Tricky Women / Tricky Realities
Tricky Women / Tricky Realities ( spelling TRICKY WOMEN / TRICKY REALITIES ) is a film festival dedicated to the international animation of women and has been taking place in Vienna since 2001 .
overview
The festival was founded by Antonia Cicero, Waltraud Grausgruber and Birgitt Wagner. It emerged from the FrauenFilmInitiative and is supported by the culture2culture association, which - originally under the name XX-films - was launched in 1994. From 2001 to 2018 the festival ran under the name Tricky Women , since 2019 it has operated under the name Tricky Women / Tricky Realities. Since the 2003 edition, Grausgruber and Wagner have been running the festival together. Until 2007 Tricky Women was held every two years, since 2008 it has been held annually. The festival period at the beginning of March was chosen because of the close proximity to International Women's Day .
Sections
In terms of content, Tricky Women / Tricky Realities focuses on animated films and the filmmaking of Austrian and international filmmakers. The festival is divided into different sections: international competition, retrospective, programs on various topics such as “ Fair Play & Equity ”, animated documentaries, feature films, the Austria panorama as well as annually revised country focal points and specials.
There are also exhibitions, workshops and lectures. Numerous film artists and curators are invited to the festival every year, including Signe Baumane , Caroline Leaf , Jayne Pilling , Maureen Furniss, Julie Roy, Vera Neubauer , Mara Mattuschka , Marjut Rimminen, Judith Gruber-Stitzer , Janet Perlman , Marguerite Abouet and Nina Paley .
An established program of the festival is the best practice afternoon, during which filmmakers, theorists, curators and industry representatives exchange ideas with one another through lectures and workshops, report on their work experience and analyze different aspects of both animation filmmaking and the positions of women in the film business.
Cooperations
Film institutions and film schools with which Tricky Women is in regular contact are the National Film Board of Canada , Bonobo Studio Zagreb, the Royal College of Art , the National Film and Television School , the Lucerne University of Applied Sciences and Arts , the School of Visual Arts , the University of Applied Arts , the Higher Graphic Education and Research Institute Vienna, the Tomáš Ba -a University in Zlín and the Bezalel Academy of Arts and Design . There is also a cooperation with the "kinovi [sie] on" in Innsbruck's Leokino Cinematograph . In 2013 Tricky Women was represented with a film program at the Tehran International Animation Festival.
Since 2014, a program curated by Tricky Women with animated films by Austrian filmmakers has been touring the world in cooperation with the Federal Ministry for Europe, Integration and Foreign Affairs . “From Love to Transformation - Current Animations by Austrian Artists” has been shown in Manila , Helsinki , Valencia , Istanbul , Madrid , Nicosia , Rome , Cairo , Ankara and Mongolia . The second part of the series was initiated in 2016. Under the title "Turbulent Times & Familiar Places", this program brings together animated films by Maria Weber, Anna Vasof, Gudrun Krebitz, Amelie Loy, Xenia Ostrovskaya, Nikki Schuster, Verena Hochleitner & Ulrike Swoboda-Ostermann, Anne Zwiener, Susi Jirkuff, LIA, Ingrid Gaier and Katharina Petsche.
Festival cinemas
- 2001–2003 votive cinema
- 2005–2012 top cinema
- 2013–2014 English Cinema Haydn
- 2015–2019 Metro Kinokulturhaus
Prices
| TRICKY WOMEN / TRICKY REALITIES Prize provided by VdFS and The Grand Post (2019) or VdFS and Sawczynski & Partner OG (2018) | ||
|---|---|---|
| year | Director | Movie title |
| 2018 | Niki Lindroth from Bahr | Min Börda / The Burden |
| 2019 | Marta Pajek | III |
| Tricky Women Prize of the City of Vienna | ||||
|---|---|---|---|---|
| year | Director | Movie title | ||
| 2001 | Joanna Priestley Michèle Cournoyer |
Surface Dive Le Chapeau / The Hat |
||
| 2003 | Ruth Lingford Gaëlle Denis |
The Old Fools Fish Never Sleep |
||
| 2005 | Gaëlle Denis | City Paradise | ||
| 2007 | Laura Neuvonen Regina Pessoa |
Kutoja / The Last Knit Història Trágica Com Final Feliz / Tragic Story With Happy Ending |
||
| 2008 | Sarah Cox | Don't Let It All Unravel | ||
| 2009 | Izibene Oñederra | Hezurbeltzak | ||
| 2010 | Signe Baumane | Birth | ||
| 2011 | Elli Vuorinen | Kielitiettyni / The Tongueling | ||
| 2012 | Marta Pajek | Snepowina / Sleepincord | ||
