Stephan Eusemann

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Stephan Eusemann (born October 21, 1924 in Bergrheinfeld ; † January 27, 2005 in Nuremberg ) was a German textile artist and designer . He was professor of textile art and surface design at the Academy of Fine Arts in Nuremberg .

Life

After his military service in World War II, Eusemann did an architecture internship in 1945 and then studied at the universities of Erlangen , Bamberg and Munich until 1952 . He then continued his studies at the art academies in Stuttgart and Munich . From 1952 to 1960 he built up the newly founded specialist class for textile design of the State Higher Technical College for the Textile Industry in Münchberg (later a subsidiary of the Coburg University of Applied Sciences , since 2000 part of the Hof University of Applied Sciences, today the department of textile technology and design at the Hof University of Applied Sciences ) and took over its management . In 1960 Eusemann received a full professorship for textile art at the Academy of Fine Arts in Nuremberg. Eusemann's successor in this chair was Hanns Herpich from 1990 .

Eusemann was also President of the International Association of Color Consultants (IACC), a member of the DIN Color Standards Committee (FNF / DIN) and a member of the board of the German Color Center in Berlin.

plant

In the 1950s and 1960s, Eusemann designed décors for the Arzberg porcelain factory (for example, the 3040 “Kolorit” décor for Form 2025, a multi-colored dot and line décor) and porcelain vases. Some of the designs for Hutschenreuther received an iF Product Design Award .

In the field of textile art, Eusemann dealt with free textile art as well as industrial system design. In the mid-1970s, for example, he designed geometric, endlessly replicable patterns and surface textures for "tiles" for decorative use in interiors on textiles, artificial stone (resin), PVC , ceramics or other materials. They have been internationally patented by Dynamit Nobel AG. Textile furnishings designed by Eusemann can be found, for example, in the Bavarian Ministry of Culture in Munich, in the University Church of Erlangen , the University of Regensburg , the Deutsche Bank in Nuremberg or in the Weißenburg District Office . Before 1980, he designed at least one collection for a manufacturer of lamellar curtains for sun protection on windows (Karl H. Blöcker, Bremen).

Another focus of Eusemann was color theory and its practical application in architecture and interior design, especially in wall design. In the 1970s he developed and published the EuColor 840 color system , which was patented in a modified form as ispo EuColor by the facade paint manufacturer ispo GmbH from Kriftel (a subsidiary of Dyckerhoff AG , taken over by Sto AG in 2002), and patented as a practical guide to The use of paint on interior walls and facades was introduced in the painting trade.

Eusemann's works have been shown at several international exhibitions.

student

Eusemann's students at the Academy of Fine Arts in Nuremberg included: Waldemar Bachmeier (1980–1987, master class student ), Volker Berner, Dorothee Bögner (1962–1968), Birgit Bossert (1975–1981, master class student), Joachim Dorn (1981–1981) 1987; 1986 master class student), Bernhard Feustel (1961–1964), Sabine Fockner (1985–1991), Marie-Luise Frey (1982–1988), Roland Fürstenhöfer (1968–1972), Maria Gruber (1978–1984, 1983 master class student) , Geli Haberbosch (1989–1995), Maria Hößle-Stix (1983–1989; master class student), Gisela Hoffmann (1987–1992), Ursula Hofmann (1976–1981, 1982 master class student), Renate Kroh, Lutz Kaiser (1989–1994) , Ilse Kersten (1978–1985), Ruth Loibl (1980–1984), Margarete Mandl-Bill (1970–1975), Werner Matschke, Freia Prowe (1959–1962), Ranil Ranasinghe (1973–1979, master class; 1982–1987 Assistant to Eusemann), Walter Ritz, Christine Sabel (1986–1992), Christine Scheuerer-Grötsch (master class student), Heidrun Schimmel (1960–1962), Claudia Schöner (1987–1992), Betti na Zwirner (1984-1990).

