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{{Short description|Brazilian writer}}
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{{Infobox writer
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| nationality = Brazilian
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| education = [[Federal University of Paraná]]
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| alma_mater = [[Federal University of Paraná]]
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'''Dalton Jérson Trevisan''' (born June 14, 1925) is a Brazilian author of [[Short story|short stories]]. He has been described as an "acclaimed short-story chronicler of lower-class mores and popular dramas."<ref>{{cite journal |last=Vieira |first=Nelson H. |date=Winter 1990 |title=World literature in review: Portuguese |journal=World Literature Today |volume=64 |issue=1 |pages=85 |id=9610220281 |quote=As Brazil's acclaimed short-story chronicler of lower-class mores and popular dramas, Dalton Trevisan infuses his twenty-second publication with twenty-two narratives of blood-soaked violence, primarily the domestic kind frequently splashed across lurid tabloids that sensationalize the conjugal warfare between oppressive husbands and oppressed wives. |doi=10.2307/40145842}}<!--|accessdate=October 15, 2008 --></ref> Trevisan won the 2012 [[Prémio Camões]], the leading Portuguese-language author prize, valued at {{currency|100,000|EUR}}.<ref>{{cite web |url=http://portuguese-american-journal.com/literature-brazilian-author-dalton-trevsian-awardedcamoesprize-2012-portugal/ |title=Literature: Brazilian author Dalton Trevisan awarded "Camões Prize" – Portugal |date=22 May 2012 |work=Portuguese American Journal |accessdate=22 May 2012}}</ref>
'''Dalton Jérson Trevisan''' ([[Curitiba]], 14 June 1925) is a Brazilian author of [[Short story|short stories]].<ref>{{Cite web |title=Dalton Jérson Trevisan |url=https://www.recantodasletras.com.br/biografias/235493 |access-date=2023-05-28 |website=Recanto das Letras |language=pt-BR}}</ref> He is described as an "acclaimed short-story chronicler of lower-class mores and popular dramas."<ref>{{cite journal |last=Vieira |first=Nelson H. |date=Winter 1990 |title=World literature in review: Portuguese |journal=World Literature Today |volume=64 |issue=1 |pages=85 |id=9610220281 |quote=As Brazil's acclaimed short-story chronicler of lower-class mores and popular dramas, Dalton Trevisan infuses his twenty-second publication with twenty-two narratives of blood-soaked violence, primarily the domestic kind frequently splashed across lurid tabloids that sensationalize the conjugal warfare between oppressive husbands and oppressed wives. |doi=10.2307/40145842|jstor=40145842 }}<!--|accessdate=October 15, 2008 --></ref> Trevisan won the 2012 [[Prémio Camões]], the leading Portuguese-language author prize, valued at {{currency|100,000|EUR}}.<ref>{{cite web |url=http://portuguese-american-journal.com/literature-brazilian-author-dalton-trevsian-awardedcamoesprize-2012-portugal/ |title=Literature: Brazilian author Dalton Trevisan awarded "Camões Prize" – Portugal |date=22 May 2012 |work=Portuguese American Journal |accessdate=22 May 2012}}</ref><ref>{{Cite web |date=2013-06-23 |title=Trevisan e a batalha na ABL {{!}} Radar on-line - Lauro Jardim - VEJA.com |url=http://veja.abril.com.br/blog/radar-on-line/cultura/trevisan-leva-premio-de-literatura-na-abl-em-disputa-de-bastisdores-entre-academicos/ |access-date=2023-05-28 |archive-url=https://web.archive.org/web/20130623060729/http://veja.abril.com.br/blog/radar-on-line/cultura/trevisan-leva-premio-de-literatura-na-abl-em-disputa-de-bastisdores-entre-academicos/ |archive-date=23 June 2013 }}</ref><ref>{{Cite web |date=2012-05-21 |title=Dalton Trevisan distinguido com o Prémio Camões - Cultura - PUBLICO.PT |url=http://www.publico.pt/Cultura/dalton-trevisan-distinguido-com-o-premio-camoes--1546977 |access-date=2023-05-28 |archive-url=https://web.archive.org/web/20120521155715/http://www.publico.pt/Cultura/dalton-trevisan-distinguido-com-o-premio-camoes--1546977 |archive-date=21 May 2012 }}</ref>