| 2013 | Julia Ocker | Basement child | ||
| 2014 | Ana Nedeljković & Nikola Majdak Jr. | Rabbitland | ||
| 2015 | Veronika Obertová & Michaela Čopíková (Ové Pictures) | Nina | ||
| 2016 | Phuong Mai Nguyen | Chez moi / My Home | ||
| 2017 | Dina Velikovskaya | Кукушка / Kukuschka | ||
| 3-month work grant from the artist-in-residence program quartier21 / MuseumsQuartier | ||||
|---|---|---|---|---|
| year | Director | Movie title | ||
| 2003 | Marketa Placha | Glosa / Gloss and Solo Mutant | ||
| 2005 | Anna Kalus | As you wish | ||
| 2007 | Maryam Mohajer | The Girl With Short Hair | ||
| 2008 | Elizabeth Hobbs | The Old, Old, Very Old Man | ||
| 2009 | Delphine Hermans | L'enveloppe jaune / The Yellow Envelope | ||
| 2010 | Linde Faas | Volgens De Vogels / According To Birds | ||
| 2011 | Michaela Müller | Miramare | ||
| 2012 | Andrea Schneider | De Roni / Roni | ||
| 2013 | Jenni Rahkonen | Hänen Tilanne / When One Stops | ||
| 2014 | Noa Evron | Underneath the Refuge | ||
| 2015 | Kasia Nalewayka | Pineapple calamari | ||
| 2016 | Moïa Jobin-Paré | 4min15 in révélateur / 4min15 in the developer | ||
| 2017 | Marta Pajek | Figury niemozliwe i inne historie II / Impossible figures and other stories II | ||
| 2018 | Rachel Gutgarts | A Loveletter To The One I Made Up | ||
| 2019 | Renee Zhan | Reneepoptosis | ||
| NeoTel price | ||||
|---|---|---|---|---|
| year | Director | Movie title | ||
| 2016 | Nina Gantz | Edmond | ||
| 2017 | Dahee Jeong | The Empty | ||
| 2018 | Sofía Carrillo | Cerulia | ||
| 2019 | Nienke Deutz | Bloeistraat 11 | ||
| Sawczynski Audience Award | ||||
|---|---|---|---|---|
| year | Director | Movie title | ||
| 2008 | Špela Čadež | Lovesick / Lovesick | ||
| 2009 | Nicole Mitchell | Zoologic | ||
| 2010 | Shira Avni | Tying Your Own Shoes | ||
| 2011 | Joanna Rubin Dranger | Fröken Märkvärdig & Karriären / Miss Remarkable And Her Career | ||
| 2012 | Joanna Lurie | Le silence sous l'écorce / The Silence Beneath The Bark | ||
| 2013 | Maryam Kashkoolinia | tunnel | ||
| 2014 | Anete Melece | The kiosk | ||
| 2015 | Alexandra Hetmerová | Mythopolis | ||
| 2016 | Marie-Christine Courtès | Sous tes doigts / Under your Fingers | ||
| 2017 | Renata Gasiorowska | Cipka / pussy | ||
| 2018 | Niki Lindroth from Bahr | Min Börda / The Burden | ||
| 2019 | Martina Scarpelli | Egg | ||
| Hubert Sielecki Prize for an experimental Austrian animation | ||||
|---|---|---|---|---|
| year | Director | Movie title | ||
| 2009 | Brigitte Höfler | The Shadow of Thought | ||
| 2010 | Veronika Schubert | Ink killer | ||
| 2011 | Adele Raczkövi | Looking for love | ||
| 2012 | Mirjam Baker & Michael Kren | The back room | ||
| 2013 | Edith Stauber | After treatment | ||
| 2014 | Lucyna Kolendo & Remo Rauscher | Tremolo Non Troppo | ||
| 2015 | Maria Chalela-Puccini | An educated woman | ||
| 2016 | Anna Vasof | Machine | ||
| 2017 | Nikki Schuster | Mexico Recyclers | ||
| 2018 | Evelyn Kreinecker | Paths / lanes | ||
| 2019 | Ani Antonova | The Outlander | ||
| Synchro Video Film & Video Material Price | ||||
|---|---|---|---|---|
| year | Director | Movie title | ||
| 2001 | Rita Küng | La Difference | ||
| 2003 | Alys Hawkins | Crying and wanking | ||
| 2007 | Sabine Groschup Klara Swantesson |
Gugug Tillväxtsjukan / Radicalized |
||
| 2008 | Marika Heidebäck | Holly Hallonsten Ger Ingen / Holly Get's Even | ||
| 2009 | Denise Hauser | Copy City | ||
| 2010 | Stéphanie Lansaque & François Leroy | Mei Ling | ||
| 2011 | Anita Killi | Sinna Mann / Angry Man | ||
| 2012 | Caro Estrada | Typewriter | ||
| 2013 | Mariola Brillowska | The allergy test | ||
| 2014 | Michelle & Uri Kranot | Hollow Land | ||
| 2015 | Yantong Zhu | My Milk Cup Cow | ||
| British Bookshop Audience Award | ||||
|---|---|---|---|---|
| year | Director | Movie title | ||
| 2007 | Regina Pessoa | Història Trágica Com Final Feliz / Tragic Story With Happy Ending | ||
See also
literature
- Birgitt Wagner, Waltraud Grausgruber (Eds.): Tricky Women. Animated FilmArt by Women / Women in Animation. Schüren, Marburg 2011.
Web links
Individual evidence
- ↑ Tricky Women / Tricky Realities 2019. Retrieved July 18, 2019 .
- ↑ The animated film festival Tricky Women / Tricky Realities looks to China. March 13, 2019, accessed July 18, 2019 .
- ↑ About us. Tricky Women / Tricky Realities, accessed June 26, 2019 .
- ^ Program booklet On Love for Transformation - Current Animations by Austrian Artists (PDF), accessed on June 17, 2015
- ^ Program booklet Turbulent Times & Familiar Places (PDF) accessed on April 14, 2016