Mildred Lane Kemper Art Museum: Difference between revisions

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{{Infobox museum
{{Infobox museum
|name = Mildred Lane Kemper Art Museum
| name = Mildred Lane Kemper Art Museum
|image =Kemper Art Museum at Wash U.jpg
| image = Kemper Art Museum at Wash U.jpg
|imagesize =
| imagesize =
|caption =
| caption =
|latitude =
| latitude =
|longitude =
| longitude =
|established =
| established =
|location = [[St. Louis, Missouri]]
| location = [[St. Louis, Missouri]]
|type = [[Art museum]]
| type = [[Art museum]]
|visitors =
| visitors =
|director =
| director = [[Sabine Eckmann]]
| publictransit = {{rint|bus|1}} [[MetroBus (St. Louis)|MetroBus]]<br>{{rint|light rail|1}} {{RouteBox|Blue|Blue Line (St. Louis MetroLink)|blue|white|bold=}} at [[Skinker station]]
|curator =[[Sabine Eckmann]]
|website = [http://kemperartmuseum.wustl.edu http://kemperartmuseum.wustl.edu]
| website = [http://kemperartmuseum.wustl.edu http://kemperartmuseum.wustl.edu]
}}The '''Mildred Lane Kemper Art Museum''' is an [[art museum]] located on the campus of [[Washington University in St. Louis]], within the university's [[Sam Fox School of Design & Visual Arts]]. It was founded in 1881 as the [[St. Louis School and Museum of Fine Arts]], and initially located in a building in downtown [[St. Louis, Missouri|St. Louis]]. It is the oldest art museum west of the [[Mississippi River]].<ref name="gallery a">''A Gallery of Modern Art''. Edited by Jane Neidhart, St. Louis: Washington University, 1994.</ref> Its collection was formed in large part by acquiring significant works by artists of the time, a legacy that continues today. The Museum contains strong holdings of 19th-, 20th-, and 21st-century European and American paintings, sculptures, prints, installations, and photographs. The collection also includes some Egyptian and Greek antiquities, [[Old Master print]]s, and the Wulfing Collection of approximately 14,000 ancient Greek, Roman, and Byzantine coins.
}}The '''Mildred Lane Kemper Art Museum''' is an [[art museum]] located on the campus of [[Washington University in St. Louis]], within the university's [[Sam Fox School of Design & Visual Arts]]. Founded in 1881 as the [[St. Louis School and Museum of Fine Arts]], it was initially located in downtown [[St. Louis, Missouri|St. Louis]]. It is the oldest art museum west of the [[Mississippi River]].<ref name="gallery a">''A Gallery of Modern Art''. Edited by Jane Neidhart, St. Louis: Washington University, 1994.</ref> The Museum holds 19th-, 20th-, and 21st-century European and American paintings, sculptures, prints, installations, and photographs. The collection also includes some Egyptian and Greek antiquities and [[Old Master print]]s.


The museum moved to its current home, designed by [[Pritzker Prize]]-winner [[Fumihiko Maki]],<ref>{{cite news| url=http://travel.nytimes.com//2010/06/27/travel/27hours.html | work=The New York Times | first=Dan | last=Saltzstein | title=36 Hours in St. Louis | date=June 24, 2010}}</ref> in 2006.
The museum moved to its current home, designed by [[Pritzker Prize]]-winner [[Fumihiko Maki]],<ref>{{cite news| url=http://travel.nytimes.com//2010/06/27/travel/27hours.html | work=The New York Times | first=Dan | last=Saltzstein | title=36 Hours in St. Louis | date=June 24, 2010}}</ref> in 2006.


