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== Education and Early Works ==
== Education and Early Works ==
Kline was born in [[Akron, Ohio]] in 1953. After moving to [[New York City]] to pursue a degree in English literature from [[Columbia University]], he enrolled in [[Mannes College of Music]] for a master’s program in [[Musical composition|music composition]]. In the late 1970s, Kline began his career as a full-time musician, touring internationally with the [[Glenn Branca|Glenn Branca Ensemble]] and later co-founding the [[No wave|no-wave]], [[art-punk]] band [[The Del-Byzanteens]] alongside filmmaker [[Jim Jarmusch]], author [[Luc Sante]], and painter [[James Nares]]. Around this same time, he began scoring video projects by [[Nan Goldin]] and [[Wim Wenders]].<ref>{{Cite book|url=http://worldcat.org/oclc/826856037|title=Virtual Music : How the Web Got Wired for Sound.|last=William.|first=Duckworth,|date=2013|publisher=Taylor and Francis|isbn=9781136087301|oclc=826856037}}</ref>
Kline was born in [[Akron, Ohio]] in 1953. After moving to [[New York City]] to pursue a degree in English literature from [[Columbia University]], he enrolled in [[Mannes College of Music]] for a master’s program in [[Musical composition|music composition]]. In the late 1970s, Kline began his career as a full-time musician, touring internationally with the [[Glenn Branca|Glenn Branca Ensemble]] and later co-founding the [[No wave|no-wave]], [[art-punk]] band [[The Del-Byzanteens]] alongside filmmaker [[Jim Jarmusch]], author [[Luc Sante]], and painter [[James Nares]]. Around this same time, he began scoring video projects by [[Nan Goldin]] and [[Wim Wenders]].<ref name=":0">{{Cite book|url=http://worldcat.org/oclc/826856037|title=Virtual Music : How the Web Got Wired for Sound.|last=William.|first=Duckworth,|date=2013|publisher=Taylor and Francis|isbn=9781136087301|oclc=826856037}}</ref>
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==Career==
==Career==
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Kline’s other notable work primarily includes [[Song cycle|song cycles]] and [[opera]]. Kline’s song cycles have historically had political themes, such as his ''Three Rumsfeld Songs'', which borrow text from the [[The Pentagon|Pentagon]] briefings of [[United States Secretary of Defense|Secretary of Defense]] [[Donald Rumsfeld]] following the [[September 11 terrorist attacks]] and during the [[War in Iraq]]. The source for Kline’s ''Zippo Songs'' (2004), the song cycle for which he is best known, comes from [[United States|U.S.]] government-issued [[Zippo Lighter|Zippo lighters]] from the [[Vietnam War]], on which some soldiers etched short sayings or poems. These sayings and poems, compiled into ''Zippo Songs'', therefore offers a lens into the social, spiritual, sexual, and emotional lives of these [[United States|American]] [[Vietnam War]] soldiers. ''Zippo Songs'' was written for singer [[Theo Bleckmann]], as well as for violin, percussion, and guitar.<ref>{{Cite web|url=https://web.archive.org/web/20060523191654/http:/www.yaledailynews.com/article.asp?AID=28204|title=yaledailynews.com - 'Souls' and 'Zippo' are modern classics|date=2006-05-23|website=web.archive.org|access-date=2019-02-26}}</ref><ref>{{Cite web|url=https://www.newsounds.org/story/64225-zippo-songs/|title=#2249: Zippo Songs {{!}} New Sounds {{!}} New Sounds|website=newsounds|language=en|access-date=2019-02-26}}</ref> Kline's [[Lounge music|lounge]]-inspired, staged song cycle ''Out Cold'' (2012)''—''about the desperation of lost love''—''was also written for and performed by [[Theo Bleckmann|Bleckmann]].<ref>{{Cite news|url=https://www.nytimes.com/2012/10/27/arts/music/out-cold-zippo-songs-at-bams-next-wave-festival.html|title=‘Out Cold/Zippo Songs’ at BAM’s Next Wave Festival|last=Schweitzer|first=Vivien|date=2012-10-26|work=The New York Times|access-date=2019-03-05|language=en-US|issn=0362-4331}}</ref><ref>{{Cite web|url=http://www.artsjournal.com/condemned/2012/11/phil-klines-staged-song-cycle-better-seen-or-heard/|title=Phil Kline’s staged song cycle: Better seen or heard?|last=Stearns|first=David Patrick|date=2012-11-02|website=Condemned to Music|language=en-US|access-date=2019-03-05}}</ref>
Kline’s other notable work primarily includes [[Song cycle|song cycles]] and [[opera]]. Kline’s song cycles have historically had political themes, such as his ''Three Rumsfeld Songs'', which borrow text from the [[The Pentagon|Pentagon]] briefings of [[United States Secretary of Defense|Secretary of Defense]] [[Donald Rumsfeld]] following the [[September 11 terrorist attacks]] and during the [[War in Iraq]]. The source for Kline’s ''Zippo Songs'' (2004), the song cycle for which he is best known, comes from [[United States|U.S.]] government-issued [[Zippo Lighter|Zippo lighters]] from the [[Vietnam War]], on which some soldiers etched short sayings or poems. These sayings and poems, compiled into ''Zippo Songs'', therefore offers a lens into the social, spiritual, sexual, and emotional lives of these [[United States|American]] [[Vietnam War]] soldiers. ''Zippo Songs'' was written for singer [[Theo Bleckmann]], as well as for violin, percussion, and guitar.<ref>{{Cite web|url=https://web.archive.org/web/20060523191654/http:/www.yaledailynews.com/article.asp?AID=28204|title=yaledailynews.com - 'Souls' and 'Zippo' are modern classics|date=2006-05-23|website=web.archive.org|access-date=2019-02-26}}</ref><ref>{{Cite web|url=https://www.newsounds.org/story/64225-zippo-songs/|title=#2249: Zippo Songs {{!}} New Sounds {{!}} New Sounds|website=newsounds|language=en|access-date=2019-02-26}}</ref> Kline's [[Lounge music|lounge]]-inspired, staged song cycle ''Out Cold'' (2012)''—''about the desperation of lost love''—''was also written for and performed by [[Theo Bleckmann|Bleckmann]].<ref>{{Cite news|url=https://www.nytimes.com/2012/10/27/arts/music/out-cold-zippo-songs-at-bams-next-wave-festival.html|title=‘Out Cold/Zippo Songs’ at BAM’s Next Wave Festival|last=Schweitzer|first=Vivien|date=2012-10-26|work=The New York Times|access-date=2019-03-05|language=en-US|issn=0362-4331}}</ref><ref>{{Cite web|url=http://www.artsjournal.com/condemned/2012/11/phil-klines-staged-song-cycle-better-seen-or-heard/|title=Phil Kline’s staged song cycle: Better seen or heard?|last=Stearns|first=David Patrick|date=2012-11-02|website=Condemned to Music|language=en-US|access-date=2019-03-05}}</ref>


