Billy Usselton

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William Hugh "Billy" Usselton (born July 2, 1926 in New Castle (Pennsylvania) , † September 5, 1994 in Tempe (Arizona) ) was an American jazz musician ( tenor saxophone , clarinet ).

Usselton was a self-taught musician and first learned the clarinet when he was ten years old listening to Benny Goodman's records . At the age of 16 he finally switched to the tenor saxophone as the main instrument. He worked in Los Angeles from the mid-1940s in the big band of Sonny Dunham (where the first recordings were made), from 1949 to 1953 with Ray Anthony , and from 1955 to 1960 with Les Brown . Under his own name he recorded a single album in the style of West Coast Jazz for Kapp Records , Billy Usselton Sextet - His First Album , on which Abe Aaron , Bob Burgess , Buddy Clark , Frank Capp , Larry Bunker , Lloyd Morales , Mel Pollan and Paul Moer contributed. Further recordings in a sextet line-up (now with Mel Lewis ) followed shortly afterwards for a compilation album by Kapp.

In the 1960s Usselton played with Jimmy Henderson , Dave Pell , Frank Capp, Pete Fountain , Tex Beneke & The Modernaires , Benny Goodman , Glen Sponseller , and in the late 1970s he played with The New Chicago Rhythm Kings ( Don't Mean a Thing If It Ain't Got That Swing ). In the field of jazz he was involved in 132 recording sessions between 1946 and 1978, including as accompanist for Patti Page , Frank Sinatra , Andy Williams , Ella Fitzgerald , Nat King Cole , Georgia Carr , The Four Freshmen and Ann-Margret ( The Vivacious One ) .

Web links

Individual evidence

  1. JazzTimes Dec. 1994
  2. Tom Lord The Jazz Discography (online, accessed August 8, 2018)