Vinayakrao Patwardhan: Difference between revisions
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{{Infobox person |
{{Infobox person |
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| name = |
| name = Vinayakrai Patwardhan |
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| native_name = {{lang-mr|विनायक नारायण पटवर्धन}} |
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| native_name_lang = [[Marathi]] |
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| image = |
| image = |
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| birth_date = 22 July 1898 |
| birth_date = 22 July 1898 |
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| birth_place = [[Miraj]], India |
| birth_place = [[Miraj]], India |
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| death_date = {{death date and age|1975|8|23|1898|7|22}} |
| death_date = {{death date and age|df=yes|1975|8|23|1898|7|22}} |
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| death_place = |
| death_place =[[Pune]], India |
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| nationality = Indian |
| nationality = Indian |
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| other_names = Pandit Vinayakrao Patwardhan |
| other_names = Pandit Vinayakrao Patwardhan |
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}} |
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'''Vinayak Narayan Patwardhan''' |
Pandit '''Vinayak Narayan Patwardhan''' (22 July 1898 – 23 August 1975) was an Indian [[vocalist]] of [[Gwalior gharana]] (style of singing) of [[Hindustani classical music|Indian classical music]].<ref>{{cite web|title=Vinayakrao Patwardhan|url=https://homes.cs.washington.edu/~mausam/patwardhan.html|website=homes.cs.washington.edu|access-date=29 November 2016}}</ref> |
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__TOC__ |
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== Early |
== Early life == |
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Vinayakrao's uncle Keshav Rao Koratkar was his first music teacher. In 1907, he went to [[Gandharva Mahavidyalaya]] at [[Lahore]], where he was taught by [[Vishnu Digambar Paluskar]]. |
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Viyanak's uncle, Keshav Rao Koratkar, provided him with initial training in music. |
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In 1907, he went to Gaandharva Mahavidyalaya at Lahore, where he was taught directly by Vishnu Digambar Paluskar. Vishnu Digambar Paluskar's mission had been to set up music schools for boys from respectable families in order to combat the stereotype that musicians were immoral pleasure seekers. Viyanak studied at one of these schools. The development of these schools helped legitimize music as both a career and art form. |
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Vishnu Digambar Paluskar wanted his disciples to emulate his example and uphold the importance of music and musicians. Vinayakrao carried out these wishes and accepted teaching assignments at the various branches of the school, including those in Bombay, Nagpur, and Lahore. |
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⚫ | |||
== Career == |
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In the late forties, when Bhimsen Joshi was searching for the right teacher, he happened to meet Vinayakrao in Jalandhar. Vinayakrao advised Bhimsen Joshi to learn from Sawai Gandharva. |
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⚫ | Vinayakrao accepted teaching assignments at the various branches of the Gandharva Mahavidyalaya, including those in [[Bombay]], [[Nagpur]] and [[Lahore]]. Vinayakrao's high-pitched voice was popular with the masses, and specifically caught the attention of actor/singer [[Bal Gandharva]]. On one occasion, the [[Gwalior]] veteran Ramkrishna Buwa Vazhe offered a challenge to singers in [[Pune]]. Vinayakrao accepted this challenge and proceeded to learn complex [[raga]]s from Vazhe. |
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Later, Vinayakrao Patwrdhan took up roles in Marathi musicals and was perhaps the first classical vocalist to have sung for a film. |
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In the late 1940s, when [[Bhimsen Joshi]] was searching for a teacher, he met Vinayakrao in [[Jalandhar]]. Vinayakrao advised him to learn from [[Sawai Gandharva]]. Later, Patwardhan took up roles in [[Marathi language|Marathi]] musicals. Heeding his teacher's admonition about singing for films, Vinayak went to Pune and established his own branch of the [[Gandharva Mahavidyalaya]]. Despite his young age, he had decided to dedicate himself to teaching music and ignored the lure of drama and film. |
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Vinayakrao trained disciples who became well known, including his guru's son, [[D.V. Paluskar]], and [[Sunanda Patnaik]]. |
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== |
=== Singer === |
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Vinayakrao |
Vinayakrao Patwardhan's singing reflected the simple and straightforward approach to ragas, which is the characteristic of the Gwalior Gharana style. His favorite ragas included <nowiki>''</nowiki>Bahar<nowiki>''</nowiki>, <nowiki>''</nowiki>Adana<nowiki>''</nowiki>, <nowiki>''</nowiki>Multani<nowiki>''</nowiki>, <nowiki>''</nowiki>Malhar<nowiki>''</nowiki>, <nowiki>''</nowiki>Jaijaivanti<nowiki>''</nowiki>, <nowiki>''</nowiki>Hameer<nowiki>''</nowiki> and <nowiki>''</nowiki>Bhairav-bahar<nowiki>''</nowiki>. He performed in most of the important music festivals. He was one of the few practicing musicians of the time who wrote textbooks on music. In his seven-part <nowiki>''</nowiki>Raaga Vigyan<nowiki>''</nowiki> series, Vinayakrao described the important aspects of various ragas as well as their grammar. In his concerts and recordings, his fellow-student [[Narayanrao Vyas]] accompanied Vinayakrao. |
