Dagna Litzenberger-Vinet

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Dagna Litzenberger-Vinet (born 1987 in Oakland , California ) is an actress . She is a French and US citizen and works primarily as a theater actress in German-speaking countries .

Life

Dagna Litzenberger-Vinet grew up as the daughter of French-American parents in France, Germany and Zurich and studied philosophy at the Sorbonne in Paris before she turned to acting .

She was trained as an actress at the Conservatoire d'Arrondissement in Paris. From 2010 to 2013 she completed her acting studies at the Ernst Busch Academy of Dramatic Arts in Berlin . During her studies she made a guest appearance at the Schaubühne Berlin , where she played the role of Girondin Charlotte Corday in Peter Weiss ' play Marat / Sade (director: Peter Kleinert ). Litzenberger-Vinet received several sponsorship awards and grants during her training. She received the study prize of the drama competition and the sponsorship prize of the Migros Culture Percentage as well as the sponsorship prize of the Armin Ziegler Foundation.

After completing her studies, she was a permanent member of the ensemble at the Schauspielhaus Zurich from 2013 to 2017 . Since then she has been working as a freelance actress. At the Schauspielhaus Zürich roles like Irina in Three Sisters (2014–2015), Sabeth in Homo faber (2017) and Abigail in Witch Hunt were among her stage characters. She worked in Zurich a. a. with the directors Barbara Frey , Daniela Löffner , Sophia Bodamer , Milo Rau , Sebastian Baumgarten , Bastian Kraft and Jan Bosse . She was also part of the cast in Karin Henkel's stage version of The Ten Commandments based on Krzysztof Kieślowski 's film series of the same name.

In the 2017/18 season at the Schauspielhaus Zürich, Litzenberger-Vinet also worked with Karin Henkel on the role of Kassandra in BEUTE FRAUEN KRIEG , a reworking of the Euripides dramas The Troerinnen and Iphigenie in Aulis , in which Henkel the Trojan War from the perspective of the tortured Women presented. Litzenberger-Vinet embodied Cassandra as “sacrificial cattle” and “living goods”, with mechanical movement of the limbs and traumatic play, “close to madness and yet with a clear visionary gaze”. The production was shown several times at the Berlin Theatertreffen in May 2018 .

In the 2018/19 season Litzenberger-Vinet played the world premiere of the play The Engagement in St. Domingo - A Contradiction by Necati Öziri (director: Sebastian Nübling ), a co-production with the Maxim Gorki Theater in Berlin . In 2019 she appeared at the Salzburg Festival in the role of the unhappily married Julija Filippowna in Maxim Gorki's play Sommergäste in the production of Evgeny Titov .

Since 2015, Dagna Litzenberger Vinet has also been working for film and television. In her first major television production, she took on the lead role of the gold digger Annika, who lives secluded in the wilderness, in the ZDF - "Herzkino" television film River of Life - Yukon (first broadcast: September 2019).

Dagna Litzenberger-Vinet lives, commuting between the cities, alternately in Zurich, Berlin and Paris.

Filmography (selection)

Web links

Individual evidence

  1. Dagna Litzenberger-Vinet at schauspielervideos.de. Retrieved September 21, 2019.
  2. Dagna Litzenberger-Vinet . Profile and vita at CASTFORWARD. Retrieved September 21, 2019.
  3. a b c d Dagna Litzenberger-Vinet . Vita. Official website of the Salzburg Festival . Retrieved September 21, 2019.
  4. a b c d Dagna Litzenberger-Vinet . Vita. Official website of the Maxim Gorki Theater . Retrieved September 21, 2019.
  5. a b c d e f Dagna Litzenberger-Vinet . Vita. Official website of the Migros Culture Percentage . Retrieved September 21, 2019.
  6. Dagna Litzenberger . Vita. Official website of the Schaubühne at Lehniner Platz . Retrieved September 21, 2019.
  7. Weiss' "Marat / Sade" staged controversially . Performance review. In: BZ of October 7, 2012. Accessed September 21, 2019.
  8. MARAT / SADE . Performance review. KULTURA EXTRA. The online magazine. Retrieved September 21, 2019.
  9. Valeria Heintges: Divine service and murder and manslaughter . Performance review at Nachtkritik.de . Retrieved September 21, 2019.
  10. The spoils of war: Karin Henkel shows slaughter from the perspective of women in Zurich . Performance review. In: Südkurier from December 4, 2017. Retrieved September 21, 2019.
  11. ^ "Prey women war" at the Theatertreffen: key scenes of antiquity . Performance review. In: Tagesspiegel of May 9, 2018. Retrieved September 21, 2019.
  12. Valeria Heintges: Give me back my children . Performance review at Nachtkritik.de . Retrieved September 21, 2019.
  13. PREY WOMEN WAR . Program Berlin Festival 2018. Accessed on September 21, 2019.
  14. ^ Georg Kasch: Corridor of the bourgeois horror . Performance review at Nachtkritik.de . Retrieved September 21, 2019.
  15. Simon Strauss: The usual abysses . Performance review. In: Frankfurter Allgemeine Zeitung of August 2, 2019. Retrieved September 21, 2019.
  16. River of Life: Yukon - Call of the Wild . Press kit. ZDF. Retrieved September 21, 2019.