Albert August Plasschaert

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Albert August Plasschaert (born October 10, 1866 in Delft ; died April 20, 1941 in Hilversum ) was a Dutch draftsman, etcher and glass painter.

Life

Plasschaert's father was a drawing teacher at the high school in Delft. He studied mechanical engineering at the Polytechnic in Delft from 1883 to 1890 and then worked as a model fitter, technical draftsman and engineer in Veere .

In 1894 he met the German art student Franz Melchers (1868–1944) and they set up a joint studio to work with glass painting. Melchers, however, moved on on his Grand Tour as early as 1886 , while Plasschaert, constantly suffering from financial difficulties, had to take care of wage labor.

Albert August Plasschaert; eli eli lama sabachtani (1913)

From 1899 he worked in Dordrecht as a draftsman in the Koninklijke Nederlandsche Glasfabriek JJBJ Bouvy . In 1908 he resigned and moved to the art dealer Oldenzeel in Rotterdam , who had already traded in works by Vincent van Gogh and now also traded with the painters of Futurism and Wassily Kandinsky . When the company closed in 1913, Plasschaert went back to work as a glass painter. In 1913 in Berlin , Herwarth Walden showed two glass paintings by Plasschaert, Exhilarating Wind Live and Eli eli lama sabachtani , both of which had a religious meaning, in the First German Autumn Salon in Berlin .

From 1915 he lived in Dordrecht and turned more to the art of drawing. He developed a cubist-expressive style and found students. Plasschaert turned to occultism, found followers in it and moved to the Hague with them in 1917 . He finally came to Hilversum via Weesp in 1925 . With his followers he published various occult writings, and he subordinated his drawing art to mysticism. In the 1930s, participation in his occult ventures gradually declined.

After 1937, Plasschaert was shown again for the first time in 1973 in an exhibition on the "Beginning of Abstract Painting in the Netherlands 1918 to 1925". A retrospective was held in Utrecht in 1989 at the Centraal Museum Utrecht . Art criticism has a hard time with his painting style, known as “psychic expressionism”.

cousin

In Dutch biographical literature, the difference to his cousin, the art critic Albert Charles Auguste Plasschaert (1874 to 1941) was not made clear until 1988 through the work of Geurt Imanse, who worked as a librarian at the Stedelijk Museum in Amsterdam.

literature

Web links

Individual evidence

  1. ^ First German Autumn Salon. Berlin 1913. Berlin: The Storm, 1913, p. 27.
  2. ^ Albert August Plasschaert , at Centraal Museum Utrecht.
  3. Hans Renders: Albert August Plasschaert 1866-1941 , review, at bol.com.