His short stories are inspired in the daily life of his home city of [[Curitiba]], though featuring characters and situations of universal meaning. His extremely concise and refined tales have been called "[[Haiku]]s in [[prose]]". They are often based on dialogue, using a popular language, and underline the torturing and absurd aspects of everyday life. Often brutal, his narratives can be considered the reverse of moral tales, exposing a culture of perversion and violence underlying middle class [[hypocrisy]].<ref>Oxford Anthology of the Brazilian Short Story</ref>
His short stories are inspired in the daily life of his home city of [[Curitiba]], though featuring characters and situations of universal meaning. His extremely concise and refined tales have been called "[[Haiku]]s in [[prose]]". They are often based on dialogue, using a popular language, and underline the torturing and absurd aspects of everyday life. Often brutal, his narratives can be considered the reverse of moral tales, exposing a culture of perversion and violence underlying middle class [[hypocrisy]].<ref>''Oxford Anthology of the Brazilian Short Story''.</ref>


{{As of|2012}}, only one of his books has been translated into English, ''The Vampire of Curitiba'', in 1972.<ref>{{cite web |url=http://www.complete-review.com/saloon/archive/201205c.htm#bw5 |title=Prize: Prémio Camões |work=Literary Saloon |publisher=[[complete review]] |date=22 May 2012 |accessdate=22 May 2012}}</ref>
As of 2021, only two of his books have been translated into English, ''Novels Not at All Exemplary'' and ''The Vampire of Curitiba'', both in 1972 by translator [[Gregory Rabassa]].<ref>{{Cite journal |last=Lopes |first=Liliane Mantovani |date=2021-03-03 |title=Uma análise da tradução para o inglês de vocábulos recorrentes e preferenciais nas obras Novelas Nada Exemplares e O Vampiro de Curitiba, de Dalton Trevisan, à luz dos estudos da tradução baseados em corpus |url=https://repositorio.unesp.br/handle/11449/204224}}</ref>

His reclusive behavior, added to his longevity and the content of his work, gave him the nickname "'''The Vampire of Curitiba'''".<ref>{{Cite web |title=15/06/2022 - Aniversário de Dalton Trevisan: O vampiro de Curitiba |url=https://www.revistamuseu.com.br/site/br/o-escriba/14464-15-06-2022-aniversario-de-dalton-trevisan-o-vampiro-de-curitiba.html |access-date=2022-08-25 |website=www.revistamuseu.com.br}}</ref>


He graduated from the [[Federal University of Paraná]] in legal studies but seldom worked in the law profession.<ref>{{cite news | url=http://www1.folha.uol.com.br/ilustrada/2015/05/1625543-timido-ao-ser-abordado-em-publico-dalton-trevisan-afirma-nao-ser-quem-e.shtml | title=Tímido ao ser abordado em público, Dalton Trevisan afirma não ser quem é | first=Marco Rodrigo | last=Almeida | date=7 May 2016 | newspaper=Folha de S. Paulo | accessdate=3 July 2016 }}</ref>
He graduated from the [[Federal University of Paraná]] in legal studies but seldom worked in the law profession.<ref>{{cite news | url=http://www1.folha.uol.com.br/ilustrada/2015/05/1625543-timido-ao-ser-abordado-em-publico-dalton-trevisan-afirma-nao-ser-quem-e.shtml | title=Tímido ao ser abordado em público, Dalton Trevisan afirma não ser quem é | first=Marco Rodrigo | last=Almeida | date=7 May 2016 | newspaper=Folha de S. Paulo | accessdate=3 July 2016 }}</ref>

== ''Joaquim'' ==
Dalton Trevisan was the editor of a [[magazine]] called ''Joaquim'' (Portuguese: Revista Joaquim), which put [[Paraná (state)|Paraná]] on the map of Brazilian literary discussions in the 1940s. The magazine had a total of 21 issues and circulated between April 1946 and December 1948. ''Joaquim'' was responsible for the first publication in Portuguese of texts by [[T. S. Eliot|T. S. Eliot]], [[Franz Kafka]], [[Louis Aragon]], [[Tristan Tzara]], [[Federico García Lorca|Garcia Lorca]], [[Rainer Maria Rilke]], [[André Gide]] and [[Jean-Paul Sartre|Jean Paul Sartre]]. Among the sporadic contributors to the magazine it is possible to list [[Vinicius de Moraes|Vinícius de Moraes]], [[Carlos Drummond de Andrade]], [[Mário de Andrade|Mario de Andrade]], [[Oswald de Andrade]] and [[Antonio Candido|Antônio Cândido]]. The name "Joaquim" was chosen as a common, proximate and universal name in Brazil.