More recently, Kline has delved into the opera genre with his ''Tesla in New York'', which explores the life and works of inventor [[Nikola Tesla]], in collaboration with filmmaker [[Jim Jarmusch]].<ref>{{Cite web|url=http://www.electricsheepmagazine.co.uk/features/2014/04/27/tesla-in-new-york-metal-machine-music-on-lithium/|title=Tesla in New York: Metal Machine Music on Lithium|last=Jahn|first=Pam|date=2014-04-27|website=Electric Sheep|language=en-US|access-date=2019-03-05}}</ref><ref>{{Cite web|url=https://news.dartmouth.edu/news/2013/02/hopkins-center-co-commissions-opera-jim-jarmusch-and-phil-kline|title=Hopkins Center Co-Commissions an Opera by Jim Jarmusch and Phil Kline {{!}} Dartmouth News|website=news.dartmouth.edu|access-date=2019-03-05}}</ref>
More recently, Kline has delved into the opera genre with his ''Tesla in New York'', which explores the life and works of inventor [[Nikola Tesla]], in collaboration with filmmaker [[Jim Jarmusch]], a colleague from their band [[The Del-Byzanteens]].<ref>{{Cite web|url=http://www.electricsheepmagazine.co.uk/features/2014/04/27/tesla-in-new-york-metal-machine-music-on-lithium/|title=Tesla in New York: Metal Machine Music on Lithium|last=Jahn|first=Pam|date=2014-04-27|website=Electric Sheep|language=en-US|access-date=2019-03-05}}</ref><ref>{{Cite web|url=https://news.dartmouth.edu/news/2013/02/hopkins-center-co-commissions-opera-jim-jarmusch-and-phil-kline|title=Hopkins Center Co-Commissions an Opera by Jim Jarmusch and Phil Kline {{!}} Dartmouth News|website=news.dartmouth.edu|access-date=2019-03-05}}</ref><ref name=":0" />


