Georges Wakhévitch

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Georges Wakhévitch ( Russian Жорж Леонидович Вакевич ; born August 18, 1907 in Odessa , Russian Empire , today Ukraine ; † February 11, 1984 in Paris ) was a Russian-born, French film architect , set designer , costume designer , painter and book illustrator .

Live and act

The son of a marine engineer grew up in Paris since 1921 and attended the École nationale supérieure des arts décoratifs there after graduating from school . In 1927 Wakhévitch began his career as a set designer. Up until his death he set up an abundance of theater plays. Guest performances have taken him to the operas of Berlin , Vienna , Paris, La Scala in Milan , London's Covent Garden and stages in Buenos Aires , Rio de Janeiro , Genoa , Venice and Rome . Between 1966 and 1976 Georges Wakhévitch designed decorations and costumes for Herbert von Karajan's Salzburg Easter Festival . A number of productions were also included in the program of the Salzburg Festival in summer.

Parallel to his theater work, Wakhévitch also worked for film from 1931, initially in a subordinate role. Until 1935 he was mostly employed as the second film architect, most recently at Jacques Feyder's German-French collaboration, a Flemish moral image “ The Wise Women ”. He then rose to co-chief architect and was involved in a number of classics of pre-war French films such as Jean Renoir's The Great Illusion . During the German occupation, Wakhévitch mostly carried out the designs of his underground Jewish colleague Alexandre Trauner , around 1942 for Marcel Carné's The Night with the Devil and the following year for Children of Olympus .

Until the early 1970s, Georges Wakhévitch continued to work continuously in both theater and film. During this time, he designed the film sets for a wealth of dignified, high-level entertainment productions by well-known directors such as Yves Allégret , Christian-Jaque , Jean Cocteau , Jean Delannoy , Gérard Oury , Julien Duvivier , Nicholas Ray , René Clair , Terence Young , Édouard Molinaro , Peter Brook and even Herbert von Karajan . "His decors were conventional, but at the same time betrayed a high degree of spatial feeling and a sense of visual abundance."

Wakhévitch has also made a name for himself as a landscape painter, his works have been exhibited in Paris (1954 and 1969), Casablanca (1960), Geneva (1970) and Saint-Tropez (1975). As a book illustrator, he designed the editions of Federico García Lorca (1967) and William Shakespeare's Julius Caesar and Macbeth (1969). In 1982 Wakhévitch was elected to the Académie des Beaux-Arts .

Movies

  • 1936: Nitchévo
  • 1936: Feu
  • 1937: The great illusion
  • 1937: The Marseillaise (La Marseillaise)
  • 1937: Dunja (nostalgia)
  • 1938: Conflit
  • 1938: Gibraltar
  • 1938: Life is not a novel (La maison du maltais)
  • 1938: Louise
  • 1939: Girl trafficker (Pièges)
  • 1939: Serenade (Sérénade)
  • 1940: 24 hours de perm '
  • 1941: The golden butterfly (Le club des soupirants)
  • 1941: Jealousy (Le soleil a toujours raison)
  • 1942: The night with the devil
  • 1942: La vie de Bohème
  • 1943: The eternal ban
  • 1943: La boîte aux rêves
  • 1944: Children of Olympus
  • 1944: Mademoiselle X
  • 1945: Sérénade aux nuages
  • 1945: Les démons de l'aube
  • 1946: The Eternal Husband (L'homme au chapeau rond)
  • 1946: Martin Roumagnac (Martin Roumagnac)
  • 1947: Ruy Blas, the Queen's lover (Ruy Blas)
  • 1947: Bar for the full moon (Dédée d'Anvers)
  • 1948: The double-headed eagle (L'aigle à deux têtes)
  • 1948: Le voleur se porte bien
  • 1949: Miquette et sa mère
  • 1950: dreamy days
  • 1950: The medium (The Medium)
  • 1951: Bluebeard
  • 1952: The seven sins (Les sept péchés capitaux)
  • 1952: The Beggar's Opera (The Beggar's Opera)
  • 1953: Innocents in Paris
  • 1953: The flesh and the devil (La chair et le diable)
  • 1954: Ali Baba ( Ali Baba et les quarante voleurs )
  • 1955: Don Juan - The Seducer (Don Juan)
  • 1956: Si le roi savait ça
  • 1957: Escaping the Swamp (Escapade)
  • 1957: Wrong Money and Real Curves (Paris Holiday)
  • 1957: The black slave (Tamango)
  • 1958: Jakobowsky and the Colonel
  • 1958: A woman like Satan (La femme et le pantin)
  • 1958: Marie-Octobre (Marie-Octobre)
  • 1959: Dedicated to the devil (L'ambitieuse)
  • 1959: Carmen 62 (Un, deux, trois, quatre)
  • 1960: King of Kings
  • 1961: Galant love stories (Les amours célèbres)
  • 1961: Crimes of love (Le crime ne paie pas)
  • 1962: Sheherazade (Shéhérazade)
  • 1963: Hot plaster (Peau de banane)
  • 1963: A chambermaid's diary
  • 1964: The boss has come up with something (Échappement libre)
  • 1964: On a hot summer day (Par un beau matin d'éte)
  • 1965: The fortress falls, love lives (Les fêtes galantes)
  • 1965: Even large bills can be wrong (Monnaie de singe)
  • 1966: Beloved Scoundrel (Tendre voyou)
  • 1966: Carmen
  • 1967: Oscar
  • 1968: Mayerling
  • 1969: King Lear
  • 1969: Giselle
  • 1971: The stupid pranks of the rich
  • 1973: Little Man - What Now? (TV movie)
  • 1974: Otello
  • 1978: Gurdjieff - Meeting With Remarkable Men
  • 1981: Tovaritch (TV movie)
  • 1983: The tragedy of Carmen (La tragédie de Carmen)

literature

  • Kay Less : The film's great personal dictionary . The actors, directors, cameramen, producers, composers, screenwriters, film architects, outfitters, costume designers, editors, sound engineers, make-up artists and special effects designers of the 20th century. Volume 8: T - Z. David Tomlinson - Theo Zwierski. Schwarzkopf & Schwarzkopf, Berlin 2001, ISBN 3-89602-340-3 , p. 228.

Web links

Individual evidence

  1. Kay Less : The film's great personal dictionary . The actors, directors, cameramen, producers, composers, screenwriters, film architects, outfitters, costume designers, editors, sound engineers, make-up artists and special effects designers of the 20th century. Volume 8: T - Z. David Tomlinson - Theo Zwierski. Schwarzkopf & Schwarzkopf, Berlin 2001, ISBN 3-89602-340-3 , p. 228.