''Joaquim''<nowiki/>'s pages displayed original artwork by plastic artists such as [[Candido Portinari]], [[Emiliano Di Cavalcanti|Di Cavalcanti]], Guido Viaro and [[Poty Lazzarotto]]. Lazzarotto would remain a great editorial partner of Trevisan in the following decades.<ref>{{Cite web |title=Imprensa: Curitiba revisitada |url=https://www.bpp.pr.gov.br/Candido/Pagina/Imprensa-Curitiba-revisitada |access-date=2022-08-25 |website=Biblioteca Pública do Paraná |language=pt-br}}</ref>


==Works==
==Works==
{{div col|2}}
{{Div col}}
* ''Abismo de Rosas'' (1976)
* ''Abismo de Rosas'' (1976)
* ''Ah, É?'' (1994)
* ''Ah, É?'' (1994)
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==References==
==References==
{{Reflist}}
{{Reflist|30em}}


==External links==
==External links==
* [http://www.releituras.com/daltontrevisan_bio.asp Projeto Releitura] (in Portuguese)
* [http://www.releituras.com/daltontrevisan_bio.asp Projeto Releitura] {{Webarchive|url=https://web.archive.org/web/20200601105148/http://www.releituras.com/daltontrevisan_bio.asp |date=1 June 2020 }} (in Portuguese)
* [https://books.google.com/books?id=np_Cdps7IfYC&pg=PA378&lpg=PA378&dq=dalton+trevisan+brazilian+writer&source=bl&ots=RUOMlaEFFC&sig=ugiMgahtuJkv8tmf1kzgOoCGKdw&hl=pt-BR&sa=X&oi=book_result&resnum=7&ct=result Oxford Anthology of the Brazilian Short Story]
* [https://books.google.com/books?id=np_Cdps7IfYC&dq=dalton+trevisan+brazilian+writer&pg=PA378 Oxford Anthology of the Brazilian Short Story]
* [http://www.soundsandcolours.com/articles/brazil/the-rise-of-modern-literature-in-southern-brazil/ The Rise of Modern Literature in Southern Brazil]
* [http://www.soundsandcolours.com/articles/brazil/the-rise-of-modern-literature-in-southern-brazil/ The Rise of Modern Literature in Southern Brazil] {{Webarchive|url=https://web.archive.org/web/20100822072257/http://www.soundsandcolours.com/articles/brazil/the-rise-of-modern-literature-in-southern-brazil/ |date=22 August 2010 }}


{{Camões Prize}}
{{Camões Prize}}
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[[Category:1925 births]]
[[Category:1925 births]]
[[Category:Living people]]
[[Category:Living people]]
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[[Category:Brazilian atheists]]
[[Category:People from Curitiba]]
[[Category:People from Curitiba]]
[[Category:Federal University of Paraná alumni]]
[[Category:Federal University of Paraná alumni]]
[[Category:Camões Prize winners]]
[[Category:Camões Prize winners]]
[[Category:20th-century Brazilian male writers]]
[[Category:21st-century Brazilian male writers]]
[[Category:20th-century Brazilian short story writers]]
[[Category:21st-century Brazilian short story writers]]
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[[Category:Brazilian male short story writers]]


{{Brazil-writer-stub}}
{{Brazil-writer-stub}}

Latest revision as of 20:11, 5 January 2024

Dalton Trevisan
Born (1925-06-14) 14 June 1925 (age 98)
Curitiba, Brazil
OccupationWriter
NationalityBrazilian
Alma materFederal University of Paraná

Dalton Jérson Trevisan (Curitiba, 14 June 1925) is a Brazilian author of short stories.[1] He is described as an "acclaimed short-story chronicler of lower-class mores and popular dramas."[2] Trevisan won the 2012 Prémio Camões, the leading Portuguese-language author prize, valued at €100,000.[3][4][5]

His short stories are inspired in the daily life of his home city of Curitiba, though featuring characters and situations of universal meaning. His extremely concise and refined tales have been called "Haikus in prose". They are often based on dialogue, using a popular language, and underline the torturing and absurd aspects of everyday life. Often brutal, his narratives can be considered the reverse of moral tales, exposing a culture of perversion and violence underlying middle class hypocrisy.[6]

As of 2021, only two of his books have been translated into English, Novels Not at All Exemplary and The Vampire of Curitiba, both in 1972 by translator Gregory Rabassa.[7]

His reclusive behavior, added to his longevity and the content of his work, gave him the nickname "The Vampire of Curitiba".[8]

He graduated from the Federal University of Paraná in legal studies but seldom worked in the law profession.[9]

Joaquim[edit]

Dalton Trevisan was the editor of a magazine called Joaquim (Portuguese: Revista Joaquim), which put Paraná on the map of Brazilian literary discussions in the 1940s. The magazine had a total of 21 issues and circulated between April 1946 and December 1948. Joaquim was responsible for the first publication in Portuguese of texts by T. S. Eliot, Franz Kafka, Louis Aragon, Tristan Tzara, Garcia Lorca, Rainer Maria Rilke, André Gide and Jean Paul Sartre. Among the sporadic contributors to the magazine it is possible to list Vinícius de Moraes, Carlos Drummond de Andrade, Mario de Andrade, Oswald de Andrade and Antônio Cândido. The name "Joaquim" was chosen as a common, proximate and universal name in Brazil.

