Marina Linares

Marina Linares (* 1967 in Cologne ) is an art historian / cultural scientist , visual artist (performance art / room installation ) and author .

Live and act

Marina Linares studied art history , philosophy , German studies and musicology in Cologne from 1995 to 2001 . She wrote her master's thesis on Bernard Schultze . She also studied theater, film and television studies in Cologne from 2000 to 2001 and later in Hagen psychology (B.Sc.). At the Ludwig Maximilians University in Munich she did her doctorate in 2003 with Hubertus coal with an interdisciplinary dissertation on the comparability of painting and music. She systematically worked on analogous structures of the two media and integrated aesthetic positions, art theory and composition theory of music theory as well as approaches from perceptual psychology and cognitive science .

Further research focuses are modern to contemporary art (including Spanish art history), art theory (especially about colors ), multimedia and intermedia art, with interdisciplinary questions and approaches leading the research. Publications include monographs, scientific essays, illustrated books / exhibition catalogs, reviews of contemporary art and lectures at international conferences.

Artistically, her pictorial work develops from painting to sculpture to space. Her conceptual works include drawing, painting, photography, sculpture / object, installation, mixed media , typefaces and intermedia through to complex spatial projects. The focus is on room installations and multimedia performance , in which lyrical texts are often staged with instrumental sounds and scenic action.

As an author of fictional literature, she writes short prose, poetry and dialogues, works with linguistic sound in experimental poetry through to sound poetry . She stages her texts, partly in cooperation with authors, musicians and performers in literary performances and staged readings. Member of various art and literature groups as well as cultural associations, management of projects, literary workshops and seminars.

Exhibitions / Performances / Intermedia (selection)

• Utilization, Kulturbahnhof, Overath 2005.
• Stranger chants & surreal sounds, Bürgersaal, Overath 2005.
• KONTRASTE, Art Corner, Cologne 2005.
• Welt-Tugend-Park, Stadtgarten, Cologne 2005.
• District tour, multimedia literary performance, Kulturhaus Zanders, Bergisch Gladbach 2006.
• Splitter of ideas , Galerie L'Aristokrassie, Cologne 2006.
• Rote Drummeln, poetry performance with drums , Galerie L'Aristokrassie, Cologne 2006.
• Landart project Moving Wind , National Park at Edernsee / Waldeck-Franckenberg (Hesse) 2006.
• Journey to the digital-floral aquarium, Art Corner, Cologne 2006
• Speck installation, 'Sinneswald' sculpture park, Leichlingen 2006
• Gimme your shorts (1st prize for the best freestyle), Carlshütte Büdelsdorf, Rendsburg 2007.
• Not like that! , Scenic reading, ZAK, Bensberg 2007.
• So black , poetry performance, 'HC BC' by Siglinde Kallnbach, KunstWerk, Cologne 2007.
• Sparkling box , radio broadcast (Mod .: Christian Breuer), Radio Köln, 2008.
• Border drawings , multimedia performance / exhibition, performance festival 'Blue Shift', Great Gallery KuB, Leipzig 2008.
• Between Heaven and Hell (Lights-Songs-Lyrik-Lauten-Performance), 'SOMMER-NACHT-TRAUM', Südbrückenturm, Cologne 2008.
• RAUM-ZEIT-RAUM , Performance Festival, Cologne 2009.
• Hommage a` Pollock , performance, Lutherkirche, Cologne 2008.
• Over bridges , drama in three acts, 'Building bridges', Lindenthal town hall, Cologne 2009.
• H / sale , performance, köln-south-open, Art Corner, Cologne 2011.
• Wortbilder , Stadtbibliothek, Bergisch Gladbach 2010–2011.
• Upstairs-downstairs , scenic reading, literary days 'Words for Places', City Hall, Bergisch Gladbach 2011.
• Duel or duo? , 'A Book for the City', Luther Church, Cologne 2012.
• Warenflirt im Kaufrausch, poetry performance, 'Words for Places', RheinBerg Galerie, Bergisch Gladbach 2013.
• Said - unsaid - unspeakable, Kreishaus, Bergisch Gladbach 2015.
• Blue is the room, poetry performance, 'Heidkamper Kulturtage', Heidkamp 2015.
• in the triad between nature and culture, Galerie im Torhaus, Cologne 2015.
• Da-da-da-that won't work, action, 'Freie Geister', ARTheater, Cologne 2016.
• From the surface to the space , Kunstraum Braugasse, Hoyerswerda, 2019.
• I'm from office ... , performance, avant-garde festival 'Kulturtag', Oberscheid / Westerwald, 2019.

Awards, grants, grants

• Oskar Karl Forster grant 2003.
• Funding of the literature-music-performance "lyrische continuation und zerrissene klänge", Art Corner, Cologne by the cultural office of the city of Cologne 2005.
• Funding of the multimedia literary performance "Kreisreise", Kulturhaus Zanders, by the city of Bergisch Gladbach 2006.
• "Prize for the best freestyle" at the literary competition 'Gimmie your shorts' of the Nordkolleg Rendsburg , Carlshütte Büdelsdorf, 2007.
• Funding of the performance festival "Raum-Zeit-Raum" 2009 (8 locations in Cologne's Südstadt, concept: Marina Linares) by the Culture Office of the City of Cologne and the SK-Stiftung Kultur 2009.

