Don Rodrigo

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Opera dates
Title: Don Rodrigo
Shape: Opera in three acts and nine pictures
Original language: Spanish
Music: Alberto Ginastera
Libretto : Alejandro Casona
Premiere: July 24, 1964
Place of premiere: Teatro Colón , Buenos Aires
Playing time: approx. 1 ½ hours
Place and time of the action: Toledo, around 700
people
  • Florinda, daughter of Count Don Julian (dramatic soprano )
  • Don Rodrigo / Roderich , King of Spain (dramatic tenor )
  • Don Julian, Governor of Ceuta ( baritone )
  • Teudiselo, educator Rodrigos ( bass )
  • Fortuna, Florinda's servant ( mezzo-soprano )
  • 1st and 2nd maid ( soprano , mezzo-soprano)
  • Bishop, also blind hermit (baritone)
  • 1st page, also 1st blacksmith and 1st messenger (tenor)
  • 2nd page, also 2nd blacksmith and 2nd messenger (baritone)
  • a young messenger ( countertenor )
  • Voice of dream (deep bass)
  • Rapaz (boy)
  • Zagala (girl)
  • Heralds, pages, maids, ladies, knights, captains, warriors, guards, Arab warriors; People: farmers, shepherds, woodcutters, artisans ( choir )

Don Rodrigo is a tragic opera by Alberto Ginastera . The opera has three acts and 9 pictures ( Opus 31), each scene is separated by an orchestral interlude . The world premiere took place on July 24, 1964 at the Teatro Colón in Buenos Aires . The opera is based on a Spanish libretto by Alejandro Casona .

layout

The text of the opera is highly condensed, and the overall concept of the opera is actually atonal .

The opera is designed as a colorful spectacle, and represents a parade of the Visigoth King Roderich (Rodrigo) of Toledo in the 8th century. It sounds less like a classical opera, since it lacks melodic swing and ingenuity, the opera lives on their well-organized and symmetrical musical structure. The characters are shown only slightly emotionally, the music does not manage to support the emotions of the protagonists , so the opera lives for the most part from its brilliant musical effects. The acting persons are only represented and not explained in detail; neither are their actions made intelligible by the music. In this way, the characters remain strange, as there is no musical description of their feelings. A performance by Don Rodrigo does not live from the emotions and the plot, but from the quality and power of the singers, the orchestra, and the staging.

Instrumentation

The orchestral line-up for the opera includes the following instruments:

Others

The opera Don Rodrigo founded Plácido Domingo in the title role in 1966 at the New York City Opera his international career . Through this production, which he also sang in Los Angeles, the opera became known worldwide.

Web links

Individual evidence

  1. Malena kiss : Don Rodrigo. In: Piper's Encyclopedia of Musical Theater . Volume 2: Works. Donizetti - Henze. Piper, Munich / Zurich 1987, ISBN 3-492-02412-2 , pp. 380-382.