In 2018 the museum was closed for renovation as part of a $360 million campus transformation program at [[Washington University in St. Louis]]. One year later it was reopened with a new 34-foot-tall polished stainless-steel facade, a sculpture garden, and a near 50 percent public display space increase.<ref>{{Cite web|url=https://www.bizjournals.com/stlouis/news/2019/09/27/inside-washington-universitys-360m-east-end.html|title=Washington University's East End|website=www.bizjournals.com|access-date=2020-02-11}}</ref><ref>{{Cite web|url=https://source.wustl.edu/2019/03/washington-university-in-st-louis-to-unveil-new-facilities-for-sam-fox-school-of-design-visual-arts-in-fall-2019/|title=New facilities for Sam Fox School of Design & Visual Arts to be unveiled in Fall 2019 {{!}} The Source {{!}} Washington University in St. Louis|date=2019-03-21|website=The Source|language=en-US|access-date=2020-02-11}}</ref>
In 2018 the museum was closed for renovation as part of a $360 million campus transformation program at [[Washington University in St. Louis]]. One year later, it was reopened with a new 34-foot-tall polished stainless-steel facade, a sculpture garden, and nearly 50 percent more public display space.<ref>{{Cite web|url=https://www.bizjournals.com/stlouis/news/2019/09/27/inside-washington-universitys-360m-east-end.html|title=Washington University's East End|website=www.bizjournals.com|access-date=2020-02-11}}</ref><ref>{{Cite web|url=https://source.wustl.edu/2019/03/washington-university-in-st-louis-to-unveil-new-facilities-for-sam-fox-school-of-design-visual-arts-in-fall-2019/|title=New facilities for Sam Fox School of Design & Visual Arts to be unveiled in Fall 2019 {{!}} The Source {{!}} Washington University in St. Louis|date=2019-03-21|website=The Source|language=en-US|access-date=2020-02-11}}</ref>


==Founding and early years==
==Founding and early years==
The museum was established in 1881 as part of Washington University in St. Louis, under the name of the St. Louis School and Museum of Fine Arts. [[Halsey C. Ives]] served as the museums first director, and during his tenure, the collection focused on contemporary American artists, notably [[William Merritt Chase]].
The museum was established in 1881 as part of Washington University in St. Louis, under the name of the St. Louis School and Museum of Fine Arts. [[Halsey C. Ives]] was the museum's first director, and during his tenure, the collection focused on contemporary American artists, notably [[William Merritt Chase]].


In 1905, St. Louis banker Charles Parsons donated his private collection to the museum; this donation included pieces by [[Frederic Edwin Church]], and established the museum as a major holder of contemporary American art.
In 1905, St. Louis banker Charles Parsons donated his private collection to the museum. This collection, which included pieces by [[Frederic Edwin Church]], established the museum as a major holder of contemporary American art.


In 1906, the museum was relocated to the Palace of Fine Arts in [[Forest Park (St. Louis)|Forest Park]], where it was housed until 1909. In that year, the [[Saint Louis Art Museum|City Museum of Art]] was formed, and began to acquire works separately from the private university collection. The university collection would remain "on loan" to the public museum until 1960.
In 1906, the museum was moved to the Palace of Fine Arts in [[Forest Park (St. Louis)|Forest Park]], where it was housed until 1909, at which time its value was formally appraised at $700,000 (${{formatnum:{{Inflation|US|700000|1909|r=-5}}}} today{{Inflation-fn|US}}). In that year, the [[Saint Louis Art Museum|City Museum of Art]] was formed, and began to acquire its own artwork funded from a unique civic tax levy, separately from the private university collection. Large parts of the university collection would remain "on loan" to the public museum until 1960.
[[File:Eliasson Your Imploded View.tif|alt=Olafur Eliasson, Your Imploded View, 2001.|thumb|262x262px|Olafur Eliasson's kinetic sculpture ''Your Imploded View'' (2001) is permanently on display in the foyer of the Mildred Lane Kemper Art Museum. The foyer's ceiling was specially reinforced to support the installation's weight.]]


[[File:Eliasson Your Imploded View.tif|alt=Olafur Eliasson, Your Imploded View, 2001.|thumb|262x262px|Olafur Eliasson's kinetic sculpture ''Your Imploded View'' (2001) on display in the foyer of the Mildred Lane Kemper Art Museum, hanging from a specially reinforced ceiling.]]
==The Janson Years==