Other than these projects, Kline’s work includes continuing commissions from [[Bang on a Can]], [[American Opera Projects]], the [[Brooklyn Youth Chorus]], [[WNYC]], the [[New York State Council on the Arts]], Ethel and Alice Tully Hall at [[Lincoln Center]], [[Jennifer Koh]], [[Muzik3]], the [[La Jolla|La Jolla Symphony Orchestra]], the [[Orchestra of St. Luke's|St. Luke’s Chamber Ensemble]], and for the [[Kotzschmar Memorial Organ|Kotschmar Memorial Organ]] in [[Portland, Maine]]. Furthermore, his works have had performances venues across the world including [[Lincoln Center]], the [[Barbican Centre]], the [[Brooklyn Academy of Music]], the [[Royal Conservatory of Music, Toronto|Royal Conservatory of Music of Toronto]], [[The Whitney Museum]], the [[Cleveland Museum of Art]], the [[Kimmel Center]], [[Trinity Cathedral]], [[Symphony Space]], [[National Sawdust]], [[The Kitchen]], and the [[Badlands National Park]].<ref>{{Cite web|url=https://www.eamdc.com/psny/composers/phil-kline/biography/|title=PSNY: Phil Kline Biography|website=www.eamdc.com|access-date=2019-03-05}}</ref><ref>{{Cite web|url=https://news.dartmouth.edu/news/2013/02/hopkins-center-co-commissions-opera-jim-jarmusch-and-phil-kline|title=Hopkins Center Co-Commissions an Opera by Jim Jarmusch and Phil Kline {{!}} Dartmouth News|website=news.dartmouth.edu|access-date=2019-03-05}}</ref><ref>{{Cite news|url=https://www.nytimes.com/2012/08/06/arts/music/phil-klines-dreamcitynine-at-lincoln-center-out-of-doors.html|title=Phil Kline’s ‘dreamcitynine’ at Lincoln Center Out of Doors|last=Smith|first=Steve|date=2012-08-05|work=The New York Times|access-date=2019-03-05|language=en-US|issn=0362-4331}}</ref><ref>{{Cite web|url=https://nmbx.newmusicusa.org/Sounds-Heard-Phil-Klines-John-the-Revelator-A-Mass-for-Six-Voices/|title=Sounds Heard: Phil Kline’s John the Revelator—A Mass for Six Voices|last=May 18|first=Molly Sheridanon|last2=2009|date=2009-05-18|website=NewMusicBox|language=en|access-date=2019-03-05}}</ref><ref>{{Cite web|url=http://jenniferkoh.com/projects/bach_and_beyond.html|title=Jennifer Koh's Bach and Beyond|website=jenniferkoh.com|access-date=2019-03-05}}</ref><ref>{{Cite web|url=http://www.pytheasmusic.org/kline_phil.html|title=Phil Kline at Pytheas ~ Contemporary, Modern, New, Non-Pop Art Music Composers, Ensembles & Resources|website=www.pytheasmusic.org|access-date=2019-03-05}}</ref>
Other than these projects, Kline’s work includes continuing commissions from [[Bang on a Can]], [[American Opera Projects]], the [[Brooklyn Youth Chorus]], [[WNYC]], the [[New York State Council on the Arts]], Ethel and Alice Tully Hall at [[Lincoln Center]], [[Jennifer Koh]], [[Muzik3]], the [[La Jolla|La Jolla Symphony Orchestra]], the [[Orchestra of St. Luke's|St. Luke’s Chamber Ensemble]], and for the [[Kotzschmar Memorial Organ|Kotschmar Memorial Organ]] in [[Portland, Maine]]. Furthermore, his works have had performances venues across the world including [[Lincoln Center]], the [[Barbican Centre]], the [[Brooklyn Academy of Music]], the [[Royal Conservatory of Music, Toronto|Royal Conservatory of Music of Toronto]], [[The Whitney Museum]], the [[Cleveland Museum of Art]], the [[Kimmel Center]], [[Trinity Cathedral]], [[Symphony Space]], [[National Sawdust]], [[The Kitchen]], and the [[Badlands National Park]].<ref>{{Cite web|url=https://www.eamdc.com/psny/composers/phil-kline/biography/|title=PSNY: Phil Kline Biography|website=www.eamdc.com|access-date=2019-03-05}}</ref><ref>{{Cite web|url=https://news.dartmouth.edu/news/2013/02/hopkins-center-co-commissions-opera-jim-jarmusch-and-phil-kline|title=Hopkins Center Co-Commissions an Opera by Jim Jarmusch and Phil Kline {{!}} Dartmouth News|website=news.dartmouth.edu|access-date=2019-03-05}}</ref><ref>{{Cite news|url=https://www.nytimes.com/2012/08/06/arts/music/phil-klines-dreamcitynine-at-lincoln-center-out-of-doors.html|title=Phil Kline’s ‘dreamcitynine’ at Lincoln Center Out of Doors|last=Smith|first=Steve|date=2012-08-05|work=The New York Times|access-date=2019-03-05|language=en-US|issn=0362-4331}}</ref><ref>{{Cite web|url=https://nmbx.newmusicusa.org/Sounds-Heard-Phil-Klines-John-the-Revelator-A-Mass-for-Six-Voices/|title=Sounds Heard: Phil Kline’s John the Revelator—A Mass for Six Voices|last=May 18|first=Molly Sheridanon|last2=2009|date=2009-05-18|website=NewMusicBox|language=en|access-date=2019-03-05}}</ref><ref>{{Cite web|url=http://jenniferkoh.com/projects/bach_and_beyond.html|title=Jennifer Koh's Bach and Beyond|website=jenniferkoh.com|access-date=2019-03-05}}</ref><ref>{{Cite web|url=http://www.pytheasmusic.org/kline_phil.html|title=Phil Kline at Pytheas ~ Contemporary, Modern, New, Non-Pop Art Music Composers, Ensembles & Resources|website=www.pytheasmusic.org|access-date=2019-03-05}}</ref>

