Christian Köhler (painter)
Christian Köhler (born October 13, 1809 in Werben ; † January 30, 1861 in Montpellier ) was a German painter from the Düsseldorf School .
Life
Köhler became known as the groom of the writer Carl Gottlieb Samuel Heun with the painter Wilhelm Schadow . He followed this - like Eduard Bendemann , Heinrich Mücke and Karl Ferdinand Sohn - from Berlin to Düsseldorf , where he belonged to his inner circle of students. In the 4th quarter of 1827 he enrolled in the Düsseldorf Art Academy , where he entered the upper class of performing artists in 1829/30 and the master class in 1837/38. In 1837 Köhler was one of the Düsseldorf artists who exhibited in the Palais Brühl in Dresden, thereby establishing the reputation of the "Düsseldorf School". In 1845 he was one of the painters portrayed by Henry Ritter and Wilhelm Camphausen in the publication Schattenseiten der Düsseldorfer Künstler . In 1851 he took part in the Salon des Bruxelles exhibition, along with other Düsseldorf painters . Since the school year 1851/52 Köhler was a professor at the art academy and represented Theodor Hildebrandt , whose successor he succeeded by becoming head of the antique hall and a painting class from 1855. After falling ill in the school year 1859/60, he sought cure in southern France, where he died in 1861. Köhler was a member of the Malkasten artists' association . Köhler's pupils were Heinrich von Angeli , Carl Hertel , Olaf Isaachsen , Vincent Stoltenberg Lerche , Carl Halfdan Schilling , Zdzisław Suchodolski and Fredrik Wohlfahrt . The French revue artistique et littéraire honored Köhler in a necrology in 1861 as " Horace Vernet de l'Allemagne". Köhler's grave is on field V in the southern part of the Golzheim cemetery .
plant
Köhler's pictures are characterized by well thought-out compositions and reflect knowledge of the Italian Renaissance ; Köhler also holds a high status as a colorist . His pictures, created in the 1830s, are indebted to the Nazarenes in their choice of subject, form and color and show the “soul painting ” cultivated in Düsseldorf.
Of his pictures, often reproduced by engraving and lithography, the following are significant:
- Rebekah at the well
- Finding Moses
- The Music (1837)
- Mirjam's hymn of praise (1837), lost
- The triumph of David
- The bride
- Hagar and Ishmael (1844), today the Museum Kunstpalast
- Hagar and Ishmael (second version 1847)
- Susanna in the bathroom
- Julie, looking after the missing Romeo
- Mignon
- The suspension of Moses
- Awakening Germania (1849), New-York Historical Society
- Semiramis , purchased by the collector Joachim Heinrich Wilhelm Wagener (1851), today the National Gallery (Berlin) ; Large-format second version (1851/52) in the Musée d'art moderne et d'art contemporain de Liège
- Othello with his sleeping wife (1859)
- Gretchen on the spinning wheel
literature
- Moritz Blanckarts : Köhler, Christian . In: Allgemeine Deutsche Biographie (ADB). Volume 16, Duncker & Humblot, Leipzig 1882, p. 438 f.
- Koehler, Christian. In: Friedrich von Boetticher: painter works of the 19th century. Contribution to art history. Volume 1/2, sheets 31–61: Heideck – Mayer, Louis. Ms. v. Boetticher's Verlag, Dresden 1895, pp. 724-725 ( archive.org ).
- Christian Koehler . In: Hans Vollmer (Hrsg.): General lexicon of fine artists from antiquity to the present . Founded by Ulrich Thieme and Felix Becker . tape 21 : Knip – Kruger . EA Seemann, Leipzig 1927, p. 117 .
- Wend von Kalnein : The Düsseldorf School of Painting. Verlag Philipp von Zabern, Mainz 1979, ISBN 3-8053-0409-9 , p. 375 f.
Web links
Individual evidence
- ^ Friendship gallery of individual portraits of Düsseldorf painting students and their friends. ( duesseldorf.de )
- ↑ Bettina Baumgärtel (ed.): The Düsseldorf School of Painting and its international impact 1819–1918. Michael Imhof Verlag, Petersberg 2011, ISBN 978-3-86568-702-9 , Volume 2, p. 41.
- ↑ Bettina Baumgärtel (Ed.), Volume 1, p. 142.
- ↑ Christian Liedtke, Sabine Schroyen: The beautiful, idyllic coexistence at the Academy fell apart almost entirely. In: Bettina Baumgärtel (Ed.), Volume 1, p. 290.
- ↑ Bettina Baumgärtel (Ed.), Volume 1, p. 40.
- ↑ Bettina Baumgärtel (Ed.), Volume 1, pp. 364, 426–443.
- ↑ Bettina Baumgärtel (Ed.), Volume 1, p. 366.
- ↑ Hagar and Ismael (1847) in the stiftung-volmer.de portal , accessed on October 19, 2013.
- ^ From advertising horse boy to important painter . Article from September 8, 2011 in the volksstimme.de portal , accessed on October 19, 2013. Wolfgang Cortjaens: Berlin - Düsseldorf via Liège: Christian Köhler's 'Semiramis' . In: The founding of the National Gallery. The donor Wagener and his pictures . For the National Gallery - National Museums in Berlin ed. by Birgit Verwiebe and Angelika Wesenberg, Cologne - Weimar - Vienna 2013, pp. 157–166.
personal data | |
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SURNAME | Koehler, Christian |
BRIEF DESCRIPTION | German painter |
DATE OF BIRTH | October 13, 1809 |
PLACE OF BIRTH | Advertise (Elbe) |
DATE OF DEATH | January 30, 1861 |
Place of death | Montpellier |