Publications

  • Together with Ludwig Alwen's publisher: Achievement through the next generation. 100 years of the Münchberg State Higher Technical School for the Textile Industry. State Higher Technical School for Textile Industry, Münchberg 1954.
  • Building blocks for a thought model of progressive art education . In: Landesverband Bayern im Bund Deutscher Kunsterzieher (Ed.): Landtagung 68 of Bavarian Art Educators in Nuremberg , Nuremberg 1968, pp. 25–26.
  • Systematics of color design: teaching and practice . In: Maltechnik, Restauro , 1972, pp. 212-214.
  • Color tones in interior design . Universitätsdruckerei Stürtz, Würzburg 1975. ISBN 3-8003-0092-3 .
  • Stiegelmeyer shows his true colors: people. Colour. Recovery. A study (published on behalf of Joh.Stiegelmeyer & Co. GmbH, Herford), Kunst- und Werbedruck, Bad Oeynhausen 1976.
  • Device for determining harmonious color combinations . Patent DE 3033797 C2, filing date September 9, 1980.
  • Textile art today: pictorial means and methods . In: Kunstspiegel , 3/1981, pp. 44–52.
  • Contribution to: Computer design in the textile industry (Symposium, Mainz, September 7th to 8th, 1971). In: Conference report Gesamttextil, Frankfurt am Main, 1972.
  • Contributions in: Hans Wichmann: From Morris to Memphis: Textiles in the New Collection from the end of the 19th to the end of the 20th century . Collection catalogs of the Neue Sammlung, Volume 3. Basel: Birkhäuser, 1990, ISBN 3-7643-2313-2 . (Pp. 234, 236, 237, 238, 244, 245, 246, 250, 256, 259).

literature

  • Jutta Beder : Lexicon of Textile Designers 1950–2000 , Paderborn 2003.
  • Alfred Bruckmann (ed.): The art and the beautiful home. Monthly for painting, sculpture, graphics, architecture and home decor , Verlag F. Bruckmann, Munich, 54th year, 1956, pp. 24, 25, 26.
  • Jutta Beder: Between Blümchen and Picasso. Textile design of the fifties in West Germany. Lit-Verlag, Münster 2002, pp. 153–156 (with sample images and further references).
  • Johann Klöckner (ed.): Contemporary form. International industrial design . Süddeutscher Verlag, Munich 1967.
  • Stephan Eusemann (1924-2005): The ispo EuColorsystem, 1979 . In: Werner Spillmann (Ed.): Coloring systems 1611-2007. Color documents in the Werner Spillmann Collection . Schwabe Verlag, Basel 2009, pp. 214ff., ISBN 978-3796525179 .
  • Exhibition of students of the Academy of Fine Arts Painting (class Prof. JK Pfahler), textile art (class Prof. S. Eusemann); November-December 1989 Cracow, Palace of Art . In: Jan Miczyński (Red.): Dialog (exhibition project and catalog), Academy of Fine Arts Nuremberg, Akademia Sztuk Pięknych w Krakowie (Academy of Fine Arts Krakow), 1990.
  • Ottmar Hörl: Danner Foundation competition . Class competition 88 Carpet - Floor - Carpet, Textile Art class Prof. Stephan Eusemann, Academy of Fine Arts in Nuremberg / 4 , undated, undated (around 1989).

Web links

Individual evidence

  1. ↑ From the end of the 1960s to the end of the 1980s, he also took part in specialist events: Authors and their topics until 2002 ( Memento of the original from June 26, 2006 in the Internet Archive ) Info: The archive link was automatically inserted and not yet checked. Please check the original and archive link according to the instructions and then remove this notice. , German Color Center @1@ 2Template: Webachiv / IABot / www.colour-europe.de
  2. ↑ Drafts for CM Hutschenreuther iF World Design Guide, accessed on November 13, 2017.
  3. ↑ Tile, particularly for interior decoration, US Patent 3875716, April 8, 1975 , wikipatents.com
  4. ↑ US Patent 3875716, April 8, 1975 , Google patents
  5. ↑ Patent D235541 , Google patents
  6. ↑ “Solarflor” brand, “feminine” collection; Advertisement of the company in: Der Spiegel , No. 40/1980, p. 176.
  7. ↑ Online version
personal data
SURNAME Eusemann, Stephan
ALTERNATIVE NAMES Eusemann, Stefan
BRIEF DESCRIPTION German textile artist, designer and university professor
DATE OF BIRTH October 21, 1924
PLACE OF BIRTH Bergrheinfeld
DATE OF DEATH January 27, 2005
Place of death Nuremberg