Émile Zola

Émile Zola
Occupation	Novelist, playwright, journalist
Nationality	French
Genre	Naturalism
Notable works	Les Rougon-Macquart

Émile Zola (IPA: [emil zɔˈla]) (2 April, 1840 – 29 September, 1902) was an influential French writer, the most important example of the literary school of naturalism, and a major figure in the political liberalization of France and in the exoneration of the falsely accused and convicted Army officer Alfred Dreyfus.

Biography

Émile François Zola was born in Paris in 1840. His father, François Zola, was the son of an Italian engineer with a French wife, and his mother was Émilie Aubert. The family moved to Aix-en-Provence, in the southeast, when he was three years old. Four years later, in 1847, his father died, leaving his mother on a meagre pension. In 1858, the Zolas moved to Paris, where Émile became friends with the painter Paul Cézanne and started to write in the romantic style. Zola's widowed mother had planned a law career for him, but he failed his Baccalauréat examination.

Before his breakthrough as a writer, Zola worked as a clerk in a shipping firm, and then in the sales department for a publisher (Hachette). He also wrote literary and art reviews for newspapers. As a political journalist, Zola did not hide his dislike of Napoleon III, who had successfully run for the office of President under the constitution of the French Second Republic, only to misuse this position as a springboard for the coup d'état that made him emperor.

Career

During his early years, Émile Zola wrote several short stories and essays, four plays and three novels. Among his early books was Contes à Ninon, published in 1864. With the publication of his sordid autobiographical novel La Confession de Claude (1865) attracting police attention, Hachette fired him.

After his first major novel, Thérèse Raquin (1867), Zola started the long series called Les Rougon Macquart, about a family under the Second Empire.

Literary output

More than half of Zola's novels were part of this set of 20 collectively known as Les Rougon-Macquart. Unlike Balzac who in the midst of his literary career resynthetized his work into La Comédie Humaine, Zola from the outset at the age of 28 had thought of the complete layout of the series. Set in France's Second Empire, the series traces the "environmental" influences of violence, alcohol, and prostitution which became more prevalent during the second wave of the industrial revolution. The series examines two branches of a single family: the respectable (that is, legitimate) Rougons and the disreputable (illegitimate) Macquarts, for five generations.

As he described his plans for the series, "I want to portray, at the outset of a century of liberty and truth, a family that cannot restrain itself in its rush to possess all the good things that progress is making available and is derailed by its own momentum, the fatal convulsions that accompany the birth of a new world."

Although Zola and Cézanne were friends from childhood and in youth, they broke in later life over Zola's fictionalized depiction of Cézanne and the Bohemian life of painters in his novel L'Œuvre (The Masterpiece, 1886).

From 1877 onwards with the publication of l'Assommoir, Émile Zola became wealthy–he was better paid than Victor Hugo, for example. He became a figurehead among the literary bourgeoisie and organized cultural dinners with Guy de Maupassant, Joris-Karl Huysmans and other writers at his luxurious villa in Medan near Paris after 1880. Germinal in 1885, then the three 'cities', Lourdes in 1894, Rome in 1896 and Paris in 1897, established Zola as a successful author.

Self-proclaimed leader of French naturalism, Zola's works inspired operas such as those of Gustave Charpentier, notably Louise in the 1890s. His works, inspired by the concepts of heredity (Claude Bernard), social manichaeism and idealistic socialism, resonate with those of Nadar, Manet and subsequently Flaubert.

Activism on behalf of Captain Dreyfus

Émile Zola risked his career and even his life on 13 January 1898, when his "J'accuse" [1], [2] was published on the front page of the Paris daily, L'Aurore. The newspaper was run by Ernest Vaughan and Georges Clemenceau, who decided that the controversial story would be in the form of an open letter to the President, Félix Faure. Émile Zola's "J'accuse" accused the highest levels of the French Army of obstruction of justice and antisemitism by having wrongfully convicted a Jewish artillery captain, Alfred Dreyfus, to life imprisonment on Devil's Island in French Guiana. Zola declared that Dreyfus' conviction and removal to an island prison came after a false accusation of espionage and was a miscarriage of justice. The case, known as the Dreyfus affair, divided France deeply between the reactionary army and church, and the more liberal commercial society. The ramifications continued for many years; on the 100th anniversary of Zola's article, France's Roman Catholic daily paper, La Croix, apologized for its antisemitic editorials during the Dreyfus Affair. As Zola was a leading French thinker, his letter formed a major turning-point in the affair.

