Ljubomir Bratić

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Ljubomir Bratić (born in 1964 in Yugoslavia ) is a Yugoslav-Austrian philosopher , migration researcher and freelance journalist . He lives in Vienna.

Life

Bratić migrated to Austria in 1983. He completed a degree in philosophy and Slavic studies , art history , pedagogy and IT for the humanities at the University of Innsbruck , his diploma thesis dates from 1995 and was devoted to the problem of identity , which he theoretically about the theory of George Herbert Mead and practically “about the investigation the well-being of migrant youth in German-speaking countries ”. He also obtained an MAS in social work and social management .

During his studies he worked in the Yugoslav association Jedinstvo in Innsbruck in the early 1990s . In 1992, together with E. Binder, he took over the project management for the discourse project guest workers and minorities - threat or cultural enrichment . From 1992 to 1995 he worked in the Tyrolean Advisory Service for Foreigners. He also became a member of the editorial board of the multicultural magazine MOZAIK in Innsbruck. Also during his studies he published his first book with Eveline Viehböck : The Second Generation . It described young migrants in German-speaking countries and was published in 1994 by Österreichischer Studien-Verlag.

From 1995 Bratić worked at Integrationshaus Vienna , there also as a deputy managing director. From 1999 to 2004 he was the national spokesman for the Austrian Network Against Racism (ANAR) and in 2000 he was the initiator and co-founder of the Bunten Zeitung . From 2002 to 2005 he was head of the Office for Unusual Measures (BUM) within the EQUAL project Open up . In this capacity, he designed - together with Arif Akkiliç - the station self-organization and resistance of the exhibition Gastarbajteri in Vienna Museum in 2004. In the Mozart Year 2006 was one he - together with Araba Evelyn Johnston-Arthur , Lisl Ponger , Nora Sternfeld and Luisa Ziaja - for Team of curators of the Vienna project Hidden History / n - remapping Mozart . In 2007 he was involved in Lisl Ponger's film project Imago Mundi and took over the project management for the play “Love research, istrazivanje ljubavi, rodimos e kalimpesko” in the Vienna Theater in the Künstlerhaus . This joint project by Romani dori and Initiative Minorities was dedicated to the discrimination of Roma , was staged by Tina Leisch and made possible within the framework of the EQUAL project Work in process .

In 2010 he presented - together with Ülkü Akbaba, Sarah Galehr, Andreas Görg and Gabriele C. Pfeiffer - a study on the perspectives of art and cultural policy 2010–2015 with a special focus on the reality of migration. The study was financed by the Culture Office of the City of Vienna and the Federal Ministry for Education, Art and Culture and was entitled Art, Culture and Theater for Everyone! . In 2012, on the occasion of the Vienna Week - together with Arif Akkılıç - he started the campaign “50 Years of Labor Migration - Archive Now!”. This resulted in a collection of ideas and a working paper for an archive of migration in March of the following year .

From 2013 to 2015 he was a research assistant at the Institute for Contemporary History at the University of Innsbruck in the FWF project Deprovincializing Contemporary Austrian History . He has been working on the Wien Museum's collecting migration project since 2015 .

From 2007 to 2013 Bratić was an editorial member of Kulturrisse , the journal for radical democratic cultural policy, and has been one of the curators of the exhibition on migrant workers from Yugoslavia in the Museum of the History of Yugoslavia , which is located in Belgrade , since 2014 . His journalistic activities focus on the discourse of racism in the Austrian state, the field of tension between politics and art, the topics of self-organization , resistance strategies and the politics of equality, diversity politics , anti-racism and activism, social work as a power technique and the history of migration in Austria . He also writes reviews of books, films and exhibitions.

Six imperatives for anti-racist art projects

  • a) Destruction of normality
  • b) Disclosure of racist asymmetries
  • c) Advancing the egaliberté
 
  • d) Enabling alliances
  • e) Positioning and staging of conflicts
  • f) Creation of spaces for (self) empowerment.

Works

Monographs
  • according to with Eveline Viehböck : The second generation . Migrant youth in German-speaking countries, Innsbruck: Österr. Studien-Verlag 1994, ISBN 3-901160-10-8 , 207 pages
  • Political anti-racism . Self-organization, historicization as a strategy and discursive interventions, Vienna: Löcker 2010, ISBN 978-3-85409-533-0 , 239 pages
editor
  • Landscapes indeed. Measurement, transformations and ambivalences of anti-racism in Europe. St. Pölten: Sozaktiv-Verlag 2002, 269 pages, ISBN 3-901847-06-5
  • (together with Daniela Koweindl and Ula Schneider): Building alliances between art and anti-racism , approaches, overlaps, strategies, reflection, Vienna: Soho Association in Ottakring 2004, 95 pages
  • Hidden stories, remapping Mozart . [Exhibition project in four configurations; March 9 to October 15, 2006; a project by Wiener Mozartjahr 2006], WienMozart 2006, 167 pages
  • (together with Arif Akkiliç, Vida Bakondy and Regina Wonisch): Scissors Pot Paper . Objects on the history of migration, Vienna: Mandelbaum 2016, ISBN 978-3-85476-510-3 , 224 pages
Contributions

Web links

Individual evidence

  1. Archived copy ( Memento of the original from June 10, 2016 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. @1@ 2Template: Webachiv / IABot / www.wienmuseum.at
  2. In conversation with ORF, June 9, 2016
  3. Austrian National Library : The Problem of Identity: theoretically developed using the theory of GH Mead and practically using the investigation of the state of mind of migrant youth in German-speaking countries , diploma thesis by Ljubomir Bratić, 1995, accessed on June 10, 2016.
  4. today ENARA: History of ANAR, ENAR and ENARA , accessed on June 10, 2016.
  5. Marcus J. Oswald: Street newspaper The Global Player sinks into chaos , May 22, 2011, accessed on June 10, 2016
  6. Gastarbajteri Virtual Exhibition ( Memento of the original from August 4, 2016 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. , Team / Participants, accessed June 10, 2016. @1@ 2Template: Webachiv / IABot / gastarbajteri.at
  7. Hidden history / n remapping Mozart , accessed on June 10, 2016.
  8. Ljubomir Bratić: A Strategy of Deployment , Reflections on the play “Liebesforschung”, eipcp, 02/2007, accessed on June 10, 2016.
  9. Art, culture and theater for everyone! Impulses for a transcultural theater offensive , accessed on June 10, 2016.
  10. Working group “Archive of Migration” [Arif Akkılıç | Vida Bakondy | Ljubomir Bratić | Vladimir Fischer | Li Gerhalter | Belinda Kazeem | Dirk Rupnow]: Collection of ideas / working paper / concept for an archive of migration , March 2013, accessed on June 10, 2016.
  11. University of Innsbruck : Deprovincializing Contemporary Austrian History. , Migration and the transnational challenges to national historiographies (approx. 1960-today), accessed on June 10, 2016.
  12. Wien Museum : Collecting Migration ( Memento of the original from June 10, 2016 in the Internet Archive ) Info: The @1@ 2Template: Webachiv / IABot / www.wienmuseum.at archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. , accessed June 10, 2016.
  13. Quoted here. according to Elisabeth Mayerhofer and Wolfgang Schneider: From Alpha to Omega. Readings from Ljubomir Bratic '"Anti-racist lessons for artists" In: kulturrisse , magazine for radical democratic cultural policy, 04/2003, accessed on June 10, 2016.