Yidl mitn Fidl

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Movie
German title Jidl with the fiddle
Original title Yidl mitn Fidl,
אידל מיטן פֿידל
Yiddlemitnfid.jpg
Country of production USA , Poland
original language Yiddish
Publishing year 1936
length 92 minutes
Rod
Director Joseph Green
Jan Nowina-Przybylski
script Joseph Green
Konrad Tom (book)
production Joseph Green
music Abraham Ellstein ,
lyrics by Itzik Manger
camera Jakob Jonilowicz
occupation
Yidlfidl.jpg

Yidl mitn Fidl ( Yiddish אידל מיטן פֿידל, [jid'l mit'n fid'l], Polish Judel gra na skrzypcach , English title Yiddle with His Fiddle , German Jidl with the fiddle ) is a film shot in Kazimierz Dolny and Warsaw in 1936 American-Polish Yiddish film with the American-Jewish actress Molly Picon in a trouser role in the lead role. The musical comedy was produced by actor Joseph Green, who also co-directed with Jan Nowina-Przybylski and wrote the screenplay based on a story by Konrad Tom. The music is by Abraham Ellstein , the lyrics by Itzik Manger .

action

The destitute widower Arie and his daughter Itke are chased out of their house and have to hire themselves out as street musicians. For safety reasons, the daughter dresses up as a boy Jidl. On the way they meet two musicians, Isaak and Froim, with whom they move on together. Jidl falls in love with Froim, who also plays the violin, who she thinks has fallen in love with Teibele, an unhappy bride at whose wedding the musicians play and who helps Jidl to escape. Teibele's talent as a singer is discovered in Warsaw, but she disappears before her first appearance. In her place Jidl appears involuntarily, who becomes famous and at the end of the mistaken comedy after years on the crossing to America finds her lost lover Froim.

The film takes a critical look at various anti-Semitic stereotypes . The image of the effeminate Jewish man , which was widespread among anti-Semites at the time, especially propagated by Otto Weininger , is caricatured by the woman disguised as a little Jew (Jidl) and refuted in the portrayal of Froim as the epitome of masculinity, as are prejudices that Jews do not drink alcohol, cannot swim, are not interested in agriculture and shy away from settling down.

background

The film, which cost around US $ 50,000, was released in September 1936 in Poland at the end of the year on Broadway in New York . It was the first internationally successful Yiddish film and was shown worldwide. The film received consistently very good reviews in the Yiddish press, while the English-language American newspapers were less enthusiastic. The film was even shown in Nazi Germany , where Jewish audiences were no longer allowed to visit conventional cinemas: The Berlin premiere took place on May 2, 1938 at the Jewish Cultural Association ; after that the film was shown in various major German cities. In 1956 , a new English dubbed edition, Castles in the Sky , was performed for a short while in New York.

literature

  • Sylvia Paskin (Ed.): When Joseph Met Molly: A Reader on Yiddish Film . Five Leaves Publications, Nottingham 1999 ISBN 978-0-907123-92-7 (English)

Web links

Individual evidence

  1. Mendele ( Memento of April 8, 2014 in the Internet Archive )
  2. ^ J. Hoberman: Cinema . In: The YIVO Encyclopedia of Jews in Eastern Europe , online edition, accessed June 10, 2011
  3. ^ Warren Hoffman: The passing game: queering Jewish American culture . Syracuse University Press, New York 2009, pp. 75–83 ISBN 0-8156-3202-9 (English)
  4. Michele Aaron: Cinema's Queer Jews: Jewishness and masculinity in Yiddish Cinema . In: Phil Powrie, Ann Davies, Bruce Babington (Eds.): The trouble with men: masculinities in European and Hollywood cinema . Wallflower Press, London 2004, pp. 90–99 ISBN 1-904764-08-8 (English)
  5. Jim Hoberman: Bridge of Light. Yiddish Film Between Two Worlds . Temple University Press, Philadelphia, Penn. 1995, pp. 235–243 ISBN 1-56639-404-X, extracts online (English)
  6. Hoberman, p. 254.
  7. Ernst Offermanns, The German Jews and the feature film of the Nazi era , Peter Lang, 2008. p. 43.
  8. Hoberman, p. 340.