Face without a name

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Movie
German title Face without a name
Original title Mister Buddwing
Country of production United States
original language English
Publishing year 1966
length 96 minutes
Age rating FSK 16
Rod
Director Delbert man
script Dale Wasserman
production Douglas Laurence ,
Delbert Mann
music Kenyon Hopkins
camera Ellsworth Fredericks
cut Fredric Steinkamp
occupation

Face Without a Name is an American drama from 1966 , directed by director Delbert Mann based on the novel Buddwing by Evan Hunter .

action

A man wakes up on a bench in Central Park and can't remember anything. He doesn't know anything about his life or his past. The only clue he has is a slip of paper with a phone number that he finds in his pocket. He accidentally dials the wrong number and reaches sleepy Gloria, who thinks he is her drunk husband. He introduces himself to her as Mister Buddwing, a combination of names from a truck with a load of beer and an aircraft pulling away.

Buddwing visits Gloria in her apartment. The woman is affected by his situation, but also finds him likeable. They drink coffee, Gloria lends him some money. Buddwing strolls through the streets. When he sees a young woman, the name Grace occurs to him. The young woman turns out to be a student named Janet. Buddwing now remembers a fellow student, Grace, who was his fiancée.

Buddwing meets the actress Fiddle. In her apartment he listens to music and remembers his own poverty, because of which he had to bury his dream of becoming a composer. He makes the acquaintance of a blonde who is looking for a slim man in a gray suit to accompany him. Buddwing accompanies them to Harlem for a game of dice. During the game, he hears a comment that repeats the shock that obliterated his memory. Now he knows his identity and makes his way to the hospital where his wife is lying. She has attempted suicide after he left her because of her pregnancy.

Reviews

The lexicon of international films described the film as a low-tension, dramatically unsatisfactory psychodrama, which tells its story primarily in lengthy flashbacks.

AH Weiler of the New York Times wrote that New York is not a friendly place for someone with amnesia, but it is just as gloomy as it is for producers with unconvincing scripts.

The evangelical film observer has an overall good opinion of the film : “The film basically wants to steer a new beginning of a broken marriage in a positive way, but with the thought of memory loss it falls under the spell of a cleverly nested flashback technique behind which the inner Deepening clearly recedes. Upscale entertainment for adults. "

Awards

The film received two Academy Award nominations in 1967 , one for best production design (b / w) by George W. Davis , Paul Groesse , Henry Grace and Hugh Hunt and one for best costume design (b / w) by Helen Rose .

background

The film, distributed by MGM , is one of the few US productions that premiered abroad. In Germany it was released on July 15, 1966. In the USA, however, it only started on October 11 of the same year.

Nichelle Nichols can be seen in a small supporting role as a dice player .

Web links

Individual evidence

  1. Face without a name. In: Lexicon of International Films . Film service , accessed March 2, 2017 .Template: LdiF / Maintenance / Access used 
  2. Critique of the New York Times (Eng.)
  3. Evangelischer Presseverband München, Review No. 439/1966