In 1941, [[H.W. Janson]] joined the museum and began to focus on collecting contemporary European artwork, particularly examples of [[Cubism]], [[Expressionism]] and [[Surrealism]]. In order to finance this project, he organized the sale of over 600 objects. Notable acquisitions during this period include works by [[Pablo Picasso]], [[Max Ernst]] and [[Juan Gris]]. Janson also arranged for a permanent home for the museum's collection, and in 1960, the museum moved to Steinberg Hall, located on the main university campus. At this time, the museum was also renamed as the Washington University Gallery of Art.
As of the end of 1931, the university's collection of art was extensive, valuable, nameless, and homeless. Its assets included the Charles Parsons collection plus works by Chase, [[Frederic Remington]], [[Anders Zorn]], [[Rosa Bonheur]], and many others. All these were either loaned to the city Art Museum, on display somewhere on campus, shown in [[George R. Throop|Chancellor Throop]]'s home, or stored. The collection's value was estimated at $1,000,000, ranking with those of Harvard, Princeton, and Yale.<ref>{{cite news |title=W.U. Has $1,000,000 Art Objects but No Place to Put Them |url=https://www.newspapers.com/image/573253854 |access-date=3 July 2021 |publisher=St. Louis Globe-Democrat |date=27 December 1931}}</ref>

==The Janson years==

In 1941, the Russian-born German-American professor of art history [[H.W. Janson]] joined the university as professor in the [[St. Louis School of Fine Arts]], and, as a separate task, guided a renewal of the art collection with a new focus on contemporary European artwork, particularly in acquiring works of [[Cubism]], [[Expressionism]] and [[Surrealism]].

Janson's plan to sell popular canvases such as [[Frederic Remington]]'s ''A Dash for the Timber'' at the New York galleries of the [[Samuel Kende|Kende family]] drew comment from the local paper, wondering why St. Louisans had not been given preference.<ref>{{cite news |title=Washington U. Sale of Painting Open to St. Louis Bidders |url=https://www.newspapers.com/image/573436232/ |access-date=25 June 2021 |publisher=St. Louis Globe-Democrat |date=29 April 1945}}</ref> Janson sold 120 artworks, retained 80, and acquired 40 works by European modernists through the Kende Galleries:<ref>{{cite book |last1=Gammom |first1=Martin |title=Deaccessioning and Its Discontents: A Critical History |date=6 November 2018 |page=290 |publisher=MIT Press |isbn=9780262345217 |url=https://books.google.com/books?id=BLZyDwAAQBAJ&pg=PA290 |access-date=25 June 2021}}</ref> [[Paul Klee]], [[Juan Gris]], [[Theo van Doesburg]].<ref>{{cite web |title=About the Collection |url=https://www.kemperartmuseum.wustl.edu/collection |website=Kemper Art Museum |access-date=25 June 2021}}</ref>

Janson also arranged for a permanent home for the museum's collection. He departed in 1948, but in 1960, the museum moved to Steinberg Hall, located on the main university campus. At this time, the museum was also renamed as the Washington University Gallery of Art.


== Recent ==
== Recent ==
Line 43: Line 51:
The Sam Fox School is dedicated to the creation, study, and exhibition of multidisciplinary and collaborative work with an emphasis on fostering creativity and intellectual exchange.
The Sam Fox School is dedicated to the creation, study, and exhibition of multidisciplinary and collaborative work with an emphasis on fostering creativity and intellectual exchange.


== Exhibits ==
== Exhibits and collection ==
[[File:George Caleb Bingham - Daniel Boone escorting settlers through the Cumberland Gap.jpg|right|thumb|''Daniel Boone Escorting Settlers through the Cumberland Gap''|263x263px]]
The Mildred Lane Kemper Art Museum has four exhibition spaces: the Barney A. Ebsworth Gallery, Garen Gallery, Bernoudy Permanent Collection Gallery, and teaching gallery. Some exhibitions include ''To See Without Being Seen: Contemporary Art and Drone Warfare, [[Rashid Johnson]]: Message to Our Folks,'' and ''Notations: Contemporary Drawing as Idea and Process.''
The Mildred Lane Kemper Art Museum has four exhibition spaces: the Barney A. Ebsworth Gallery, Garen Gallery, Bernoudy Permanent Collection Gallery, and teaching gallery. Some exhibitions include ''To See Without Being Seen: Contemporary Art and Drone Warfare, [[Rashid Johnson]]: Message to Our Folks,'' and ''Notations: Contemporary Drawing as Idea and Process.''