Revision as of 17:47, 5 March 2019

For the Kansas politician, see Phill Kline.
Phil Kline
Kline after a performance of his Unsilent Night in New York City, December 2018.
Kline after a performance of his Unsilent Night in New York City, December 2018.
Background information
BornAkron, Ohio
Genrescontemporary classical, performance art, experimental, art punk,
Occupation(s)Composer, sound artist, performer
Years active1982-present
LabelsCantaloupe Music
Websitephilkline.com

Phil Kline (born 1953) is an American composer, sound artist, and performer most recognized for his Unsilent Night (1992) and Zippo Songs (2004). Beginning as a guitarist and singer in the New York City art punk scene, Kline has since gained notability through his song cycles and theatrical works, musical performance art pieces, work with Bang on a Can, and WQXR new-music radio show New Sounds.[1][2][3] With five studio albums to date, a majority of his compositional work can be found on Cantaloupe Music.[4]

Education and Early Works

Kline was born in Akron, Ohio in 1953. After moving to New York City to pursue a degree in English literature from Columbia University, he enrolled in Mannes College of Music for a master’s program in music composition. In the late 1970s, Kline began his career as a full-time musician, touring internationally with the Glenn Branca Ensemble and later co-founding the no-wave, art-punk band The Del-Byzanteens alongside filmmaker Jim Jarmusch, author Luc Sante, and painter James Nares. Around this same time, he began scoring video projects by Nan Goldin and Wim Wenders.[5]

