The Singer

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The Singer
Studio album by Liza Minnelli

Publication
(s)

1973

Label (s) Columbia Records

Format (s)

LP

Genre (s)

Pop, R&B, soft rock, soul jazz

Title (number)

11

running time

30m: 34s

occupation Liza Minnelli
chronology
Liza with a 'Z'. A Concert for Television
(1972)
The Singer Liza Minnelli Live at the Winter Garden
(1974)

The Singer is the seventh studio album by Liza Minnelli . It appeared in 1973; It was named after the song of the same name by Walter Marks and contained current singer-songwriter hits.

background

Following the success of the Cabaret and Liza with a 'Z' soundtracks , both awarded gold, Liza Minnelli was signed to Columbia Records . After her international popularity through cabaret and the television produced concert film Liza with a 'Z'. A Concert for Television was suddenly enlarged, hopes were made for the commercial success of a modern pop album through the skillful exploitation of Minnelli's potential.

No new songs were written especially for Minnelli; Popular songs such as Bill Withers ' Use Me and Stevie Wonders You Are the Sunshine of My Life found their way into the arrangements . She didn’t include a song by her favorite lyricist Fred Ebb in her repertoire.

Track list

  1. I Believe in Music ( Mac Davis ) - 3:39
  2. Use Me ( Bill Withers ) - 3:41
  3. I'd Love You to Want Me ( Lobo ) - 3:38
  4. Oh babe what would you say? (Smith) - 3:33
  5. You're So Vain ( Carly Simon ) - 3:32
  6. Where is the love? ( Ralph MacDonald , William Salter) - 2:50
  7. The Singer (Walter Marks) - 2:33
  8. Don't Let Me Be Lonely Tonight ( James Taylor ) - 3:51
  9. Dancing in the Moonlight (Sherman Kelly) - 3:20
  10. You Are the Sunshine of My Life ( Stevie Wonder ) - 2:39
  11. Baby Don't Get Hooked on Me (Mac Davis) - 2:51

Singles

The song The Singer was released as a single by Columbia in 1972; on its B-side was the song Mr. Emory .

reception

The music critic William Ruhlmann emphasizes that after Cabaret and Liza with a 'Z' it was hardly possible to find a comparable, similarly sophisticated concept to establish the entertainer Liza Minnelli in her entirety as a studio singer. On this album only the song The Singer demands her whole talent as a singer. All in all, it seems as if the artist herself had chosen the individual tracks at random while listening to the car radio on the way to the recording studio. They actually do their best, but the songs would have been presented much more credibly by the original singer-songwriters of the 1972/73 season (Mac Davis, Carly Simon, James Taylor, Bill Withers). The Singer was a missed opportunity to help Minnelli to a career as a pop singer as well as one as an actress and live entertainer.

The Singer entered the Top 40 of the Billboard Charts and is Minnelli's highest-ranked studio album on the US market to date .

Web links

swell

  1. A detailed complete discography with recording and publication dates etc. can be found at Schechter: Scrapbook. Pp. 125-158.