Publications science

Monographs:

• Analysis of abstract painting (Pollock): structural comparisons of image and sound compositions. Verlag Die Blaue Eule, Essen 2003, ISBN 3-89924-078-2 .
• Everything you need to know about colors. Color theory Art theory Color psychology Cultural history New media. Verlag Die Blaue Eule, Essen 2005, ISBN 3-89924-147-9 .

Scientific articles:

• From intoxicating creation to creating intoxicating art in painting, stage art, film, literature and music. In: Kristin Eichhorn, Johannes S. Lorenzen (Ed.): Rausch. (= Expressionism. Volume 9). Berlin 2019, ISBN 978-3-95808-220-5 , pp. 43–56.
• Triptych and Retable: Reflections on Development and Transformation of a Traditional Art Genre in Contemporary Art of Bernard Schultze . In: Studies in Humanities. Annual VII, Ed. Elene Gogiashvili / Zaza Skhirtladze. Ivane Javakhishvili Tbilisi State University. Faculty of Humanities, Tbilbisi 2018, pp. 244–272. ISSN  1987-894X
• Modernism in Barcelona: Antoni Gaudí - a will to create permeates the room. In: "We have to build a city, a whole city!" The Darmstadt artists' colony on Mathildenhöhe. (= Workbooks of the State Office for Monument Preservation Hesse. 30; ICOMOS notebooks of the National Committee. LXIV). Theiss Verlag, 2017, ISBN 978-3-8062-3706-1 , pp. 211-220.
• Käthe Kollwitz : an aesthetic between private (experience) life and political agitation. In: Kristin Eichhorn, Johannes S. Lorenzen (eds.): Expressionists. (= Expressionism. Volume 4). Berlin 2016, ISBN 978-3-95808-114-7 , pp. 106–119.
• Performance - at the limits of imagery. In: Sabine Bartelsheim, Gora Jain (ed.): Strategies of the anesthetic in art, design and everyday culture. (= kunsttexte.de. Special issue 4). 2014 (edoc.hu-berlin.de)
• Color and tone systems: analogies and differences. In: Friedrich M. Albert (Ed.): Colors - Authors - Topics. Düsseldorf 2011, ISBN 978-3-00-036547-8 , pp. 89-95.
• Art and Culture in the Middle Ages: Color Schemes and Color Symbols. In: Ingrid Bennewitz, Andrea Schindler (Hrsg.): Color in the Middle Ages. Volume 1, Berlin 2011, ISBN 978-3-05-004640-2 , pp. 297-311.
• Art at the border: border crossers in art - border crossings in art. Crafts, anti-academic arts, amateur and commercial image production. In: kunsttexte.de , 1/2010. (kunsttexte.de)
• Color and tone systems: analogies and differences. In: Friedrich M. Albert (Ed.): Phenomenon color. Vol. 28, 1/2008, pp. 30-36.

Photo books / exhibition catalogs:

• Pissarro . koenemann.com, Cologne / Editions Place des Victoires, Paris 2017, ISBN 978-3-95588-655-4 . (6-language edition).
• Antoni Gaudí . koenemann.com, Cologne / Editions Place des Victoires, Paris 2017, ISBN 978-2-8099-1368-2 (6-language edition).
• Goya . koenemann.com, Cologne / Editions Place des Victoires, Paris 2017, ISBN 978-3-95588-635-6 . (6-language edition).
• Prado . Könemann, Cologne 2017, ISBN 978-3-7419-1092-0 (6-language edition)
• Michael Kruscha (Ed.): Michael Kruscha. Bus stops. Marina Linares. Seltmann + Söhne, Berlin, Text 2015, ISBN 978-3-944721-52-1 .
• Impressionist Gardens . koenemann.com, Cologne 2016, ISBN 978-3-95588-062-0 . (6-language edition: German, English, French, Spanish, Italian and Dutch Impressionisme, l`atelier dans la nature. Ed. Place des Victoires, Paris 2016, ISBN 978-2-8099 -1342-2 .)
• Marina Linares (Ed.): Said, unsaid, unspeakable. An artistic dialogue between poetry and visual art. Cat. 10/27 - 11/24/2015 Bergisch Gladbach district building. Cologne 2015.

Articles on art, art theory and cultural history in various specialist journals and magazines (art texts, Cologne sketches, Bozzetto), scientific series (see above) and artist catalogs.

Publications fiction

• Corona virus panic currently. Texts and graphics . epubli, Berlin 2020 ISBN 978-3-752953-091 .
• Corona virus panic . Neobooks, Munich 2020, ISBN 978-3-7502-3311-9 (e-book).
• Inconsistent stuff. Short prose and graphics. PalmArtPress, Berlin 2019, ISBN 978-3-96258-032-2 .
• Home visit (ed.) . Sonderpunkt Verlag, Münster 2015, ISBN 978-3-938329-64-1 .
• City life. Lyrical texts and photographs on the city. Sonderpunkt Verlag, Münster 2013, ISBN 978-3-95407-029-9 .

Web links

• Literature by and about Marina Linares in the catalog of the German National Library
• Marina Linares at Kulturserver NRW
• Marina Linares in the literature network NRW

Individual evidence

1. ^ Lecturers at the Free Academy of Fine Arts. Retrieved on July 26, 2020 (German). 
2. ↑ Marina Linares: Analysis of abstract painting (Pollock): structural comparisons of image and sound compositions (=  art history in the blue owl ). Verl. Die Blaue Eule, Essen 2003, ISBN 978-3-89924-078-8 ( dnb.de [accessed on July 26, 2020]).
3. ↑ Doctorate in Art History - Department of Art Studies - LMU Munich. Retrieved July 26, 2020 .