The permanent collection of the museum, exhibited on its top floor and within the Florence Steinberg Weil Sculpture Garden, includes extensive representation by 19th, 20th and 21st Century works.
The permanent collection of the museum, on the top floor, includes original works such as ''Daniel Boone Escorting Settlers through the Cumberland Gap'', painted by [[George Caleb Bingham]].<ref>{{cite web|url=http://kemperartmuseum.wustl.edu/collections/artwork.asp?accnum=WU%202171|title=Daniel Boone Escorting Settlers through the Cumberland Gap|work=Mildred Lane Kemper Art Museum|access-date=January 31, 2009|url-status=dead|archive-url=https://web.archive.org/web/20060828200116/http://kemperartmuseum.wustl.edu/collections/artwork.asp?accnum=WU%202171|archive-date=August 28, 2006}}</ref>

<gallery class="center">
File:El Greco - Resurrection, Kemper Art Museum 16056.jpg|[[El Greco]], ''Resurrection'', 1600–05
File:Aelbert Cuyp - Cows with a Milkmaid in a Farmyard.jpg|[[Aelbert Cuyp]], ''Cows with a Milkmaid in a Farmyard'', 1650
File:Thomas Cole Aqueduct near Rome.jpg|[[Thomas Cole]], ''Aqueduct near Rome'', 1832
File:George Caleb Bingham - Daniel Boone escorting settlers through the Cumberland Gap.jpg|[[George Caleb Bingham]], ''Daniel Boone Escorting Settlers Through the Cumberland Gap'', 1851–52
File:Frederic Edwin Church - Sierra Nevada de Santa Marta.jpg|[[Frederic Edwin Church]], ''Sierra Nevada de Santa Marta'', 1883
File:Joaquin Sorolla y Bastida - Another Marguerite.JPG|[[Joaquin Sorolla y Bastida]], ''Another Marguerite!'', 1892
File:Edvard Munch - Irmgard Steinbart.jpg|[[Edvard Munch]], ''Portrait of Irmgard Steinbart'', 1913
File:George Bellows - Garaldine Lee, No. 1 (1914).jpg|[[George Bellows]], ''Portrait of Garaldine Lee, No. 1'', 1914
File:Theo van Doesburg Composition VII (the three graces).jpg|[[Theo van Doesburg]], ''Composition VII (The Three Graces)'', 1917
File:Les artistes mit Gemüse .jpg|[[Max Beckmann]], ''Les Artistes mit Gemüse (Artists with Vegetable)'', 1943
File:Golden Brown Painting.jpg|[[Arshile Gorky]], ''Golden Brown Painting'', 1943–44
</gallery>


