Eduard Schulz-Briesen

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Self-portrait (woodcut)

Eduard Schulz-Briesen , also Eduard Schulz or Edouard Schulz-Briesen (born May 11, 1831 at House Anstel in Frixheim-Anstel , Neuss district ; † February 21, 1891 in Düsseldorf ), was a German portrait and genre painter and illustrator of the Düsseldorfers School .

Life

Determined by his father for a military career, he joined the Bensberg cadet institute at an early age . From 1849 he studied painting at the Düsseldorf Art Academy under Karl Ferdinand Sohn and Theodor Hildebrandt . At the end of 1851 he came to Antwerp and continued his studies at the Royal Academy of Arts with Gustave Wappers . After that he spent some time in Paris .

After completing his military service in Cologne from 1854 to 1855, he went to Berlin , then to Westphalia . He settled in Barmen . There he ran a photographic studio. After 1870 he came back to Düsseldorf, where he was a member of the Malkasten artists' association . Together with Ferdinand Brütt , Schulz-Briesen performed the Tableau vivant Decamerone in December 1879 in the Malkasten House , a replica of a painting by the Italian painter Raffaelo Sorbi (1844–1931) from 1876.

He signed his earlier pictures with “Ed. Schulz ”, since 1880 with“ Ed. Schulz-Briesen ”. He converted some of his oil paintings as woodcuts into illustrations for the magazine Die Gartenlaube .

Eduard Schulz-Briesen's brother was the general director of the Dahlbusch colliery in Gelsenkirchen-Rotthausen , Bruno Schulz-Briesen (1832-1919). His son Max (Bruno Albert Maximilian, 1868–1940), technical director of the Dahlbusch mining company and later chairman of the expert committees of the Reich Coal Council , married his cousin Elisabeth (* 1876), daughter from Schulz-Briesen's marriage to Rosa Tetzloff, in 1902.

Works

Sunday morning church service. 1883
  • Sunday morning service 1883.
  • The lost honor
  • In the men's room
  • The journey to the investigation (the arrest, motif from Rothenburg ob der Tauber)
  • Der Feinschmecker Städtisches Kramer-Museum, Kempen.
  • Quarrel on the dance floor
  • Bedside doctor
  • Childhood memories
  • Children's carnival
  • The attached gypsies (captive gypsies)
  • Church service in the country
  • In thoughts , Städtische Gemäldegalerie Düsseldorf, donation in 1892 from the widow Eduard Müller, Maria geb. Sweetie

literature

Web links

Commons : Eduard Schulz-Briesen  - Collection of images, videos and audio files
Wikisource: Lost Honor  - Sources and Full Texts

Individual evidence

  1. ↑ Inventory list , website in the malkasten.org portal , accessed on February 26, 2016.
  2. ↑ Volker Frech: Living pictures and music using the example of Düsseldorf culture . Master thesis. University of Cologne, 1999, p. 81 ( Google Books )
  3. ↑ Bruno Schulz-Briesen , website in the portal gelsenkirchener-geschichten.de , accessed on February 26, 2016.
  4. ↑ Yearbook for Economic History , Volume 88, p. 186 (PDF)
  5. ↑ Gert Udtke: Three paintings for the dining room. on: rp-online.de , April 20, 2011, accessed on February 26, 2016.
  6. ^ Municipal picture gallery. There were gifts: from widow Eduard Müller, Maria geb. Süs “In thoughts” by Schulz-Briesen, in a report on the status and administration of community affairs in the city for the period from April 1, 1892 to March 31, 1893 ub.uni-duesseldorf.de
  7. ^ Süs, Gustav, painter, Schadowstr. 34; Süs, Maria, painter, Marienstr. 34, in the address book of the mayor's office in Düsseldorf 1875 ub.uni-duesseldorf.de
personal data
SURNAME Schulz-Briesen, Eduard
BRIEF DESCRIPTION German painter
DATE OF BIRTH May 11, 1831
PLACE OF BIRTH House Anstel in Frixheim-Anstel, Neuss district
DATE OF DEATH February 21, 1891
Place of death Dusseldorf