Career

As a continuation of his experimental work, Kline began creating tape-based sound installations for collections of boomboxes inspired by the work of Brian Eno, Steve Reich, and Glenn Branca. The first of these was called Bachman’s Warbler (1990), which was written for harmonicas and twelve boomboxes and premiered at Bang on a Can Marathon in New York City in 1992. These installations later culminated in his Unsilent Night (1992), which has since brought Kline worldwide recognition.[6]

Beginning in New York City, Unsilent Night is an annual Christmas-themed performance piece in which anyone may participate. Every December, as part of this performance, a volunteer parade carrying boomboxes and other music players passes through Greenwich Village, presenting an ambient cacophony made of recorded bells, harps, and other instruments blended with moments of historic Christmas hymns, chants, and carols. Since its premiere in 1992, the Unsilent Night tradition has spread to over 37 cities around the world, mostly in the United States and Canada, but also to major cities across Europe, Australia, Africa, and Asia.[7][8][9][10]

Kline’s other notable work primarily includes song cycles and opera. Kline’s song cycles have historically had political themes, such as his Three Rumsfeld Songs, which borrow text from the Pentagon briefings of Secretary of Defense Donald Rumsfeld following the September 11 terrorist attacks and during the War in Iraq. The source for Kline’s Zippo Songs (2004), the song cycle for which he is best known, comes from U.S. government-issued Zippo lighters from the Vietnam War, on which some soldiers etched short sayings or poems. These sayings and poems, compiled into Zippo Songs, therefore offers a lens into the social, spiritual, sexual, and emotional lives of these American Vietnam War soldiers. Zippo Songs was written for singer Theo Bleckmann, as well as for violin, percussion, and guitar.[11][12] Kline's lounge-inspired, staged song cycle Out Cold (2012)—about the desperation of lost love—was also written for and performed by Bleckmann.[13][14]

More recently, Kline has delved into the opera genre with his Tesla in New York, which explores the life and works of inventor Nikola Tesla, in collaboration with filmmaker Jim Jarmusch, a colleague from their band The Del-Byzanteens.[15][16][5]

Other than these projects, Kline’s work includes continuing commissions from Bang on a Can, American Opera Projects, the Brooklyn Youth Chorus, WNYC, the New York State Council on the Arts, Ethel and Alice Tully Hall at Lincoln Center, Jennifer Koh, Muzik3, the La Jolla Symphony Orchestra, the St. Luke’s Chamber Ensemble, and for the Kotschmar Memorial Organ in Portland, Maine. Furthermore, his works have had performances venues across the world including Lincoln Center, the Barbican Centre, the Brooklyn Academy of Music, the Royal Conservatory of Music of Toronto, The Whitney Museum, the Cleveland Museum of Art, the Kimmel Center, Trinity Cathedral, Symphony Space, National Sawdust, The Kitchen, and the Badlands National Park.[17][18][19][20][21][22]


Critical Reception

Throughout his career, Phil Kline’s music has been respected for its experimental nature. The New York Times describes it as having “the tonal richness of Barber, the austerity of Stravinsky and the harmonic piquancy of Ligeti,” and New York magazine has said that Kline “long ago declared independence from any musical Establishment.”[23][24]

Kline’s Unsilent Night has been called “a magical musical parade,” “a tribute to the joy of caroling" (The Village Voice), and “an ethereal sound sculpture” (The Guardian); it’s been noted for the “benign sense of wonder it instilled in observers” (San Francisco Chronicle).[25][26][27][28]

Furthermore, although Brian Olewnick (The Squid’s Ear) said that Kline’s Zippo Songs has a “lack of memorability,” Alex Ross (The New Yorker, The Rest is Noise) described this collection as “one of the most brutally frank song cycles ever penned,” and Anne Midgette for The New York Times described his it as “brilliant American lieder for the 21st century."[29][30][31]

Kline's contemporary adaptation of the Catholic Mass, John the Revelator (2006), was called "offbeat" and "moving" (The New York Times), and AllMusic called it "easily one of the most moving and engaging mass settings in recent memory."[32][33]