== Newman Money Museum ==
== Newman Money Museum ==
The Newman Money Museum opened October 25, 2006 on the bottom floor of the Mildred Lane Kemper Art Museum. The museum includes an exhibition space as well as a [[numismatics]] library and scholarly work space.<ref>{{Cite web|url=http://news.stlpublicradio.org/post/evelyn-edison-newman-creative-philanthropist-made-it-fun-others-contribute#stream/0|title=Evelyn Edison Newman: Creative philanthropist made it fun for others to contribute|last=Duffy|first=Robert W.|access-date=2016-08-26}}</ref> The collection was donated by American numismatist [[Eric P. Newman]] and his wife [[Evelyn (Edison) Newman|Evelyn Newman]], containing a broad array of coin and paper money, but primarily focusing on Colonial and early American money. The museum is curated by [[Tom Serfass]] and also features items documenting [[Benjamin Franklin|Benjamin Franklin's]] role as a figure of early American Colonial paper money. Exhibits have also focused on lasting influence of Spanish specie coinage, depiction of women and African-Americans on money, and creation and production of money including sketches, a collection of coin counters and changers, and rare examples of printing errors.<ref>{{Cite web|url=https://source.wustl.edu/2006/10/newman-money-museum-to-open-at-washington-university-in-st-louis-oct-25/|title=Newman Money Museum to open at Washington University in St. Louis Oct. 25 {{!}} The Source {{!}} Washington University in St. Louis|date=2006-10-17|language=en-US|access-date=2016-08-26}}</ref>
The Newman Money Museum opened October 25, 2006 on the bottom floor of the Mildred Lane Kemper Art Museum. The museum includes an exhibition space as well as a [[numismatics]] library and scholarly work space.<ref>{{Cite web|url=http://news.stlpublicradio.org/post/evelyn-edison-newman-creative-philanthropist-made-it-fun-others-contribute#stream/0|title=Evelyn Edison Newman: Creative philanthropist made it fun for others to contribute|last=Duffy|first=Robert W.|access-date=2016-08-26}}</ref> The collection was donated by American numismatist [[Eric P. Newman]] and his wife [[Evelyn (Edison) Newman|Evelyn Newman]], containing a broad array of coin and paper money, but primarily focusing on Colonial and early American money. The museum is curated by [[Tom Serfass]] and also features items documenting [[Benjamin Franklin]]'s role as a figure of early American Colonial paper money. Exhibits have also focused on lasting influence of Spanish specie coinage, depiction of women and African-Americans on money, and creation and production of money including sketches, a collection of coin counters and changers, and rare examples of printing errors.<ref>{{Cite web|url=https://source.wustl.edu/2006/10/newman-money-museum-to-open-at-washington-university-in-st-louis-oct-25/|title=Newman Money Museum to open at Washington University in St. Louis Oct. 25 {{!}} The Source {{!}} Washington University in St. Louis|date=2006-10-17|language=en-US|access-date=2016-08-26}}</ref> The Newman Money Museum closed in 2018 with the expansion of the Kemper Art Museum.<ref>{{Cite web|date=2018-05-03|title=Mildred Lane Kemper Art Museum to close May 22 for expansion {{!}} The Source {{!}} Washington University in St. Louis|url=https://source.wustl.edu/2018/05/mildred-lane-kemper-art-museum-to-close-may-22-for-expansion/|access-date=2021-07-23|website=The Source|language=en-US}}</ref>


==Notes==
==Notes==
Line 56: Line 77:


==References==
==References==
*''A Gallery of Modern Art''. Joseph Kettner. Washington University: St. Louis, 1994.
*''A Gallery of Modern Art''. Joseph Kettner. Washington University in St. Louis, 1994.


== External links ==
== External links ==
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[[Category:Modernist architecture in Missouri]]
[[Category:Modernist architecture in Missouri]]
[[Category:Institutions accredited by the American Alliance of Museums]]
[[Category:Institutions accredited by the American Alliance of Museums]]
[[Category:Art museums in Missouri]]
[[Category:Art museums and galleries in Missouri]]
[[Category:University museums in Missouri]]
[[Category:University museums in Missouri]]
[[Category:Washington University in St. Louis campus]]
[[Category:Washington University in St. Louis campus]]
[[Category:Art museums established in 1881]]
[[Category:Art museums and galleries established in 1881]]
[[Category:1881 establishments in Missouri]]
[[Category:1881 establishments in Missouri]]
[[Category:Kemper family]]
[[Category:Kemper family]]

Latest revision as of 11:56, 25 January 2024

38°38′50″N 90°18′10″W / 38.647101°N 90.302757°W / 38.647101; -90.302757

Mildred Lane Kemper Art Museum
Map
LocationSt. Louis, Missouri
TypeArt museum
DirectorSabine Eckmann
Public transit accessBus interchange MetroBus
Light rail interchange  Blue  at Skinker station
Websitehttp://kemperartmuseum.wustl.edu

The Mildred Lane Kemper Art Museum is an art museum located on the campus of Washington University in St. Louis, within the university's Sam Fox School of Design & Visual Arts. Founded in 1881 as the St. Louis School and Museum of Fine Arts, it was initially located in downtown St. Louis. It is the oldest art museum west of the Mississippi River.[1] The Museum holds 19th-, 20th-, and 21st-century European and American paintings, sculptures, prints, installations, and photographs. The collection also includes some Egyptian and Greek antiquities and Old Master prints.

The museum moved to its current home, designed by Pritzker Prize-winner Fumihiko Maki,[2] in 2006.