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== Recognition == |
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He was awarded the [[Padma Bhushan]] award in 1972 by the [[President of India]].<ref name="Padma Awards">{{cite web | url=http://mha.nic.in/sites/upload_files/mha/files/LST-PDAWD-2013.pdf | title=Padma Awards | publisher=Ministry of Home Affairs, Government of India | date=2015 | |
He was awarded the [[Padma Bhushan]] award in 1972 by the [[President of India]].<ref name="Padma Awards">{{cite web | url=http://mha.nic.in/sites/upload_files/mha/files/LST-PDAWD-2013.pdf | title=Padma Awards | publisher=Ministry of Home Affairs, Government of India | date=2015 | access-date=21 July 2015}}</ref> He led the Indian cultural delegation to the [[Soviet Union|USSR]] and other countries. |
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The Film & TV Institute of India supported a documentary on him by Aruna Raje. |
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== Legacy == |
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One of his disciples, L.R. Kelkar, settled down in Madras (Chennai). Author Rohiniprasad learned sitar from him initially. Among Kelkar's better-known disciples is violinist [[N. Rajam]], who also studied with [[Omkarnath Thakur]] in Benares. |
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==References== |
==References== |
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{{Reflist}} |
{{Reflist}} |
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== External links == |
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{{SangeetNatakAkademiFellowship}} |
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{{Authority control}} |
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{{DEFAULTSORT:Patwardhan, Vinayakrao}} |
{{DEFAULTSORT:Patwardhan, Vinayakrao}} |
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[[Category:1975 deaths]] |
[[Category:1975 deaths]] |
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[[Category:Recipients of the Padma Bhushan in arts]] |
[[Category:Recipients of the Padma Bhushan in arts]] |
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[[Category:Bharatanatyam exponents]] |
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[[Category:Hindustani singers]] |
[[Category:Hindustani singers]] |
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[[Category:Gwalior gharana]] |
[[Category:Gwalior gharana]] |
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[[Category:Marathi people]] |
[[Category:Marathi people]] |
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[[Category:20th-century Indian |
[[Category:20th-century Indian male classical singers]] |
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[[Category:20th-century Khyal singers]] |
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[[Category:Recipients of the Sangeet Natak Akademi Fellowship]] |
Latest revision as of 11:49, 5 December 2022
Vinayakrai Patwardhan | |
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Born | 22 July 1898 Miraj, India |
Died | 23 August 1975 Pune, India | (aged 77)
Nationality | Indian |
Other names | Pandit Vinayakrao Patwardhan |
Pandit Vinayak Narayan Patwardhan (22 July 1898 – 23 August 1975) was an Indian vocalist of Gwalior gharana (style of singing) of Indian classical music.[1]
Early life[edit]
Vinayakrao's uncle Keshav Rao Koratkar was his first music teacher. In 1907, he went to Gandharva Mahavidyalaya at Lahore, where he was taught by Vishnu Digambar Paluskar.
Career[edit]
Vinayakrao accepted teaching assignments at the various branches of the Gandharva Mahavidyalaya, including those in Bombay, Nagpur and Lahore. Vinayakrao's high-pitched voice was popular with the masses, and specifically caught the attention of actor/singer Bal Gandharva. On one occasion, the Gwalior veteran Ramkrishna Buwa Vazhe offered a challenge to singers in Pune. Vinayakrao accepted this challenge and proceeded to learn complex ragas from Vazhe.
In the late 1940s, when Bhimsen Joshi was searching for a teacher, he met Vinayakrao in Jalandhar. Vinayakrao advised him to learn from Sawai Gandharva. Later, Patwardhan took up roles in Marathi musicals. Heeding his teacher's admonition about singing for films, Vinayak went to Pune and established his own branch of the Gandharva Mahavidyalaya. Despite his young age, he had decided to dedicate himself to teaching music and ignored the lure of drama and film.
Vinayakrao trained disciples who became well known, including his guru's son, D.V. Paluskar, and Sunanda Patnaik.
Singer[edit]
Vinayakrao Patwardhan's singing reflected the simple and straightforward approach to ragas, which is the characteristic of the Gwalior Gharana style. His favorite ragas included ''Bahar'', ''Adana'', ''Multani'', ''Malhar'', ''Jaijaivanti'', ''Hameer'' and ''Bhairav-bahar''. He performed in most of the important music festivals. He was one of the few practicing musicians of the time who wrote textbooks on music. In his seven-part ''Raaga Vigyan'' series, Vinayakrao described the important aspects of various ragas as well as their grammar. In his concerts and recordings, his fellow-student Narayanrao Vyas accompanied Vinayakrao.
Recognition[edit]
He was awarded the Padma Bhushan award in 1972 by the President of India.[2] He led the Indian cultural delegation to the USSR and other countries.
The Film & TV Institute of India supported a documentary on him by Aruna Raje.
Legacy[edit]
One of his disciples, L.R. Kelkar, settled down in Madras (Chennai). Author Rohiniprasad learned sitar from him initially. Among Kelkar's better-known disciples is violinist N. Rajam, who also studied with Omkarnath Thakur in Benares.
References[edit]
- ^ "Vinayakrao Patwardhan". homes.cs.washington.edu. Retrieved 29 November 2016.
- ^ "Padma Awards" (PDF). Ministry of Home Affairs, Government of India. 2015. Retrieved 21 July 2015.