Zola was brought to trial for criminal libel on 9 June 1899, and was convicted on 23 February, sentenced, and removed from the Legion of Honor. Rather than go to jail, Zola fled to England. Without even having had the time to pack a few clothes, he arrived at Victoria Station on July 19. After his brief and unhappy residence in London, from October 1898 to June 1899, he was allowed to return in time to see the government fall.

Portrait by Édouard Manet (1868)

The government offered Dreyfus a pardon (rather than exoneration), which he could accept and go free and so effectively admit that he was guilty, or face a re-trial in which he was sure to be convicted again. Although he was clearly not guilty, he chose to accept the pardon. Zola said, "The truth is on the march, and nothing shall stop it." In 1906, Dreyfus was completely exonerated by the Supreme Court.

The 1898 article by Émile Zola is widely marked in France as the most prominent manifestation of the new power of the intellectuals (writers, artists, academicians) in shaping public opinion, the media and the State. The power of intellectuals lasted well into the 1980s, with a peak in the 1960s with Jean-Paul Sartre and Albert Camus.

Death

Zola died in Paris on 29 September 1902 of carbon monoxide poisoning caused by a stopped chimney. He was 62 years old. His enemies were blamed, but nothing was proven. (Decades later, a Parisian roofer claimed on his deathbed to have closed the chimney for political reasons). Zola was initially buried in the Cimetière de Montmartre in Paris, but on 4 June 1908, almost six years after his death, his remains were moved to the Panthéon.

Gravestone of Émile Zola at cimetière Montmartre; his remains are now interred in the Panthéon.

The biographical film The Life of Émile Zola won the Academy Award for Best Picture in 1937. The film focuses mainly on Zola's involvement in the Dreyfus Affair.

In January 1998, President Jacques Chirac held a memorial to honor the centenary of J'accuse.

Quotations

"And let us never forget the courage of a great writer who, taking every risk, putting his tranquility, his fame, even his life in peril, dared to pick up his pen and place his talent in the service of truth." — Jacques Chirac

"The artist is nothing without gift, but the gift is nothing without work." - Émile Zola

“If you ask me what I came to do in this world, I, an artist, I will answer you: I am here to live out loud.” - Émile Zola

"Zola descends into the sewer to bathe in it, I to cleanse it." — Henrik Ibsen

"Civilization will not attain perfection until the last stone from the last church falls on the last priest." — Émile Zola

"...but I affirm, with intense conviction, the Truth is on the march and nothing will stop it." — Émile Zola

"The action I am taking is no more than a radical measure to hasten the explosion of truth and justice. I have but one passion: to enlighten those who have been kept in the dark, in the name of humanity which has suffered so much and is entitled to happiness. My fiery protest is simply the cry of my very soul. Let them dare, then, to bring me before a court of law and let the enquiry take place in broad daylight!" — Émile Zola, J'accuse! (1898)

Bibliography

• Contes á Ninon, (1864)
• La Confession de Claude (1865)
• Thérèse Raquin (1867)
• Madeleine Férat (1868)
• Le Roman Experimental (1880)

• Les Rougon-Macquart
  • La Fortune des Rougon (1871)
  • La Curée (1871–72)
  • Le Ventre de Paris (1873)
  • La Conquête de Plassans (1874)
  • La Faute de l'Abbé Mouret (1875)
  • Son Excellence Eugène Rougon (1876)
  • L'Assommoir (1877)
  • Une Page d'amour (1878)
  • Nana (1880)
  • Pot-Bouille (1882)
  • Au Bonheur des Dames (1883)
  • La Joie de vivre (1884)
  • Germinal (1885)
  • L'Œuvre (1886)
  • La Terre (1887)
  • Le Rêve (1888)
  • La Bête humaine (1890)
  • L'Argent (1891)
  • La Débâcle (1892)
  • Le Docteur Pascal (1893)

• Les Trois Villes
  • Lourdes (1894)
  • Rome (1896)
  • Paris (1898)

• Les Quatre Evangiles
  • Fécondité (1899)
  • Travail (1901)
  • Vérité (1903, published posthumously)
  • Justice (unfinished)

External links

• Works by Émile Zola at Project Gutenberg
• Works by Émile Zola in digital reading
• J´accuse ...! Émile Zola, Alfred Dreyfus, and the greatest newspaper article in history", by Donald E. Wilkes Jr. from Flagpole Magazine
• J´accuse by Émile Zola, In English and French
• Template:Fr icon Biography, bibliography
• Émile Zola works: text, concordances and frequency list
• The Rougon-Macquart Novels of Emile Zola (for English-speaking readers) provides an American enthusiast's introduction, insights and synopses.