Joaquim's pages displayed original artwork by plastic artists such as Candido Portinari, Di Cavalcanti, Guido Viaro and Poty Lazzarotto. Lazzarotto would remain a great editorial partner of Trevisan in the following decades.[10]

Works[edit]

  • Abismo de Rosas (1976)
  • Ah, É? (1994)
  • A Faca No Coração (1975)
  • A Guerra Conjugal (1969)
  • A Polaquinha (1985) (novel)
  • Arara Bêbada (2004)
  • A Trombeta do Anjo Vingador (1977)
  • Capitu Sou Eu (2003)
  • Cemitério de Elefantes (1964)
  • 111 Ais (2000)
  • Chorinho Brejeiro (1981)
  • Contos Eróticos (1984)
  • Crimes de Paixão (1978)
  • Desastres do Amor (1968)
  • Dinorá – Novos Mistérios (1994)
  • 234 (1997)
  • Em Busca de Curitiba Perdida (1992)
  • Essas Malditas Mulheres (1982)
  • Gente Em Conflito (com Antônio de Alcântara Machado) (2004)
  • Lincha Tarado (1980)
  • Macho não ganha flor (2006)
  • Meu Querido Assassino (1983)
  • Morte na Praça (1964)
  • Mistérios de Curitiba (1968)
  • Noites de Amor em Granada
  • Novelas nada Exemplares (1959)
  • 99 Corruíras Nanicas (2002)
  • O Grande Deflorador (2002)
  • O Pássaro de Cinco Asas (1974)
  • O Rei da Terra (1972)
  • O Vampiro de Curitiba (1965) (The Vampire of Curitiba)
  • Pão e Sangue (1988)
  • Pico na veia (2002)
  • Primeiro Livro de Contos (1979)
  • Quem tem medo de vampiro? (1998)
  • Vinte Contos Menores (1979)
  • Virgem Louca, Loucos Beijos (1979)
  • Vozes do Retrato – Quinze Histórias de Mentiras e Verdades (1998)

References[edit]

  1. ^ "Dalton Jérson Trevisan". Recanto das Letras (in Brazilian Portuguese). Retrieved 28 May 2023.
  2. ^ Vieira, Nelson H. (Winter 1990). "World literature in review: Portuguese". World Literature Today. 64 (1): 85. doi:10.2307/40145842. JSTOR 40145842. 9610220281. As Brazil's acclaimed short-story chronicler of lower-class mores and popular dramas, Dalton Trevisan infuses his twenty-second publication with twenty-two narratives of blood-soaked violence, primarily the domestic kind frequently splashed across lurid tabloids that sensationalize the conjugal warfare between oppressive husbands and oppressed wives.
  3. ^ "Literature: Brazilian author Dalton Trevisan awarded "Camões Prize" – Portugal". Portuguese American Journal. 22 May 2012. Retrieved 22 May 2012.
  4. ^ "Trevisan e a batalha na ABL | Radar on-line - Lauro Jardim - VEJA.com". 23 June 2013. Archived from the original on 23 June 2013. Retrieved 28 May 2023.
  5. ^ "Dalton Trevisan distinguido com o Prémio Camões - Cultura - PUBLICO.PT". 21 May 2012. Archived from the original on 21 May 2012. Retrieved 28 May 2023.
  6. ^ Oxford Anthology of the Brazilian Short Story.
  7. ^ Lopes, Liliane Mantovani (3 March 2021). "Uma análise da tradução para o inglês de vocábulos recorrentes e preferenciais nas obras Novelas Nada Exemplares e O Vampiro de Curitiba, de Dalton Trevisan, à luz dos estudos da tradução baseados em corpus". {{cite journal}}: Cite journal requires |journal= (help)
  8. ^ "15/06/2022 - Aniversário de Dalton Trevisan: O vampiro de Curitiba". www.revistamuseu.com.br. Retrieved 25 August 2022.
  9. ^ Almeida, Marco Rodrigo (7 May 2016). "Tímido ao ser abordado em público, Dalton Trevisan afirma não ser quem é". Folha de S. Paulo. Retrieved 3 July 2016.
  10. ^ "Imprensa: Curitiba revisitada". Biblioteca Pública do Paraná (in Brazilian Portuguese). Retrieved 25 August 2022.

External links[edit]

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