Maria Philippina Bilders-van Bosse

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Maria Philippina Bilders-van Bosse
Landscape with sunset , Rijksmuseum Amsterdam
Path with trees and two figures
Oak path in late summer , Rijksmuseum Amsterdam
Walkers in the snow on the edge of a forest , Rijksmuseum Amsterdam

Maria Philippina Bilders-van Bosse (born February 21, 1837 in Amsterdam , † July 11, 1900 in Wiesbaden ) was a Dutch landscape painter.

Life

Marie van Bosse, married Bilders, was the daughter of the lawyer and royal finance minister - at times also church, colonial and interior minister - of the Netherlands Pieter Philip van Bosse and Maria Johanna, née Reynvaan (1809–1864). The painter and sculptor of the same age Sara Stracké-van Bosse was a daughter of her uncle Antonij van Bosse, i.e. her cousin. As a result of the father's ministerial offices, the family settled in The Hague .

At the age of 18 (1855) Marie decided to become a painter and took lessons from the Dutch painter Hendrik van de Sande Bakhuyzen , a prominent representative of the early Hague School , and was occasionally advised by Johannes Bosboom , who is also considered to be the forerunner of the Hague School, and which encouraged her to exhibit her work, among other things. From 1875 she was taught by Johannes Warnardus Bilders . In 1880 she married the teacher, who was 26 years her senior and whose son from her first marriage, the painter Gerard , who was almost the same age as her , had died in 1865. The couple lived in Oosterbeek until 1890 , at that time a rural village, now part of the municipality of Renkum in the Dutch province of Gelderland . Much of their work was created here. After her husband's death, Marie returned to The Hague. She maintained friendly relationships with the writers Anna Louisa Geertruida Bosboom-Toussaint and Augusta de Wit , the lawyer Gijsbert van Tienhoven and the painter Anna Wolterbeek (1834–1905). Because of a back problem, she often stayed in Germany, where she died at the age of 63. She was buried in Oosterbeck in her husband's grave.

Marie van Bosses work mainly consists of landscape representations as oil paintings and in watercolor, prepared and accompanied by numerous drawings. She found her motifs in the surroundings of The Hague, in the forests of the Veluwe , the floodplain landscapes of the regions of Gelderland, Westerwolde and the heather and moorland areas of the province of Drenthe .

In 1878 she became a member of the " Hollandsche Teekenmaatschappij " founded two years earlier and a year later of the " Pulchri Studio " in The Hague. From 1873 she showed her work in several of the “exhibitions of living masters” (Tentoonstelling van kunstwerken van levende meesters), in the “ Paris Salon ” of 1880 and on the occasion of the “Nationale Tentoonstelling van Vrouwenarbeid” of 1898. On the occasion of her participation in the Parisian art exhibitions In 1889 she was awarded a bronze medal at the World Exhibition. In 1900 she received an "honorable mention" and in 1893 she was represented at the World's Columbian Exposition in Chicago . At the International Art Exhibition Vienna in 1882 she showed "Landscape in Groningen", at the international anniversary exhibition in Munich in 1888 "The Haide von Heelsum". In 1896 she was represented at the International Art Exhibition in Berlin with “Waldhüter's Apartment in Gelderland” (catalog no. 219).

Works

Maria van Bosses works are in numerous collections in the Netherlands and abroad, for example in the New York Art Association in New York.