Discography

Studio Albums
Title Label Year
John the Revelator Cantaloupe Music 2009
Around the World in a Daze Starkland 2009
Zippo Songs Cantaloupe Music 2004
Unsilent Night Cantaloupe Music 2001
Glow in the Dark Composers Recordings, Inc. 1998[34]
Emergency Music Composers Recordings, Inc. 1997[35]


Compilation Albums
Title Track Label Year
Messiah Remix “Hallelujah!” Cantaloupe Music 2004[36]
Ethel "Blue Room and Other Stories" Cantaloupe Music 2003
Renegade Heaven "Exquisite Corpses" Cantaloupe Music 2001[37]
Immersion "The Housatonic at Henry Street" Starkland 2000[38]
The Alternative Schubertiade “Franz in the Underworld” Composers Recordings, Inc. 1999[39]
New York Guitars “Fantasy on One Note” Composers Recordings, Inc. 1996[40]
Bang on a Can Vol. 2 “Bachman’s Warbler” Composers Recordings, Inc. 1993[41]


Sources

  1. ^ Sisario, Ben (2000-12-03). "MUSIC; A Provocateur Takes On a New Challenge". The New York Times. ISSN 0362-4331. Retrieved 2019-02-19.
  2. ^ William., Duckworth, (2013). Virtual Music : How the Web Got Wired for Sound. Taylor and Francis. ISBN 9781136087301. OCLC 826856037.{{cite book}}: CS1 maint: extra punctuation (link) CS1 maint: multiple names: authors list (link)
  3. ^ "Phil Kline: Cascades of Vigorous, Multi-Dimensional Sound | New Sounds | Hand-picked music, genre free". newsounds. Retrieved 2019-02-19.
  4. ^ "Phil Kline". Discogs. Retrieved 2019-02-19.
  5. ^ a b William., Duckworth, (2013). Virtual Music : How the Web Got Wired for Sound. Taylor and Francis. ISBN 9781136087301. OCLC 826856037.{{cite book}}: CS1 maint: extra punctuation (link) CS1 maint: multiple names: authors list (link)
  6. ^ William., Duckworth, (2013). Virtual Music : How the Web Got Wired for Sound. Taylor and Francis. ISBN 9781136087301. OCLC 826856037.{{cite book}}: CS1 maint: extra punctuation (link) CS1 maint: multiple names: authors list (link)
  7. ^ Desk, BWW News. "Phil Kline's Avant-Garde Holiday Tradition UNSILENT NIGHT to Parade Through 37 Cities This December". BroadwayWorld.com. Retrieved 2019-02-26.
  8. ^ Sisario, Ben (2000-12-03). "MUSIC; A Provocateur Takes On a New Challenge". The New York Times. ISSN 0362-4331. Retrieved 2019-02-26.
  9. ^ "Your Unsilent Night | WQXR | New York's Classical Music Radio Station". WQXR. Retrieved 2019-03-05.
  10. ^ Goodson, Jessie. "Unsilent Night Fills Downtown Athens With Seasonal Cheer". Flagpole Magazine | Athens, GA News, Music, Arts, Restaurants. Retrieved 2019-03-05.
  11. ^ "yaledailynews.com - 'Souls' and 'Zippo' are modern classics". web.archive.org. 2006-05-23. Retrieved 2019-02-26.
  12. ^ "#2249: Zippo Songs | New Sounds | New Sounds". newsounds. Retrieved 2019-02-26.
  13. ^ Schweitzer, Vivien (2012-10-26). "'Out Cold/Zippo Songs' at BAM's Next Wave Festival". The New York Times. ISSN 0362-4331. Retrieved 2019-03-05.
  14. ^ Stearns, David Patrick (2012-11-02). "Phil Kline's staged song cycle: Better seen or heard?". Condemned to Music. Retrieved 2019-03-05.
  15. ^ Jahn, Pam (2014-04-27). "Tesla in New York: Metal Machine Music on Lithium". Electric Sheep. Retrieved 2019-03-05.