In 2018 the museum was closed for renovation as part of a $360 million campus transformation program at Washington University in St. Louis. One year later, it was reopened with a new 34-foot-tall polished stainless-steel facade, a sculpture garden, and nearly 50 percent more public display space.[3][4]

Founding and early years[edit]

The museum was established in 1881 as part of Washington University in St. Louis, under the name of the St. Louis School and Museum of Fine Arts. Halsey C. Ives was the museum's first director, and during his tenure, the collection focused on contemporary American artists, notably William Merritt Chase.

In 1905, St. Louis banker Charles Parsons donated his private collection to the museum. This collection, which included pieces by Frederic Edwin Church, established the museum as a major holder of contemporary American art.

In 1906, the museum was moved to the Palace of Fine Arts in Forest Park, where it was housed until 1909, at which time its value was formally appraised at $700,000 ($23,700,000 today[5]). In that year, the City Museum of Art was formed, and began to acquire its own artwork funded from a unique civic tax levy, separately from the private university collection. Large parts of the university collection would remain "on loan" to the public museum until 1960.

Olafur Eliasson, Your Imploded View, 2001.
Olafur Eliasson's kinetic sculpture Your Imploded View (2001) on display in the foyer of the Mildred Lane Kemper Art Museum, hanging from a specially reinforced ceiling.

As of the end of 1931, the university's collection of art was extensive, valuable, nameless, and homeless. Its assets included the Charles Parsons collection plus works by Chase, Frederic Remington, Anders Zorn, Rosa Bonheur, and many others. All these were either loaned to the city Art Museum, on display somewhere on campus, shown in Chancellor Throop's home, or stored. The collection's value was estimated at $1,000,000, ranking with those of Harvard, Princeton, and Yale.[6]

The Janson years[edit]

In 1941, the Russian-born German-American professor of art history H.W. Janson joined the university as professor in the St. Louis School of Fine Arts, and, as a separate task, guided a renewal of the art collection with a new focus on contemporary European artwork, particularly in acquiring works of Cubism, Expressionism and Surrealism.

Janson's plan to sell popular canvases such as Frederic Remington's A Dash for the Timber at the New York galleries of the Kende family drew comment from the local paper, wondering why St. Louisans had not been given preference.[7] Janson sold 120 artworks, retained 80, and acquired 40 works by European modernists through the Kende Galleries:[8] Paul Klee, Juan Gris, Theo van Doesburg.[9]

Janson also arranged for a permanent home for the museum's collection. He departed in 1948, but in 1960, the museum moved to Steinberg Hall, located on the main university campus. At this time, the museum was also renamed as the Washington University Gallery of Art.

Recent[edit]

Recently, the museum has continued to focus on the acquisition of contemporary works, including pieces by Jackson Pollock, Robert Rauschenberg and Jenny Holzer. In 2004, the museum was again renamed, this time as the Mildred Lane Kemper Art Museum, as a division of the new Sam Fox School of Visual Art and Design. Two years later, in 2006, the museum moved to a new building adjacent to the old Steinberg Hall. The 65,000-square-foot (6,000 m2) expansion was designed by Fumihiko Maki, and is also home to the Washington University Art and Architecture library and the department of Art History and Archaeology.

In May 2018, the museum was closed as part of a larger construction project at Washington University. The expansion, on the north side of the Kemper Art Museum, created a new facade composed of 30-foot-tall pleated stainless steel panels. It also included a redesigned entrance and a new 2,700-square-foot exhibition space named the James A. Kemper Gallery. The museum's Florence Steinberg-Weil Sculpture Garden was relocated to a setting north of the Sam Fox School's new Anabeth and John Weil Hall.[10]

In September 2019, the newly expanded and renovated Mildred Lane Kemper Art Museum opened with a major exhibition of work by Ai Weiwei: "Bare Life".[11]

The Kemper Art Museum is currently part of the Sam Fox School of Design & Visual Arts at Washington University, which comprises the College of Art, the College of Architecture, and the Kemper Art Museum. The Sam Fox School was established in 2005 to link strong studio programs in modern art and architecture with the resources and programs of the Museum. Creation of the Sam Fox School follows a nearly $60 million investment in new and renovated art, architecture, and museum facilities. The five-building complex includes two new buildings by Pritzker Prize-winning architect Fumihiko Maki, including the Mildred Lane Kemper Art Museum building.