literature

  • Clara Erskine Clement Waters: Painters, Sculptors, Architects, Engravers, and Their Works: A Handbook. Houghton, Osgood & Co., 1879.
  • Bilders, Marie, b. van Bosse. In: Friedrich von Boetticher : painter works of the 19th century. Contribution to art history , volume 1, p. 94. Dresden 1891 ( digitized version ).
  • Image. Maria Philippina Bilders van Bosse. In: Dutch artist lexicon based on archival research edited by Alfred von Wurzbach. Halm and Goldmann, Vienna 1906, Volume 1, p. 99 ( digitized version ).
  • Wilhelmus Johannes Steenhoff: Bilders-van Bosse, Maria Philippina . In: Ulrich Thieme , Felix Becker (Hrsg.): General Lexicon of Fine Artists from Antiquity to the Present . Founded by Ulrich Thieme and Felix Becker. tape 4 : Bida – Brevoort . Wilhelm Engelmann, Leipzig 1910, p. 26 ( Textarchiv - Internet Archive ).
  • Pieter A. Scheen : Lexicon Nederlandse beeldende kunstenaars , 1750–1950. Volume 1. Scheen, 's-Gravenhage 1969.
  • A checklist of painters c1200-1976 represented in the Witt Library . Courtauld Institute of Art, London [first ed.]. Mansell, London 1978.
  • General artist dictionary: The visual artists of all times and peoples . Saur, Munich 1992 ff.
  • Hanna Klarenbeek: Penseelpressessen & broodschilderessen. Vrouwen in de beeldende kunst 1808–1913 . Thoth, Bussum 2012.
  • Catalogus van de tentoonstelling van kunstwerken door vrouwen vervaardigd in de kunstzaal van het panorama-gebouw . Plantation tegenover Artis, 1882, p. 4.
  • National tentoonstelling van vrouwenarbeid: Catalogus van de rubriek beeldende kunst . The Hague 1898 (July - September), pp. 4, 6, 11.
  • GW Sylvius (pseud.Augusta de Wit): Mevrouw Bilders-Van Bosse , in: Elsevier's Geïllustreerd Maandschrift 4 (1894) dl. 7, pp. 345–362, and in: M. Rooses (red.), Het Schildersboek, […] , dl. 3, Amsterdam 1899, pp. 37-56.
  • A. de Wit: Marie Philippine Bilders-van Bosse , in: De Gids 64 (1900), pp. 497-518.
  • GH Marius: De Hollandsche schilderkunst in de negentiende eeuw . 's-Gravenhage 1920, pp. 82, 222-223.
  • HP Bremmer: Het Korenland door Mevrouw M. Bilders-van Bossche. Kunsthandel GJ Nieuwenhuizen Segaar , in: Maandblad voor Beeldende Kunsten, 18 (October 1941), pp. 273–276.
  • IH van Eeghen: Het zilveren bruiloftsalbum van burgemeester van Tienhoven , in: Maandblad Amstelodamum 52 (1965), pp. 78-84; P. 82.
  • Chr. Wright: Paintings in Dutch Museums, London 1980, p. 35.
  • V. Hefting: Schilders in Oosterbeek. Zutphen / Arnhem 1981.
  • R. de Leeuw, J. Sillevis, Ch. Dumas: Exhibition catalog “De Haagse School - Hollandse Meesters van de 19de eeuw” , Parijs (Grand Palais), Londen (Royal Academy), The Hague (Haags Gemeentemuseum). 1983, p. 136.
  • H. van Harten Boers: Exhibition catalog “Maria Philipina Bilders-Van Bosse” . Slochteren (Fraeylemaborg) 1987.
  • Exhibition catalog “Bloemen uit de kelder. Negen art aressen rond de eeuwwisseling ” . Arnhem (Gemeente-museum) 1989, pp. 32-39.
  • F. Leeman, H. Pennock: Museum Mesdag. Catalog of paintings and drawings , Amsterdam / Zwolle 1996, pp. 98–99.
  • S. de Bodt, J. Kapelle, M. den Bieman-Smithuis, JJ Heij: De Haagse School in Drenthe . Assen / Zwolle 1997, p. 23 f.
  • C. Stolwijk: Uit de schilderswereld. De Nederlandse kunstschilders in de tweede help van de negentiende eeuw . Leiden 1998, p. 115 f.
  • C. Hollema, P. Kouwenhoven: Thérèse Schwartze (1851-1918). Een vorstelijk portrettiste . Zutphen 1998, pp. 115, 132.
  • P. Thoben: Exhibition catalog “Tussen realisme en impressionisme. Watercolors from Meesters van de Haagse School ” . Eindhoven (Museum Kempenland) 2000/2001, p. 51.
  • R. Daalder: Kunst op Amsterdamse mailschepen , in: Amstelodamum 93 (2006) 2, p. 9.
  • J. Kapelle, S. de Bodt and others: Magie van de Veluwezoom . Arnhem 2006, p. 48 f.
  • P. van der Kuil: Jan Kneppelhout en zijn tijdgenoten. A changing door het Oosterbeek van de 19de eeuw . Oosterbeek 2007, p. 109 f.
  • M. Jonkman, E. Geudeker: Myths van het atelier. Werkplaats en schilderpraktijk van de negentiende-eeuwse Nederlandse kunstenaar . Zwolle 2010, p. 45 f.

Web links

Commons : Maria Philippina Bilders-van Bosse  - Collection of images, videos and audio files

Individual evidence

  1. accordingly neither her aunt nor her niece, as occasionally stated
  2. Maria Grever, Berteke Waaldijk: Transforming the Public Sphere. The Dutch National Exhibition of Women's Labor in 1889 . Duke University Press, Durham and London 2004, p. 186
  3. ^ KL Nichols: Women's Art at the World's Columbian Fair & Exposition , Chicago 1893
  4. ^ Exhibition catalog , Berlin 1896