Alexandre-Pierre-François Boëly

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Alexandre-Pierre-François Boëly

Alexandre-Pierre-François Boëly (born April 19, 1785 in Paris , † December 27, 1858 ibid) was a French composer, organist and pianist of the Romantic period.

Life

Alexandre Boëly received his first lessons from his father Jean-François Boëly, who was a singer at the Sainte-Chapelle . At the age of eleven he began to learn violin and piano at the Paris Conservatory; however, he did not finish this course. He gave music lessons early on. It was only in 1834 that he obtained a provisional position as organist at the Saint-Gervais Saint-Protais church , which he held until 1838. In 1840 (according to MGG 1837) he became organist at St-Germain-l'Auxerrois . This post allowed him to gain a certain reputation as a virtuoso and interpreter. He published some of his handwritten works that he had kept since his youth. From around 1845 to 1850 he taught at the choir school of Notre-Dame de Paris . Around 1852 Boëly had to give up the organist position at Saint-Germain l'Auxerrois in favor of one of his students, because the pastor did not like Boëly's style. Boëly was hardly known to the public, but towards the end of his life he gained the trust of a group of friends, including Marie Bigot , Pierre Baillot , Friedrich Kalkbrenner and Johann Baptist Cramer .

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Boëly studied the works of J. S. Bach , Haydn , Mozart and Beethoven , among others . Although he was long committed to romanticism , Boëly turned to the older style of Viennese classicism in his later years .

His work includes two masses and numerous piano, organ and chamber music works. He made frequent use of modulation and chromatics in his instrumental works .

Several musicologists attribute a mature style and high quality to Boëly's works that were lacking in the instrumental works that were widespread at the time.

literature

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