe. This version has been released on DVD globally, including in the UK in April 2012 by distributor [[Studio Canal]]. In the shorter version, some storylines were completely cut.
*In 1980, the film was edited to 103 minutes and released theatrically in Europe. This version has been released on DVD globally, including in the UK in April 2012 by distributor [[Studio Canal]]. In the shorter version, some storylines were completely cut.{{citation needed|date=September 2023}}
*Most 1980s and 1990s VHS video releases were edited to 98 minutes.
*Most 1980s and 1990s VHS video releases were edited to 98 minutes.{{citation needed|date=September 2023}}


==See also==
==See also==
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==External links==
==External links==
* {{IMDb title|id=0079836|title=S.O.S. Titanic}}
* {{IMDb title|id=0079836|title=S.O.S. Titanic}}
* {{Amg movie|42439|S.O.S. Titanic}}
* {{AllMovie title|42439|S.O.S. Titanic}}
* {{tcmdb title|id=19024}}
* {{TCMDb title|id=19024}}


{{RMS Titanic}}
{{RMS Titanic}}
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[[Category:1979 television films]]
[[Category:1979 television films]]
[[Category:1970s disaster films]]
[[Category:1970s disaster films]]
[[Category:ABC network original films]]
[[Category:American Broadcasting Company original films]]
[[Category:American television films]]
[[Category:American television films]]
[[Category:British television films]]
[[Category:British television films]]

Latest revision as of 19:11, 5 March 2024

This article is about the 1979 film. For other uses, see Titanic (disambiguation).
S.O.S. Titanic
StudioCanal DVD cover
GenreDrama
History
Written byJames Costigan
Directed byWilliam Hale
StarringDavid Janssen
Cloris Leachman
Susan Saint James
David Warner
Ian Holm
Helen Mirren
Harry Andrews
Beverly Ross
Music byHoward Blake
Country of originUnited States/
United Kingdom
Original languageEnglish
Production
Executive producersRoger Gimbel
William S. Gilmore (co-executive producer)
ProducersLou Morheim
Neville C. Thompson (associate producer)
Production locationsRMS Queen Mary - 1126 Queens Highway, Long Beach, California
Shepperton Studios, Shepperton, Surrey, England
The Waldorf Hotel, Aldwych, Strand, London, England
CinematographyChristopher Challis
EditorRusty Coppleman
Running timeUnedited U.S. TV version
144 min.
Edited European theatrical version
103 min.
Production companyEMI Films
Budget$5 million[1] 1979 $dollars
Original release
NetworkABC
ReleaseSeptember 23, 1979 (1979-09-23)

S.O.S. Titanic is a 1979 drama disaster television movie that depicts the doomed 1912 maiden voyage from the perspective of three distinct groups of passengers in first, second and third class. The script was written by James Costigan and directed by William Hale (credited as Billy Hale). It is the first Titanic film to be filmed and released in colour.

Plot[edit]

First class passengers include a May–December couple, multi-millionaire John Jacob Astor IV (David Janssen) and his new wife Madeleine Talmage Force (Beverly Ross); their friend, Molly Brown (Cloris Leachman); another pair of honeymooners, Daniel and Mary Marvin (Jerry Houser and Deborah Fallender); and Benjamin Guggenheim (John Moffatt), returning to his wife and children after a scandalous affair.

One plot line relates the tentative shipboard romance of two schoolteachers, Lawrence Beesley (David Warner, later appearing in the James Cameron 1997 film Titanic) and the fictional Leigh Goodwin (Susan Saint James).

In steerage, the plot focuses on the experiences of eight Irish immigrants, who are first depicted approaching the ship from a tender in the harbor of Queenstown (now Cobh), Ireland. These characters, all based on real people, include Katie Gilnagh (played by Shevaun Bryers), Kate Mullens, Mary Agatha Glynn, Bridget Bradley, Daniel Buckley, Jim Farrell, Martin Gallagher, and David Charters. During the voyage, Martin Gallagher falls for an unnamed "Irish beauty", played by Antoinette O'Reilly.

The cast also includes Helen Mirren in a small role (as Mary Sloan, a real-life surviving Titanic stewardess).[2]

Themes[edit]

One of the film's major themes is class distinctions. Second class passengers Beesley and Goodwin discuss their ambiguous position "in the middle" and debate whether class distinctions are uniquely British. Goodwin briefly encourages Beesley to pursue his apparent attraction to a young Irish beauty in third class, but he rejects this advice. The third class passengers, mostly from poor backgrounds, do not show any resentment at their meager accommodation—Katie Gilnagh comments that sleeping four-to-a-room is far more comfortable than the situation she experienced in her overcrowded childhood home—but on the night of the sinking, they struggle to evade the efforts of ship's personnel to keep them below decks and away from the lifeboats. Led by Jim Farrell, they successfully sneak up to the first class restaurant, where Farrell persuades the master-at-arms to allow the women—but only the women—to pass up to the boat deck.

