Matthew Carter

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Matthew Carter (2014)

Matthew Carter (born October 1, 1937 in London ) is a British type designer .

Life

Matthew Carter is the son of the letter historian and typographer Harry Carter, who worked full-time at Oxford University Press with the history of printing . After admission to study at Oxford University in 1955, he used the remaining time until the start of his studies for an internship at the type foundry and printing company Johannes Enschedé en Zonen in Haarlem , the Netherlands . Here he also learned stamp cutting, i.e. the manual creation of metal dies for the creation of type casting molds. During this time he also studied historical scripts from the 16th century. In 1956, Matthew Carter decided not to study but to help his father build a museum through Oxford University Press. He also worked as a freelance book and font designer.

In 1963 he worked as a typographic consultant for the British photo typesetting machine manufacturer Crosfield Electronics. He met Adrian Frutiger while working with Deberny & Peignot in Paris . In 1965 he moved to the USA and worked for the next six years as a type developer for the Mergenthaler Linotype Company in Brooklyn , New York City and then as a freelance type designer for various Linotype companies in the USA and Europe.

Matthew Carter in 1981 was co-founder of the magazine company Bitstream Inc. , Cambridge (Massachusetts) - in the 1980 years a well-known provider of high quality PostScript - fonts , which he left in 1991 along with Cherie Cone -. Since then, they have been running Carter & Cone Type, Inc. , also in Cambridge (Massachusetts).

Offices and Awards

Exhibitions

  • 2002 Typographically Speaking: The Art of Matthew Carter exhibition, University of Maryland
  • 2005 Typographically Speaking: The Art of Matthew Carter exhibition, on the occasion of the ATypI annual conference in Helsinki

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Some of the fonts designed by Matthew Carter are:

Bell Centennial, Cascade Script, Bitstream Charter , ITC Galliard, Olympian, Mantinia, Miller, Shelley Script, Snell Roundhand, Skia and the Sophia. For Microsoft he designed the Georgia (with the Georgia Ref and MS Reference Serif variants) and the Verdana (with the Verdana Ref and MS Reference Sans Serif variants and the derived fonts Tahoma and Meiryo).

Along with Hermann Zapf , Adrian Frutiger and Erik Spiekermann, he is one of the pioneers in computer font development.

See also

Web links