Laurenz Lütteken

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Laurenz Lütteken (born September 9, 1964 in Essen ) is a German musicologist . He has been full professor of musicology at the University of Zurich since 2001 .

Life

Laurenz Lütteken studied musicology, German literature and art history at the Universities of Münster ( Klaus Hortschansky ) and Heidelberg ( Ludwig Finscher ). In 1991 he received his doctorate in Münster with a thesis on Guillaume Dufay . After working as a freelance journalist and receiving scholarships at the German Historical Institute in Rome , at the Herzog August Library in Wolfenbüttel and the Fritz Thyssen Foundation , Lütteken was an assistant at the musicological seminar at the University of Münster from 1992 to 1995. In 1995 he also received his habilitation there, and was appointed university lecturer. In 1995/96 he was acting head of the musicology seminar at Heidelberg University for one year . He then taught at the University of Erlangen-Nuremberg . In 1996 he was appointed to the chair for musicology at the University of Marburg , after which he turned down calls to Bochum and (2000) to Leipzig . Since 2001 he has been professor of musicology at the University of Zurich.

He wrote numerous publications on music from the 14th to the 20th century. The main areas of work are the music of the late Middle Ages or the Renaissance and the 18th century as well as the history of musical genres and ideas. He is a member of the Academia Europaea , London and the Academy for Mozart Research , Salzburg.

Lütteken is married to the Germanist Anett Lütteken (* 1966), head of the manuscript department of the Zurich Central Library .

Fonts

As an author
As editor
  • (with Axel Beer ): Festschrift for Klaus Hortschansky on his 60th birthday. Tutzing 1995.
  • Mass and motet . Kassel 2002.
  • (with Gerhard Splitt): Metastasio in Enlightenment Germany. Tübingen 2002.
  • (with Anselm Gerhard ): Between Classicism and Classicism. Kassel 2003.
  • The music in the magazines of the 18th century. (with CD-ROM), Kassel 2004.
  • (with Nicole Schwindt ): Authority and authorities in musical theory, composition and performance. Kassel 2004.
  • (with Hans-Joachim Hinrichsen ): New masterpieces heard. A little canon of music. 14 work portraits. Kassel 2004.
  • (with Hans-Joachim Hinrichsen): Between confession and refusal. Kassel 2005.
  • (with Hans-Joachim Hinrichsen): Bruckner - Brahms . Kassel 2006.
  • (with Hans-Joachim Hinrichsen) Passages. Kassel 2007.
  • Musicology. A position determination. Kassel 2007.
  • Artwork of the future. Neue Zürcher Zeitung Libro, Zurich 2008.
  • (with Hans-Joachim Hinrichsen): Mozart's lifeworlds. Kassel 2008.
  • (with Birgit Lodes ): Institutionalization as a process. Laaber, 2009.
  • Music and Myth - The Myth of Music around 1900. Kassel 2009.
  • (with Urs Fischer): 'More respect for the capable man' - Carl Czerny (1791-1857). Kassel 2009.
  • Joint edition : Wagner manual. Bärenreiter Verlag, Kassel 2012, ISBN 978-3-7618-2055-1 and JB Metzler Verlag, Stuttgart 2012, ISBN 978-3-476-02428-2 .
  • Between temple and club. Music and the Bourgeoisie in the 19th Century. Zurich Festival Symposium 2012. Bärenreiter, Kassel 2013, ISBN 978-3-7618-2154-1 . ( Review)
Editing activity

Historical-critical complete edition of the musical works of Arcangelo Corelli

  • Works without opus number: BD 5. With Hans J. Marx, Hans Oesch (Ed.), Laaber, 1976.
  • Concerti grossi, opus VI: BD 4. Rudolf Bossard, Hans-Joachim Hinrichsen, Hans Oesch (Eds.) Laaber, 1978
  • Sonate da Camera, Opus II and IV: BD 2. Hans-Joachim Hinrichsen, Hans Oesch, Jürg Stenzl (Eds.), Laaber, 1986.
  • Sonate da chiesa, Opus I and III with Francesco Geminiani's Concerto grosso arrangements of six sonatas from Opus I and III: BD 1. Hans-Joachim Hinrichsen, Max Lütolf , Hans Oesch (Eds.) Laaber, 1987.
  • Sonata a Violino e Violone o Cimbalo, op.V: BD 3. Hans-Joachim Hinrichsen, Hans Oesch, Cristina Urchueguía (eds.), Martin Zimmermann (preface). Laaber, 2007.

Awards

  • 1991 Award of the dissertation by the University of Münster
  • 1996 Lecture at the Colloquia Academica of the Academy of Sciences and Literature, Mainz
  • 1996 Awarded the Walter Kalkhof Rose Memorial Prize of the Academy of Sciences and Literature , Mainz
  • 1997 Heisenberg grant from the German Research Association, Bonn
  • In 2002 he was awarded the Dent Medal by the Royal Musical Association, London
  • 2009 visiting professor at the Université François Rabelais Tours - Center d'Etudes Supérieures de la Renaissance

Web links