Inclination marriage

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Movie
Original title Inclination marriage
Country of production Germany
original language German
Publishing year 1944
length 94 minutes
Age rating FSK 12
Rod
Director Carl Froelich
script Jochen Kuhlmey
production Carl Froelich
music Hans-Otto Borgmann
camera Robert Baberske
cut Wolfgang Schleif
occupation
chronology

←  Predecessor
family Buchholz

Inclination marriage is a German feature film from 1943 by Carl Froelich based on the novel Die Familie Buchholz (1884) by Julius Stinde . The elaborate family chronicle with Henny Porten in the lead role is the sequel, filmed at the same time, by the Buchholz family by the same director.

action

Three years after the end of the Buchholz family .

The couple Franz and Emmi Wrenzchen have meanwhile become the parents of the twins Roland and Rolf. When both boys almost fall out of the window due to Wilhelmine's carelessness, there is once again a solid argument between old Buchholz and her son-in-law. Betti, Wilhelmine's older daughter, has started her voice training in order to start a career as a singer. By a stupid coincidence, Wilhelmine discovered that the love affair between Betti and the painter Holle, who had gone to Italy, was by no means over. When both kiss deeply in coram publico, a minor scandal ensues.

Then the resolute Wilhelmine Buchholz snatches her two daughters and grandchildren and travels with them to Heligoland , in the hope that this 'scandal' will be forgotten by the time they return to Berlin. But her nemesis Kathinka Bergfeldt insists on rubbing the rumor under her nose in a letter from her friend-enemy that Franz Wrenzchen is allegedly having an affair with another woman. Wilhelmine is wild as a fox. She travels back to Berlin on foot and confronts her allegedly unfaithful son-in-law like a fury. But he can credibly assure her that it is just a bad rumor.

In the meantime, Friedrich Wilhelm Holle has traveled to Helgoland after his Betti, where they both secretly get married - a marriage of inclination. On the tiny island, there is no need for much preparation; for example, there is no need to order a list. Back at home in Berlin, the newly wed Betti lacks the courage to confess her marriage to her parents. The unsuspecting Wilhelmine, pragmatic and hands-on as ever, finally wants to get her eldest under the hood and then places a marriage advertisement for Betti. Wilhelmine Buchholz had her hands full with the review of the marriage candidates. When she learns that Betti and her Friedrich Wilhelm are already married, she is initially appalled. But then she also recognized the advantages of this connection: Painter Holle was ready to contribute the illustrations for Wilhelmine's book.

Production notes

Filming began on January 19, 1943 (studio shots) and mid-May 1943 (outdoor shots). The film was shot in Berlin , Ahrenshoop and on the Liepnitzsee until September 9, 1943 . The studio recordings were made in the UFA studios in Berlin-Tempelhof .

Affectionate marriage was censored on January 25, 1944, received a youth ban and was premiered on March 24, 1944 in the Berlin UFA Theater Tauentzienpalast and in the UFA Theater Alexanderplatz.

The script was written by Jochen Kuhlmey , who also wrote the play of the same name, which premiered in 1941.

Affectionate marriage received the predicates “artistically valuable” and “popularly valuable”.

The production cost of this two-film large-scale production was approximately RM 1,455,000.

The song Berlin, Berlin was sung by Henny Porten.

Director Froelich was also responsible as production manager, while his long-time employee Friedrich Pflughaupt took over production management . Walter Haag designed the film structures. Hans Fritz Beckmann provided the texts for Hans-Otto Borgmann's film composition . The contemporary costumes are by Josef Meister, Erich Schmidt was the chief sound engineer.

The children Rolf and Roland Raatz are actually twins. Her mother received 1,000 RM for her appearance in marriage of inclination . In 1996 the brothers handed over the memorabilia they had received from Henny Porten to the Potsdam Film Museum .

With this two-part family portrait, Froelich's collaboration with Porten, which had lasted for more than three decades, ended.

criticism

In Carl Froelich's biography, the Buchholz family and inclination marriage, Kay Wenigers, the film's great personal encyclopedia called a "moral image from the 'good old days'" "

The lexicon of the international film judged: "Partly cheerful, partly contemplative and a little old Franconian."

In Bogusław Drewniak's The German Film 1938–1945 it says: “The actors for this picture of old Berlin were chosen with skill. The family-addicted and Philistine, typical Berlin bourgeois woman with heart and soul played the once famous Henny Porten. She was supported by a number of well-known actors. ”Incidentally, the imperial capital, which was severely tested by the bombing at the premiere, is remembered:“ The tortured residents of the metropolis on the Spree received these films, so to speak, as a prize or a reward. ”

See also

Individual evidence

  1. See Ulrich J. Klaus: Deutsche Tonfilme 13, year 1944/45. P. 35 (012.44), Berlin 2002
  2. Donation to the Filmmuseum Potsdam ( Memento of the original dated August 3, 2011 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. @1@ 2Template: Webachiv / IABot / www.filmmuseum-potsdam.de
  3. Kay Less : The film's great personal dictionary . The actors, directors, cameramen, producers, composers, screenwriters, film architects, outfitters, costume designers, editors, sound engineers, make-up artists and special effects designers of the 20th century. Volume 3: F - H. Barry Fitzgerald - Ernst Hofbauer. Schwarzkopf & Schwarzkopf, Berlin 2001, ISBN 3-89602-340-3 , p. 124.
  4. Klaus Brüne (Red.): Lexikon des Internationale Films, Volume 6, S. 2757. Reinbek near Hamburg 1987
  5. ^ The German Film 1938-1945, A Complete Overview. Düsseldorf 1987, p. 498
  6. ibid., P. 499

Web links