  16. ^ "Hopkins Center Co-Commissions an Opera by Jim Jarmusch and Phil Kline | Dartmouth News". news.dartmouth.edu. Retrieved 2019-03-05.
  17. ^ "PSNY: Phil Kline Biography". www.eamdc.com. Retrieved 2019-03-05.
  18. ^ "Hopkins Center Co-Commissions an Opera by Jim Jarmusch and Phil Kline | Dartmouth News". news.dartmouth.edu. Retrieved 2019-03-05.
  19. ^ Smith, Steve (2012-08-05). "Phil Kline's 'dreamcitynine' at Lincoln Center Out of Doors". The New York Times. ISSN 0362-4331. Retrieved 2019-03-05.
  20. ^ May 18, Molly Sheridanon; 2009 (2009-05-18). "Sounds Heard: Phil Kline's John the Revelator—A Mass for Six Voices". NewMusicBox. Retrieved 2019-03-05. {{cite web}}: |last2= has numeric name (help)CS1 maint: numeric names: authors list (link)
  21. ^ "Jennifer Koh's Bach and Beyond". jenniferkoh.com. Retrieved 2019-03-05.
  22. ^ "Phil Kline at Pytheas ~ Contemporary, Modern, New, Non-Pop Art Music Composers, Ensembles & Resources". www.pytheasmusic.org. Retrieved 2019-03-05.
  23. ^ Smith, Steve (2006-11-14). "Music in Review". The New York Times. ISSN 0362-4331. Retrieved 2019-03-05.
  24. ^ Davidson, By Justin; Published Jul 2, 2009. "Tiny Blockbusters". NYMag.com. Retrieved 2019-03-05. {{cite web}}: |first2= has numeric name (help)CS1 maint: numeric names: authors list (link)
  25. ^ "Phil Kline's "Unsilent Night"". www.villagevoice.com. Retrieved 2019-03-05.
  26. ^ "ALTERNATIVE CAROLING". www.villagevoice.com. Retrieved 2019-03-05.
  27. ^ Longley, Martin (2014-12-11). "Unsilent Night: the boombox choir sweeping America". The Guardian. ISSN 0261-3077. Retrieved 2019-03-05.
  28. ^ Kosman, Joshua (2015-12-20). "'Unsilent Night' spreads music through Hayes Valley". SFGate. Retrieved 2019-03-05.
  29. ^ "Review: Phil Kline - Zippo Songs (Cantaloupe)". www.squidco.com. Retrieved 2019-03-05.
  30. ^ "America the Baleful". Alex Ross: The Rest Is Noise. Retrieved 2019-03-05.
  31. ^ Midgette, Anne (2004-12-12). "The Best Classical CD's of 2004; KLINE: 'ZIPPO SONGS: AIRS OF WAR AND LUNACY'". The New York Times. ISSN 0362-4331. Retrieved 2019-03-05.
  32. ^ Times, The New York (2006-11-14). "Music in Review". The New York Times. ISSN 0362-4331. Retrieved 2019-03-05.
  33. ^ "Phil Kline: John the Revelator - Lionheart, Ethel, Phil Kline | Songs, Reviews, Credits". AllMusic. Retrieved 2019-03-05.
  34. ^ Smith, Steve (2009-12-20). "Kindred Spirits in John Cage and Phil Kline, at Tank". The New York Times. ISSN 0362-4331. Retrieved 2019-02-20.
  35. ^ "Emergency Music - Kline: Glow In The Dark - Composers Recordings, Inc. (Cri): NWCR801". www.arkivmusic.com. Retrieved 2019-02-20. {{cite web}}: Cite has empty unknown parameter: |dead-url= (help)
  36. ^ "Various - Messiah Remix". Discogs. Retrieved 2019-02-20.
  37. ^ "Bang On A Can - Renegade Heaven". Discogs. Retrieved 2019-02-20.
  38. ^ "Various - Immersion". Discogs. Retrieved 2019-02-20.
  39. ^ "Various - The Alternative Schubertiade". Discogs. Retrieved 2019-02-20.
  40. ^ "Various - New York Guitars". Discogs. Retrieved 2019-02-20.
  41. ^ "Bang On A Can - Live Vol. 2". Discogs. Retrieved 2019-02-20.

External links

Retrieved from "https://en.wikipedia.org/w/index.php?title=Phil_Kline&oldid=886337674"