The Sam Fox School is dedicated to the creation, study, and exhibition of multidisciplinary and collaborative work with an emphasis on fostering creativity and intellectual exchange.

Exhibits and collection[edit]

The Mildred Lane Kemper Art Museum has four exhibition spaces: the Barney A. Ebsworth Gallery, Garen Gallery, Bernoudy Permanent Collection Gallery, and teaching gallery. Some exhibitions include To See Without Being Seen: Contemporary Art and Drone Warfare, Rashid Johnson: Message to Our Folks, and Notations: Contemporary Drawing as Idea and Process.

The permanent collection of the museum, exhibited on its top floor and within the Florence Steinberg Weil Sculpture Garden, includes extensive representation by 19th, 20th and 21st Century works.

Newman Money Museum[edit]

The Newman Money Museum opened October 25, 2006 on the bottom floor of the Mildred Lane Kemper Art Museum. The museum includes an exhibition space as well as a numismatics library and scholarly work space.[12] The collection was donated by American numismatist Eric P. Newman and his wife Evelyn Newman, containing a broad array of coin and paper money, but primarily focusing on Colonial and early American money. The museum is curated by Tom Serfass and also features items documenting Benjamin Franklin's role as a figure of early American Colonial paper money. Exhibits have also focused on lasting influence of Spanish specie coinage, depiction of women and African-Americans on money, and creation and production of money including sketches, a collection of coin counters and changers, and rare examples of printing errors.[13] The Newman Money Museum closed in 2018 with the expansion of the Kemper Art Museum.[14]

Notes[edit]

  1. ^ Saltzstein, Dan (June 24, 2010). "36 Hours in St. Louis". The New York Times.
  2. ^ "Washington University's East End". www.bizjournals.com. Retrieved 2020-02-11.
  3. ^ "New facilities for Sam Fox School of Design & Visual Arts to be unveiled in Fall 2019 | The Source | Washington University in St. Louis". The Source. 2019-03-21. Retrieved 2020-02-11.
  4. ^ 1634–1699: McCusker, J. J. (1997). How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy of the United States: Addenda et Corrigenda (PDF). American Antiquarian Society. 1700–1799: McCusker, J. J. (1992). How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy of the United States (PDF). American Antiquarian Society. 1800–present: Federal Reserve Bank of Minneapolis. "Consumer Price Index (estimate) 1800–". Retrieved February 29, 2024.
  5. ^ "W.U. Has $1,000,000 Art Objects but No Place to Put Them". St. Louis Globe-Democrat. 27 December 1931. Retrieved 3 July 2021.
  6. ^ "Washington U. Sale of Painting Open to St. Louis Bidders". St. Louis Globe-Democrat. 29 April 1945. Retrieved 25 June 2021.
  7. ^ Gammom, Martin (6 November 2018). Deaccessioning and Its Discontents: A Critical History. MIT Press. p. 290. ISBN 9780262345217. Retrieved 25 June 2021.
  8. ^ "About the Collection". Kemper Art Museum. Retrieved 25 June 2021.
  9. ^ "Building the Future | Kemper Art Museum". www.kemperartmuseum.wustl.edu. Retrieved 2017-09-15.
  10. ^ "Exhibition | Kemper Art Museum". www.kemperartmuseum.wustl.edu. Retrieved 2020-02-11.
  11. ^ Duffy, Robert W. "Evelyn Edison Newman: Creative philanthropist made it fun for others to contribute". Retrieved 2016-08-26.
  12. ^ "Newman Money Museum to open at Washington University in St. Louis Oct. 25 | The Source | Washington University in St. Louis". 2006-10-17. Retrieved 2016-08-26.
  13. ^ "Mildred Lane Kemper Art Museum to close May 22 for expansion | The Source | Washington University in St. Louis". The Source. 2018-05-03. Retrieved 2021-07-23.

References[edit]

  • A Gallery of Modern Art. Joseph Kettner. Washington University in St. Louis, 1994.

External links[edit]