Another major theme is the happy, hectic atmosphere aboard ship. Young Mary Marvin comments that many of the first class passengers are honeymooners, and that she does not want to land, but simply to go on sailing and dancing forever. In much simpler surroundings, the third class passengers also engage in music, dancing, winning, and whirlwind romances. Meanwhile, Beesley and Goodwin toy with the possibility of embarking on an illicit affair in an empty cabin but decide not to. Goodwin comments that shipboard romances, like shipboard friendships, are meant to end with the voyage.

A third theme is who deserved, or accepted, responsibility for the wrecking of the RMS Titanic. Captain Edward Smith, a veteran White Star captain nearing retirement, is depicted as a masterful leader who nevertheless failed to slow down in spite of being well aware that he was traveling into ice-laden waters. Shipbuilder Thomas Andrews radiates an almost saintly quality, seeing to the final details of construction and repairs himself, tenderly looking after passengers and crew, and even conversing with a young stewardess about their common hometown of Belfast. He fully understands the implications of the collision, and his knowledge that he cannot save the ship clearly breaks his heart. Meanwhile, White Star Line director J. Bruce Ismay wavers between a stance of command and an unwillingness to take responsibility for the sinking. Identifying himself as a passenger, he defiantly boards a lifeboat, only to experience a nervous breakdown later aboard the R.M.S. Carpathia rescuing ship. Ismay is the only one of these three men who survives, and it is clear that he will never fully recover from the psychological effects and blow to his reputation from the fabled sinking.

Principal differences with other film versions[edit]

The film includes roles on the RMS Carpathia (particularly the radio operator, Harold Cottam) and shows this ship more fully than other film versions. It shows survivors boarding the Carpathia. The seascape is shown heavy with ice floes.

During Titanic's sinking, rather than the sacred "Nearer, My God, to Thee", the ship band plays contemporary secular ragtime tunes. Howard Blake's soundtrack makes especially affecting use of the ragtime waltz "Bethena" by Scott Joplin.

Survivors discuss the silence of the disappearance of the ship and absence of screaming. Several philosophise regarding their losses.

Main cast[edit]

Production[edit]

The film was greenlit by Bernard Delfont of EMI Films, at the same time as Delfont's brother, Sir Lew Grade, was making a film based on Raise the Titanic.[3]

Producer William Filmore called it the "thinking man's disaster film".[4]

Locations[edit]

The RMS Queen Mary, which in the movie was partly used as the RMS Titanic

Several of the scenes on the exterior decks, as well as those in the ship's wheelhouse, were filmed on board the later British ocean liner from the 1930s, the retired RMS Queen Mary in Long Beach, California.[4]

Some interior scenes were filmed at the Waldorf and Adelphi historic hotels in London and Liverpool, respectively. The town of Peel on the Isle of Man served as the Queenstown backdrop. Some external shots were filmed aboard, and of, the TSS Manxman which also appears as the R.M.S. Carpathia in some of the opening sequences and as the R.M.S. Titanic in a few shipboard scenes.[citation needed]

Versions[edit]

  • S.O.S. Titanic was originally broadcast as a television film on ABC on September 23, 1979. It ran for 3 hours, or approximately 144 minutes, excluding commercials. Although this version was shown on TV occasionally and bootleg copies sometimes surfaced on the internet, it was never commercially released until making its debut on home video from Kino Lorber on October 13, 2020, as both a Blu-ray and a two-disc DVD set along with the European theatrical version.[5][6]
  • In 1980, the film was edited to 103 minutes and released theatrically in Europe. This version has been released on DVD globally, including in the UK in April 2012 by distributor Studio Canal. In the shorter version, some storylines were completely cut.[citation needed]
  • Most 1980s and 1990s VHS video releases were edited to 98 minutes.[citation needed]

See also[edit]

References[edit]

  1. ^ Made-for-TV Films--Hollywood's Stepchild Comes of Age: Made-for-TV Films Come of Age By KIRK HONEYCUTT. New York Times 19 Aug 1979: D1.
  2. ^ Robert Bianco (April 26, 1995). "Some movies with a sinking feeling". Calhoun Times and Gordon County News. Retrieved 9 August 2017.
  3. ^ From Playmate to Governor Mann, Roderick. Los Angeles Times 22 Feb 1979: e15.
  4. ^ a b TITANIC RESURFACES ABOARD QUEEN MARY Gore, Robert J. Los Angeles Times 6 May 1979: se_a1.
  5. ^ "Kino: Three TV Films Dated for Blu-ray" – via www.blu-ray.com.
  6. ^ "S.O.S. Titanic Blu-ray Release Date October 13, 2020" – via www.blu-ray.com.

External links[edit]

Retrieved from "https://en.wikipedia.org/w/index.php?title=S.O.S._Titanic&oldid=1212015482"